Los Angeles Times' Scores

For 16,522 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16522 movie reviews
  1. Psycho Beach Party is, from the start, in dire need of the electroshock therapy that Florence ultimately undergoes.
  2. A bad movie for connoisseurs of the genre.
  3. Despite a wealth of special effects...this movie is surprisingly inert, more dull than anything else, with little to recommend it on any level.
  4. This is a mostly genial film that gets as much mileage as it can out of the undeniable charisma of its stars.
  5. The thrill is definitely gone, leaving a disappointing and unpleasant mess in its place.
  6. Locale is crucial here, and Monte Carlo, Athens and Istanbul are a wonderful trio of cities for glamorous romance, intrigue and danger--and they could not seem more richly atmospheric with Dreujou's lush camerawork.
  7. In short, Wonderland is an extraordinary film, as entertaining as it is observant, about ordinary people.
    • Los Angeles Times
  8. The impact of its finish has been dissipated by too much meandering along the way.
    • Los Angeles Times
  9. Lays thick, goopy layers of uplift on what should be lighter on the heart and stomach.
  10. (To be) thoroughly enjoyed as a privileged look at one of the loopiest of late 20th century lives.
  11. There's such a rawness, purity and even mystical force to everything Benjamin says or sings, that anything else would seem extraneous and detracting from the impact of a man who has lived his life with absolutely no holds barred.
  12. Well-paced and solidly crafted.
  13. One of the great crime thrillers, the benchmark all succeeding heist films have been measured against, it's no musty museum piece but a driving, compelling piece of work, redolent of the air of human frailty and fatalistic doom.
  14. Boldly structured, intensely focused and briskly paced, Alice and Martin has a tremendous emotional density that places the utmost demands upon its actors--and asks a lot of audiences, too.
  15. Formulaic new teen opus
  16. Feels more planned than passionate, scary at points but unconvincing overall.
  17. Trite and uninvolving.
  18. An elegant, deliberate film about loneliness and hope, connection and loss.
  19. Succeeds because it turns out not to be the movie it might so easily have been.
  20. While X-Men doesn't take your breath away wire-to-wire the way "The Matrix" did, it's an accomplished piece of work with considerable pulp watchability to it.
  21. Besson's restored Big Blue proves mystical, intriguing.
  22. Misfires badly as both an entertainment and a message movie.
  23. Identifying herself with other minorities (whose members she mimics outrageously), Cho shatters racial and sexual stereotypes with merciless wit.
  24. Works against its goals.
  25. A movie we might like to buy into if left to our own devices, but that idea is anathema to Turteltaub, intent on pushing us so hard that we end up pushing back.
  26. While undeniably silly and violent in a cartoon-like manner, is by and large a hilarious skewering of the clichés of teen pix.
  27. Beguiling and poignant.
  28. With her unblinking but nonjudgmental eye, Spheeris doesn't shy away from the horrifying, at times violent messes these kids make of their lives, but she is always sensitive to the pain behind everything, to the unhappy futility of squandered potential.
  29. Does go on too long, leading to inevitable dead spots.
  30. Has noticeable problems with characterization and dialogue. But once that awesome storm, one of the most terrifying ever put on film, gets cranked up, it's hard to remember what those difficulties were, let alone care too much about them.

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