Los Angeles Times' Scores

For 16,522 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16522 movie reviews
  1. Hits hard and pulls no punches in telling its brutal story.
  2. Looks sensational, moves like lightning. But its script (by Joel Soisson) makes no pretense about being logical or even comprehensible.
  3. Way too bleak to be funny, even as a contemporary satire of the battle of the sexes.
  4. An admirable, thoughtful venture, but it may leave you with the feeling that you've seen it all before.
    • Los Angeles Times
  5. It's remarkable for where it takes us, how it takes us there.
  6. This is a film that almost is not there.
    • 38 Metascore
    • 60 Critic Score
    A sensitive and thoughtful probe into questions of faith and the difficulties faced by those who are called to teach others.
  7. Totally captivating, as seductive as a samba.
  8. You find Went to Coney Island sticking with you long after it's over.
    • Los Angeles Times
  9. A film of much gentleness, tenderness and keen observation into the way laughter and pain have a way of colliding into each other.
    • Los Angeles Times
  10. So mild, so benign, its humiliation-to-vindication are so predictable and its old-folks jokes so feeble.
    • 47 Metascore
    • 40 Critic Score
    A film without a framework, without a skeleton--a Phish philet, if you will.
  11. By the time the heavy-handed Solomon & Gaenor is over, it has become such a punishing exercise in the self-evident that one is left numb and eager for escape.
  12. Not quite original enough to make much of a dent in the marketplace, but it shows its stars to advantage.
  13. Smart and sassy high school movie that's fun for all ages.
  14. A warm and feisty documentary that is as much inquiry as it is tribute.
  15. This complex, sophisticated and increasingly suspenseful tale of love and betrayal, intrigue and redemption, is as elegant as its star and its settings.
  16. Some movies make you sorry you've seen them, and The Cell is one of those. Creepy and horrific, it's a torture chamber film.
  17. Another traditional Japanese production, weakly plotted, woodenly acted and indifferently dubbed.
  18. There might have been a better, more involving method of telling Hoffman's story, but it is expressed with a firm sense of commitment to accuracy and authenticity.
  19. A dynamite concert film.
  20. Moves smoothly amid a near-perfect period evocation, captured in an array of shifting moods.
  21. A small gem.
  22. With key scenes so vivid they barely feel scripted, this is more than a same-sex success, it's a most affecting, most sensual on-screen love affair, period.
  23. A film as romantic as its title.
  24. Lapses into an exercise in foolishness.
  25. A fast, furious and funny fusillade of a movie.
  26. A haphazard film about half as sophisticated as the average beer commercial.
  27. A constant, idiosyncratic pleasure that leaves us eager to see what the Goodmans and Logue will do next.
  28. Starts out self-consciously but gets better as it goes along, winding up as affecting as it is illuminating.

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