For 16,522 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,697 out of 16522
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Mixed: 5,808 out of 16522
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Negative: 2,017 out of 16522
16522
movie
reviews
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- By Critic Score
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- Los Angeles Times
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Reviewed by
Kevin Thomas
Looks sensational, moves like lightning. But its script (by Joel Soisson) makes no pretense about being logical or even comprehensible.- Los Angeles Times
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Reviewed by
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Reviewed by
Kevin Thomas
Way too bleak to be funny, even as a contemporary satire of the battle of the sexes.- Los Angeles Times
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Reviewed by
Kevin Thomas
An admirable, thoughtful venture, but it may leave you with the feeling that you've seen it all before.- Los Angeles Times
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- Los Angeles Times
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- Los Angeles Times
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- Critic Score
A sensitive and thoughtful probe into questions of faith and the difficulties faced by those who are called to teach others.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
You find Went to Coney Island sticking with you long after it's over.- Los Angeles Times
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Reviewed by
Kevin Thomas
A film of much gentleness, tenderness and keen observation into the way laughter and pain have a way of colliding into each other.- Los Angeles Times
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Reviewed by
John Anderson
So mild, so benign, its humiliation-to-vindication are so predictable and its old-folks jokes so feeble.- Los Angeles Times
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- Critic Score
A film without a framework, without a skeleton--a Phish philet, if you will.- Los Angeles Times
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Reviewed by
Kevin Thomas
By the time the heavy-handed Solomon & Gaenor is over, it has become such a punishing exercise in the self-evident that one is left numb and eager for escape.- Los Angeles Times
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Reviewed by
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Reviewed by
Kevin Thomas
Not quite original enough to make much of a dent in the marketplace, but it shows its stars to advantage.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kenneth Turan
A warm and feisty documentary that is as much inquiry as it is tribute.- Los Angeles Times
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Reviewed by
Kevin Thomas
This complex, sophisticated and increasingly suspenseful tale of love and betrayal, intrigue and redemption, is as elegant as its star and its settings.- Los Angeles Times
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Reviewed by
Kenneth Turan
Some movies make you sorry you've seen them, and The Cell is one of those. Creepy and horrific, it's a torture chamber film.- Los Angeles Times
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Reviewed by
Kenneth Turan
Another traditional Japanese production, weakly plotted, woodenly acted and indifferently dubbed.- Los Angeles Times
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Reviewed by
Kevin Thomas
There might have been a better, more involving method of telling Hoffman's story, but it is expressed with a firm sense of commitment to accuracy and authenticity.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
Moves smoothly amid a near-perfect period evocation, captured in an array of shifting moods.- Los Angeles Times
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Reviewed by
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- Los Angeles Times
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Reviewed by
Kenneth Turan
With key scenes so vivid they barely feel scripted, this is more than a same-sex success, it's a most affecting, most sensual on-screen love affair, period.- Los Angeles Times
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Reviewed by
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- Los Angeles Times
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- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kenneth Turan
A haphazard film about half as sophisticated as the average beer commercial.- Los Angeles Times
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Reviewed by
Kevin Thomas
A constant, idiosyncratic pleasure that leaves us eager to see what the Goodmans and Logue will do next.- Los Angeles Times
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Reviewed by
Kevin Thomas
Starts out self-consciously but gets better as it goes along, winding up as affecting as it is illuminating.- Los Angeles Times
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Reviewed by