Los Angeles Times' Scores

For 16,550 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16550 movie reviews
  1. Offers the pleasures of a chamber drama's bravura performances from a pair of supremely accomplished pros.
  2. If Penélope Cruz were any less attractive, maybe someone would have noticed how dull this mild, would-be romantic fairy tale has turned out.
  3. Becomes disarmingly warm and even a little folksy at times, but Edwin de Vries' script proves devastatingly deceptive.
  4. Consistently fresh, engrossing and unpredictable.
  5. So exasperating in its contradictions, so frustrating in its fakery, so deeply irritating in its pretensions, it's frankly hard to know where to begin to dissect it.
  6. Because Into the Arms of Strangers is as much a story about childhood as it is about the Holocaust, it's an especially moving and effective piece of work.
  7. By the time Duets faces the music, hardly anyone is going to care.
    • Los Angeles Times
  8. Such a powerful experience that it is equally effective whether you have figured out from the start where it is headed or whether its denouement comes as a complete surprise.
    • Los Angeles Times
  9. Concerned with fathers and sons, expectations and dreams, ideals and reality, this completely engrossing film gets more involving as it goes on.
    • Los Angeles Times
  10. The "crime" was that it was made in the first place and the "punishment" is having to watch it.
    • Los Angeles Times
  11. Superb, contemplative.
    • Los Angeles Times
  12. But what little humor there is in the movie becomes subservient to the grisly violence, gratuitous cruelty and ugly car chases.
    • Los Angeles Times
  13. Smartly shot in digital and transferred to 35 mm, suggests that Evans needs more seasoning to make genre conventions and characters work for him rather than against him.
  14. Illuminating, poignant and heartening.
  15. See it and it'll stay with you as your own memories do: funny, poignant, bittersweet and irreplaceable.
  16. Plays out the notion of the forces of light being inexorably drawn to those of darkness, of the older generation betraying the younger and maybe even an indictment of European indifference to the Balkans' agony.
  17. Neither acutely suspenseful nor particularly thrilling but instead mainly numbing.
    • 29 Metascore
    • 40 Critic Score
    It delivers the stars in unguarded moments that should give fans--if not everyone--some kicks.
  18. Alternately heart-wrenching, dismaying, raw and even funny, Solas is ultimately a wonderfully warm and embracing experience.
    • tbd Metascore
    • 20 Critic Score
    It's hard to tell if My 5 Wives is so completely dumb that it's impossible to be offended by it, or so completely offensive that it's just dumb.
  19. Its warped, disconnected sensibility makes for an oddly distant piece of work.
    • Los Angeles Times
  20. Although there is real pain and suffering in It All Starts Today, it is too impassioned, too brisk and too embracing of life and human foibles to be depressing.
  21. An implement of destruction loaded with more borrowed film riffs than could be compiled by 47 clones of Robert Rodriguez..
  22. Hits hard and pulls no punches in telling its brutal story.
  23. Looks sensational, moves like lightning. But its script (by Joel Soisson) makes no pretense about being logical or even comprehensible.
  24. Way too bleak to be funny, even as a contemporary satire of the battle of the sexes.
  25. An admirable, thoughtful venture, but it may leave you with the feeling that you've seen it all before.
    • Los Angeles Times
  26. It's remarkable for where it takes us, how it takes us there.
  27. This is a film that almost is not there.
    • 38 Metascore
    • 60 Critic Score
    A sensitive and thoughtful probe into questions of faith and the difficulties faced by those who are called to teach others.

Top Trailers