Los Angeles Times' Scores

For 16,524 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16524 movie reviews
  1. Not quite stunning enough to live up to a boldly bleak and unrelenting buildup.
  2. More than anything, The Grudge suggests that it's time for Shimizu to move on.
  3. A dismally formulaic hodgepodge of crude humor and wan attempts to tug at the heart.
  4. Like Moore's film, Celsius hits too many topics with too broad a brush, resulting in yet another contribution to this campaign season's spin cycle of rhetoric.
  5. Breillat's first foray into comedy is playful, whip-smart and far breezier in both tone and look than the stylized gender polemics she's known for.
  6. A tedious, precious fantasy.
  7. Cassavetes' riveting film not only re-creates the glory days of the Z Channel through a generous offering of film clips and interviews, but also presents a clear-eyed portrait of its creative driving force, Jerry Harvey, and the tragic circumstances of his death.
  8. Once you get beyond the absurdity of the premise, it works.
  9. The movie is so glum and flat-footed there's no reason to care.
  10. The thriller with a promising premise fails to deliver.
  11. There's such a rich sense of the fullness of life in Moolaadé that it sustains those passages that are truly and necessarily harrowing.
  12. The movie is like a promising date that goes nowhere.
  13. The filmmakers have brought such breadth and depth to the material. Everyone counts in this film, not just Julia Lambert.
  14. Good-natured comedy.
  15. Inspired by actual events, Saints and Soldiers benefits by being a small-scale war movie.
  16. A sleek Hollywood crowd-pleaser, more movie than art film, but its makers have wisely stuck not only to the spirit but often even to the letter of the original.
  17. Yes, it's inventive, yes, it's out-there and audacious, but no, it's not always as funny as those good things would lead you to hope.
  18. Genteelly erotic, surprisingly emotional, exquisitely made from start to finish.
  19. As lovely and heartbreaking as Staunton is to watch, there's something about Leigh's attachment to his politics that leaches some complexity from the experience
  20. Gentlemen, it's a male chick flick - "The Dirty Secrets of the Ya-Ya Brotherhood."
  21. An appealingly wry little film that is as appetizing as its title.
  22. At once corny and precious, its humor seems too heavily ethnic to travel well.
  23. Amusing and informative.
  24. A garishly slick piece of exploitation with surprisingly high production values but nary a moment of suspense.
  25. Sly and witty.
  26. Real enough around the edges to hold our attention even if it sacrifices accuracy for storytelling ease.
  27. Frustrating as I ultimately found it, Primer is undeniably geek heaven. For everyone else, it's a nice antidote to big-budget bogusness.
  28. Hilary Duff can't rise above an overbearing script with underdeveloped roles.
  29. A remarkable and remarkably compelling document.
  30. Full of car chases, weak jokes and scenes so meandering they make "Saturday Night Live" look like a paragon of brevity and wit.

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