For 16,524 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,698 out of 16524
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Mixed: 5,809 out of 16524
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Negative: 2,017 out of 16524
16524
movie
reviews
- By Date
- By Critic Score
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- Los Angeles Times
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Reviewed by
Kenneth Turan
Intelligently written and directed with a pleasing frankness by Bill Condon and well played by Liam Neeson, Laura Linney and a strong supporting cast, the film skillfully uses the forms of old Hollywood to tell a story that would have given heart failure to Harry Cohn and his fellow tycoons.- Los Angeles Times
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Reviewed by
Carina Chocano
Gently seductive, genuinely tender and often moving without being maudlin.- Los Angeles Times
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Reviewed by
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Reviewed by
Kevin Thomas
Well paced and affectionately observant, Way Off Broadway is a good example of a low-low-budget first film in which the filmmaker got everything just right.- Los Angeles Times
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Reviewed by
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Reviewed by
Kenneth Turan
Though Overnight seems to be cautioning us about the excesses of filmmaker ego, it isn't always consistent.- Los Angeles Times
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Reviewed by
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Reviewed by
Kenneth Turan
It's hard not to wish this film were more of a piece and less like loud music at the wrong party.- Los Angeles Times
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Reviewed by
Kevin Thomas
The result is not only one of Zeffirelli's sumptuous productions but also a film that celebrates the sacredness of artistic integrity that to Zeffirelli Callas embodied fully.- Los Angeles Times
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Reviewed by
Kevin Thomas
It's clear early on, however, that this is standard concert-film fare geared to the faithful.- Los Angeles Times
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Reviewed by
Kevin Thomas
The film is studded with nifty supporting portrayals, with Burns and Ford (in his film debut) especially notable. But it's the rich presence and easy authority of Robinson that brings both a gravitas and a blithe spirit to Brother to Brother.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
Moves deftly from a wry and affectionate father-son bonding comedy to wrenching drama.- Los Angeles Times
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Reviewed by
Carina Chocano
In the original, extended, unrepentant bad behavior results in bad consequences for the protagonist. In the remake, it gets the character some life lessons and a personal growth spurt.- Los Angeles Times
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Reviewed by
Kenneth Turan
Bird has created the unprecedented film that is not just a grand feature-length cartoon but a grand feature, period, a piece of animation that's involving across a spectrum of comedy, action, even drama.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
Very strong stuff, and Sistach has inspired such young actors as Ayala and Gutiérrez to give sustained and harrowing portrayals.- Los Angeles Times
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Reviewed by
Kevin Thomas
Its charms sneak up on you because of the nuanced performances of Burton, Bauche and particularly Salazar.- Los Angeles Times
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Reviewed by
Kevin Crust
By turns heartbreaking, amusing and disturbing, the film features people from different regions, economic classes and religions, recounting stories that are sometimes bleak, sometimes encouraging, but always compelling.- Los Angeles Times
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Reviewed by
Carina Chocano
Enduring Love is an intellectual investigation of love from three equally frustrating perspectives - the physical, the spiritual and that mixture of emotion, psychology and interpretation we call art - couched loosely in a cool stalker thriller.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Carina Chocano
Saw is so full of twists it ends up getting snarled. For all of his flashy engineering and inventive torture scenarios, the Jigsaw Killer comes across as an amateur. Hannibal Lecter would have him for lunch.- Los Angeles Times
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Reviewed by
Kenneth Turan
Ray may be too by the numbers, but with Jamie Foxx out front, this is one film that knows how to make it all add up.- Los Angeles Times
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Reviewed by
Kevin Crust
It thinks it's cute, but it's as charming as an old drunk going on about how he knew Eastwood back in the day.- Los Angeles Times
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Reviewed by
Kenneth Turan
Exactly written, directed with a surgeon's precision and transcendently acted, Sideways brings emotional reality to a consistently amusing character comedy, making it something to be cherished like the delicate Santa Ynez Valley wines that are the story's vivid backdrop.- Los Angeles Times
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Reviewed by
Kevin Crust
Once the filmmakers have got the celebrities settled into Stella Street, they have a hard time figuring out what to do with them. Stella Street is the road best not taken.- Los Angeles Times
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Reviewed by
Kevin Crust
Feels like an acting exercise stretched to feature length.- Los Angeles Times
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Carina Chocano
LaPaglia, Feeney and Stoltz soldier bravely through an uninspired, airless script.- Los Angeles Times
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Reviewed by
Kevin Thomas
The result is a movie that doesn't add up to the sum of its parts, yet some of those parts connect deeply anyway.- Los Angeles Times
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Reviewed by
Kevin Crust
The less-than-persuasive result is like mediocre leftover psychedelic '60s underground cinema.- Los Angeles Times
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Reviewed by
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- Los Angeles Times
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Reviewed by
Kevin Thomas
Undeniably a heart-tugger, but it is also a stirring affirmation of the rewards of a job well done.- Los Angeles Times
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Reviewed by