For 16,524 reviews, this publication has graded:
-
56% higher than the average critic
-
6% same as the average critic
-
38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
-
Positive: 8,698 out of 16524
-
Mixed: 5,809 out of 16524
-
Negative: 2,017 out of 16524
16524
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
John Anderson
If Aeon Flux is what Charlize Theron does to pay the bills while otherwise being engaged in "Monster" and "North Country," it's probably a reasonable price to pay. For her. For us? No, no, no.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
Felicity Huffman is such a wonder, at once funny and brave, playing a pre-op male-to-female transsexual in the uneven comedy Transamerica that she sustains several lapses that might otherwise have sunk it.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
As a result, what should have been a thrilling 90-minute sport adventure runs on for 20 more repetitive minutes. First Descent is exciting, but less would surely have been more.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
It is difficult to imagine anyone but Spheeris pulling off this movie, undercutting all mawkishness, bringing to it nuance and shading, not to mention wit. The result is an enjoyable family movie.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
Brown's engrossing and poignant documentary on Van Zandt, is filled with appearances by celebrated performers who are simply fans of this legendarily troubled figure with the aching voice and haunted Lincoln-esque look.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
A moving, troubling documentary. Moving because of the nature of the problem it explores, troubling because the film can't help but underline that simple solutions are never going to present themselves, no matter how much we want them to.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
Down to the Bone emerges with an aura of authenticity so strong as to be mesmerizing, thanks to a superior script brought to life with infallibly natural performances.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Carina Chocano
As it is, Mrs. Palfrey seems to suggest the Claremont is located somewhere in the Twilight Zone. Where are the televisions? Where are the chain stores? Where are the immigrants? I see the buildings, but where is England?- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
A droll, dark Christmas treat for adults, a delightful alternative to the usual holiday-themed fare.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Crust
A jumble of genres including mob melodrama, bodyguard romance and interracial love story, none of which is handled in a remotely satisfying manner by director Ron Underwood. The film's tone shifts with all the grace of a car with a balky transmission.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
This is a standard-issue gross Hollywood knockabout comedy in which slapstick antics have been piled up with a steam shovel and driven home with a sledgehammer. Reynolds and Smart are game and even dimensional, but all others are stuck playing tiresome, obnoxious characters.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Carina Chocano
Rent is commodified faux bohemia on a platter, eliciting the same kind of numbing soul-sadness as children's beauty pageants, tiny dogs in expensive boots, Mahatma Gandhi in Apple ads.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
Synthetic, strained and noisy, Yours, Mine & Ours is a clinker that doesn't bear comparison with the original. Quaid, Russo and others deserve better.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
A trying experience. As we watch Rochester fall apart in spectacular fashion, it's clear that a major lure for the venturesome Depp was the chance to play a grotesque, to become a pestilent physical wreck with an artificial silver nose. There's more in that role for the actor, however, than there is for us.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
A fearless and ambitious piece of work, made with equal parts passion and calculation, an unapologetically entertaining major studio release with compelling real-world relevance, a film that takes numerous risks and thrives on them all.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
Even though it is ultimately anything but an endorsement for street racing, the movie stunningly captures its undeniable excitement.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
A heart-tugger that, although highly inspirational, has a strongly orchestrated quality.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
It's not until Harry Potter and the Goblet of Fire that a film has successfully re-created the sense of stirring magical adventure and engaged, edge-of-your-seat excitement that has made the books such an international phenomenon.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Carina Chocano
The movie is less an uncharted journey than a 2 p.m. bus tour of a music industry legend. But like an expert guide, Mangold shepherds the story with enough grace, energy and skill to make it worthwhile.- Los Angeles Times
- Read full review
-
Reviewed by
-
- Los Angeles Times
- Read full review
-
-
Reviewed by
Kevin Thomas
Perhaps inevitably bleak and grueling, Private is also involving and provocative -- and critical of Israeli treatment of Palestinians in an effectively understated manner.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
To come across Classe Tous Risques is like discovering a bottle of marvelous French wine you didn't remember you had, opening it and finding it every bit as delicious as its reputation promised. That's how good this classic fatalistic French gangster film is.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Carina Chocano
In the end, his (Patrick) disaffection make him a singularly uninvolving character, and his disengagement makes him seem alternately shallow, selfish and perverse.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert Abele
Suffused with a painterly tenderness and cruelty, the French film Gilles' Wife - based on a 1937 Belgian novel by Madeleine Bourdouxhe - stars the extraordinary actress Emmanuelle Devos.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
Written, directed and acted with real compassion and sympathy for the humanity of its characters, no matter who they are or on what side of these multiple issues they turn out to be.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Crust
Deliberate silliness is hard to sustain, but Undertaking Betty pretty much succeeds.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Carina Chocano
With outstanding performances, including a turn by Judi Dench as the evil Lady Catherine de Bourg, Pride & Prejudice is a joy from start to finish.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Carina Chocano
Derailed seems to want badly to be described as contemporary noir. But it's just pitch-dumb.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Crust
The movie has a lot of the elements that might make it thrilling and it's visually arresting, but it's missing the emotional connection necessary to make it interesting.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
With the help of clear direction and some excellent acting, especially from Flora Cross in a memorable debut as Eliza, Bee Season is affecting in ways that movies have all but given up trying to be.- Los Angeles Times
- Read full review
-
Reviewed by