Los Angeles Times' Scores

For 16,524 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16524 movie reviews
  1. Thirty years of gestation have produced a film of great beauty with unfulfilled promise - a disappointment, but with much to recommend and be glad about.
  2. Sometimes a film about nothing can be a film about everything; a film without overwhelmingly dramatic events can delight you more than an outsized epic. The sly and disarming Duck Season is such a film.
  3. The performances by all three children are scarily convincing. Still, it's a taxing bit of exploitation, which, although you're glad to know it's a work of fiction, doesn't exactly make a case for itself as art.
  4. Director Mikael Hafström's dramatic sense is so pedestrian and snail's-pace obvious -- since this 2003 feature, he's made the leap to Hollywood with the plodding thriller "Derailed" -- one starts biding time for the inevitable retributive smackdown that will save our hero from the gantlet of draggy high-mindedness about counteracting fascism with stony resolve.
  5. Small and intimate, Game 6 is a meditation on American theater and the Great American Pastime that hovers above the surface of reality but never quite takes off, either.
  6. The main strength of "Shakespeare" is its ability to show the vulnerability of its subjects, neither judging nor smothering them with undeserved praise.
  7. A ticking clock scenario and a terrific performance by Willis as an alcoholic NYPD detective make up for the film's occasional missteps and some strange pop culture references.
  8. Most fun of all, however, is basking in Chappelle's ability to be effortlessly funny. Whether he's making believe he's a pimp in a Dayton clothing store or charming little kids in the Bed-Stuy day-care center that was concert headquarters, his personality infuses the film with infectious good feelings.
  9. To her credit, Jovovich carries out her action-hero duties with swagger and conviction that never get out of control. Clearly, she's expecting a franchise out of this.
  10. It would be a mistake to think that if you've seen one fish up close and personal you've seen them all. Deep Sea 3D is a total-immersion undersea adventure, in which the oceans' glories are on vivid display in three dimensions.
  11. The uncomplicated humanism of Joyeux Noël, with its Christmas message of peace, feels at once irrefutable and refreshing.
  12. The most memorable section of the film is the chilling quarter-hour devoted to the apprehension and eventual murder of the Clutter family. Captured in unblinking, neo-documentary detail, it freezes the blood just as they did all those decades ago.
  13. Most of all we see what a coldblooded sport campaigning is, and how desperately the people who are good at it want to win.
  14. Whatever its weaknesses, Tsotsi is redeemed by its excellent performances.
  15. Reunion is an awkward compound of paradoxical tones and ideas... But one shouldn't underestimate Perry's ability to make such contradictions work and get away with the most wretched excess.
  16. Running Scared is so desperate and surreally stupid that all you would have to do to see it as a brilliant sendup of everything that is corrupt, vulgar, sad, deluded and bad-for-you about Hollywood is squint.
  17. As good as the leads and the supporting cast are, and as much action as gets packed into the film's relatively brief running time, none of it draws us in dramatically.
  18. An unexpectedly emotional, continually disconcerting film.
  19. The very title suggests that this compelling and provocative film is going to be different from other Holocaust documentaries.
  20. Unfortunately, absent a more objective context, Trudell's gnomic utterances do little to support those sentiments. By preaching so relentlessly to the choir, this film misses an opportunity to show what got them to sing in the first place.
  21. The story that first-time feature filmmaker Curry tells is extremely compelling, but where he really scores is in addressing politics and race in a way that allows events to speak for themselves.
  22. The only thing remotely resembling parody in this depressing waste of time and money is Jennifer Coolidge's sendup of Barbra Streisand as an over-the-top string of Jewish mother clichés.
  23. This family adventure about a team of sled dogs abandoned in Antarctica naturally invokes the traditional shout of "Mush!" urging the canines to go faster, but it's also an apt descriptor of both its shameless sentimentality and ineptly structured story.
  24. Anyone who has seen the trailers for Freedomland, which don't exactly skimp on maternal angst, already knows this is going to be a sad-mommy story. What we don't know is that it may be a bad-mommy story as well.
  25. Reygadas asks audiences to plunge headlong into his chaotic vision of the world, no questions asked but complete trust required. Not everyone is going to be willing or able to take this leap of faith, but those who do go along with Reygadas may well feel they have come away having undergone a stunning revelatory experience.
  26. Director Timur Bekmambetov has combined two things that never connected before. He's taken a glossy Hollywood-type fantasy thriller about the battle between supernatural forces of good and evil right here on planet Earth and infused it with a homegrown, distinctively Russian soul.
  27. A movie-of-the-week treatment of race and class, the film credibly portrays the day-to-day workings of an urban ministry.
  28. Julia Jentsch strong and graceful, quiet knockout of a performance is the film's most potent weapon.
  29. Harris, of course, is in a different league from the rest, and his depiction of the tortured writer is remarkably well-realized, considering the nonspecific yet somehow overly familiar inscrutability of the character. Despite its limitations, there's something appealing about the world Rapp has created.
  30. CSA is rough around the edges, especially where the acting and some of the film's invented characters are concerned. But the way CSA works out its ideas is so provoking that its drawbacks are not difficult to ignore.

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