Los Angeles Times' Scores

For 16,526 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16526 movie reviews
  1. Ultimately, Five Minutes of Heaven is stronger as a whole than its individual parts. It's a well-performed piece that perhaps required a more calibrated hand than Hirschbiegel's proves here.
  2. An uneven thrill-circus display that too often feels like TV writ large and loud rather than the kind of cinematic reimagining that defined the surf-flick genre.
  3. One of the main treats of Art & Copy is that it allows us to revisit those classic ads, all of which are just as exciting now as they were when they first ran.
  4. The 1950s suit Zellweger, as does the film.
  5. Had it been crafted with a bit more depth and finesse, writer-director Piyush Jha's involving thriller Sikandar"might have had the potential to reach beyond the average Bollywood import's core audience. Still, the film boasts a significant story with several effective plot twists that make it worth a look.
  6. Van Peebles' persona and sensibility remain engaging, as do his way with his beguiling score and songs, but his film desperately needs tightening to eliminate tedious moments, especially in the African sequence.
  7. A comedy with just the right blend of satire, social comment, myriad complications, romance and heart-tugging to give it some deft shading and variety.
  8. This small gem of a movie always feels true and real as it gently reveals the quiet moments that define our lives.
  9. Not the supernatural horror picture its title suggests, but this subtle, elliptical film evokes its own kind of nightmarish situation.
  10. District 9 is very smart sci-fi, but that's just the beginning; it's also a scathing social satire hidden inside a terrific action thriller teeming with gross aliens and regrettable inter-species conflict. And it's a blast. . . .
  11. You'll be planning to see Ponyo twice before you've finished seeing it once. Five minutes into this magical film you'll be making lists of the individuals of every age you can expose to the very special mixture of fantasy and folklore, adventure and affection.
  12. When the film's fate rests on the alchemy of its stars, you really don't want to get that wrong. But here, chemistry is a problem, and it proves a significant one.
  13. The Goods motors along choking out enough lowbrow laughs to make for an agreeably nutty late summer ride.
  14. There is a sense of sadness around Earth Days, a sense that opportunities were not capitalized on, that not enough was done.
  15. Grace doesn't need a high body count to frighten, although its gore is stomach-turning. It's a horrifying meditation on the unbreakable union of mother and child.
  16. In nearly every moment, an incredibly rich mix of their music, groundbreaking, defining, which alone would almost be enough. That It Might Get Loud comes with a righteous story too is a lovely bonus.
  17. If only Spread were half as entertaining as a Van Halen video.
  18. A brilliant, often grotesquely bizarre allegory on life in Hungary from World War II to the present.
  19. To Twohy's credit, he does a decent job of keeping you guessing -- and interested -- until almost the very end.
  20. A consummate entertainment that echoes the rhythms and attitudes of classic Hollywood, it's a satisfying throwback to those old-fashioned movie fantasies where impossible dreams do come true. And, in this case, it really happened. Twice.
  21. Somewhere between the rabbit-hole absurdist comedy of Charlie Kaufman and a navel-gazing Woody Allen film is the somberly humorous indie Cold Souls.
  22. The action is mostly brisk and bracing and the battleground, particularly Cobra's headquarters -- a vast network of tunnels under the polar ice cap -- are wonderfully imagined, as are the futuristic machines at the Joes' disposal. Basically, the Joes are not bad, it's just that they could have been much better with a little less conversation, a little more action.
  23. Beeswax has a rhythmic quality, and it eschews conventional plotting for sharp observation of human strengths and foibles.
  24. Self-discovery always comes with a cost, and in Bliss the price is a great one. It is mesmerizing to watch it unfold in the lives of these two young people.
  25. The movie's not without charm -- the creature effects are fun and the mix of vampires, zombies (et al) is amusing. That's not enough to save it from the Curse of the Predictable Plot Twist and the Blight of the Creeping Shadows.
  26. At best, they entertain in a "people say the darndest things" kind of way. But they do support the notion that people still fall in love and find a way to make it work for a lifetime, which is about as happy an ending as you could wish for.
  27. Entertaining portrait.
  28. Any sort of new insight into comedy's darker themes, to say nothing of life's, eludes Funny People. Instead Sandler and Rogen and the rest are left to wander aimlessly, with tedious comedy gigs, an even more tedious faux sitcom and relatively vapid relationships masquerading as a plot.
  29. A powerful and effective piece of advocacy filmmaking, but it's difficult to watch it without thinking of subtitles like "The Place Where Evil Dwells" or "The Little Town With the Really Big Secret." Which is no accident.
  30. Are you hungering for that rare vampire movie with serious intellectual heft, ravishing undead, biting passion and a healthy splash of irony as well as iron in all that spilled red blood? Wait no longer, Korean auteur Park Chan-wook's Thirst should satisfy.

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