Los Angeles Times' Scores

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For 16,526 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,699 out of 16526
  2. Mixed: 5,810 out of 16526
  3. Negative: 2,017 out of 16526
16526 movie reviews
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  1. Police, Adjective
    Police, Adjective may not be the film you're expecting, but it's one that will stay on your mind.
  2. Did You Hear About the Morgans?
    Grant has never been less charming and Parker never less fashionable or more grating than they are as Paul and Meryl Morgan.
  3. Avatar
    Avatar's shock and awe demand to be seen. You've never experienced anything like it, and neither has anyone else.
  4. Nine
    Because Nine is a musical, it would help if your leading man could sing, and I don't mean carry a tune, but actually flex some vocal muscle. Again, love Daniel Day-Lewis, excellent racing shirtless through the forest, but a song-and-dance man he is not. So what does that leave Nine with? Well not much.
  5. The Young Victoria
    This is a smartly told story, and as fresh as any contemporary romance.
  6. Crazy Heart
    On a par with Bridges' acting, and a sine qua non for Crazy Heart's success, is the excellent music he sings.
  7. A Town Called Panic
    To really understand the zany and surreal comic madness of A Town Called Panic, you're going to have to see it for yourself.
  8. Invictus
    Instead of a thriller, war movie or western, the director has turned out a stirring drama about South African leader Nelson Mandela, blending entertainment, social message and history lesson.
  9. The Lovely Bones
    By turns warmly sentimental, serial-killer sinister and science-fiction fantastical, The Lovely Bones was an unlikely book to achieve worldwide success. In the film version, those mismatched elements come back to haunt the story, so to speak, making the final product more hit-and-miss than unblemished triumph.
  10. A Single Man
    For the most part, Ford has done good by the film, infusing a sad story with warmth and humor to spare. While loss is what makes George's experience universal, heart is what gives him such life.
  11. The Vicious Kind
    Featuring a knockout performance by Adam Scott, The Vicious Kind upends the heavily tread dysfunctional family drama in ways that are unique, surprising and memorable.
  12. My Son, My Son, What Have Ye Done
    What is unexpected, however, is that the film manages to be flat and uninteresting, despite the juicy (or, at the very least, lurid) true story from 1979 that serves as this curio's inspiration.
  13. Up in the Air
    Up in the Air makes it look easy. Not just in its casual and apparently effortless excellence, but in its ability to blend entertainment and insight, comedy and poignancy, even drama and reality, things that are difficult by themselves but a whole lot harder in combination. This film does all that and never seems to break a sweat.
  14. The Last Station
    For those who enjoy actors who can play it up without ever overplaying their hands, The Last Station is the destination of choice.
  15. Transylmania
    Although the inept filmmaking and tiresome gags give the air of coming from one truly bored misogynist, it took two screenwriters (Patrick Casey, Worm Miller) and two directors (David & Scott Hillenbrand) to create this stake through the heart of film comedy.
  16. Brothers
    Sheridan seems as conflicted as the Cahills about their virtues and failings. The underlying themes -- love, loyalty, decency, duty, honor, betrayal -- that screenwriter David Benioff will use to both bind and break this family seem to bedevil him more than inspire him this time out.
  17. Armored
    A solid heist flick elevated by its ensemble cast and the visual eye of Hungarian-born director Nimrod Antal ("Kontroll").
  18. Giant
    As unpretentious as it is perceptive, Gigante is a gem.
  19. Breaking Point
    As a diverting way to blow 90 minutes, you could do far worse than this gritty, sometimes nasty, mostly absorbing potboiler.
  20. Serious Moonlight
    It's been a long time since Ryan has had a romantic comedy that gave her room to move and though the scale is smaller here, the humor blacker and Ryan well beyond the first blush phase, you'll be glad that Serious Moonlight came along.
  21. Paa
    The film is no more than a tedious, over-long Bollywood soap opera.
  22. The Strip
    There's certainly no energy surge in writer-director Jameel Khan's effort, which is a collection of lazy, look-who's-stupid-or-pathetic vignettes so loosely assembled and laugh-deficient they play as if you're thumbing through a sketch reject pile.
  23. The Private Lives of Pippa Lee
    Perched uncomfortably between flat whimsy and Lifetime movie crescendos, the coming-of-middle-age comic drama The Private Lives of Pippa Lee is rough going.
  24. Home
    Enjoyable, involving dramedy.
  25. The Road
    The Road is a road you'll wish hadn't been taken. Not because anything's been badly done, but because there's a serious imbalance in the complicated equation between what the film forces us to endure and what we end up receiving in return.
  26. The Princess and the Frog
    The dialogue is fresh-prince clever, the themes are ageless, the rhythms are riotous and the return to a primal animation style is beautifully executed.
  27. Me and Orson Welles
    McKay, a British stage actor who was doing an off-Broadway production about the movie legend when casting started, and Danes, whose acting always seems so effortlessly good, are the best things about the film.
  28. The Blind Side
    Wisely, Hancock has given the film as much humor as heart.
  29. The Bad Lieutenant: Port of Call - New Orleans
    It's tempting to forget that Cage is not Terence. That would be unfair though, and diminish the sheer ferocity of his performance.
  30. Broken Embraces
    The writer-director is up to his old tricks, creating an onion of an experience -- a movie within a movie within a movie, irony in each layer, poignancy that stings and whimsy that bites.
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