Los Angeles Times' Scores

For 16,526 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16526 movie reviews
  1. Though the narrative could use more depth and detail, the film generally absorbs with its strong performances, stirring emotions and vivid imagery.
  2. Though this inspirational movie often cuts away too quickly from its characters' stage performances, it's a significant look at a vital, underreported segment of the entertainment world.
  3. McKay never quite catches fire as a thriller and, truth be told, it's not much of a character study either.
  4. Unfortunately, though its heart is smack in the right place, The Greatest tends to play more like a collection of appropriate, well-acted scenes than as a fully satisfying narrative.
  5. Gondry captures the leafy radiance of the countryside, and he makes judicious use of special-effects whimsies. But this memory piece will have far more resonance for the Gondry family than for anyone else.
  6. Not only is Perry in tune with his audience as always, he's unquestionably growing as a cinematic artist.
  7. Like the best war movies do, director Peter Ho-Sun Chan has woven together an intimate story of men against a backdrop of history writ large.
  8. A breakup worth going through.
  9. It's doubtful that records are kept about this sort of thing, but consider the possibility that Clash of the Titans is the first film to actually be made worse by being in 3-D.
  10. One of those maudlin romantic melodramas you just can't warn folks off.
  11. A fresh examination of the plight of the Tibetans still craving independence after a half century of either homeland misery or increasingly long exile.
  12. About a billion laughs (though "Hot Tub" is not for the faint of heart or anyone even slightly concerned with what's happened to common decency these days).
  13. Envisioned as a psychosexual thriller about a woman scorned, director Atom Egoyan's latest puzzle is just puzzling, little more than a messy affair with mood lighting, sexy lingerie, heavy breathing and swelling, um, music.
  14. With a well-knit array of picturesque long shots, shadow-strewn medium takes and the occasional silhouetted close-up, The Eclipse finds plenty of heartfelt gravity in its tale of love lost and found on a gothic coast.
  15. There are times the action lags, and when the dialogue falls back on pop cultural references it feels contrived and forced but, mostly, like the mythical creatures at the heart of this tale, the movie soars.
  16. It's got a terrific inside Hollywood sensibility plus an unblinking candor that lets the chips fall where they should. Which, given who made it, is something of a pleasant surprise.
  17. What keeps Godspeed from lasting power are its melodramatic swerves and less-than-revelatory acting. But despite its fissures in tone and technique, Godspeed occasionally plays like a sturdy indie outpost of revenge cinema.
  18. There's a key organ missing from the movie itself: a brain. In its place is a memory bank of other, better movies.
  19. Try as they might, Nicole and Milo, as they are called in the movie, don't steam. Wispy vapors is about as good as it gets.
  20. A mind-bending and mesmerizing thriller that takes its time unlocking one mystery only to uncover another, all to chilling and immensely satisfying effect.
  21. Any comic relief it affords comes with such an undertow of repressed emotions and displaced anger that it all starts to feel more depressing than dramatic.
  22. It's a movie that not only puts you in space but lets you travel through it with a speed and wonder that would make James T. Kirk go a little weak in the knees.
  23. The problem with The Runaways is that they went with the wrong girl.
  24. De Felitta ("Two Family House") gives all his actors plenty of room to roam. Garcia, afforded the chance to stretch his comic muscles and play a working stiff, comes off best, nailing Vince's good-natured vulnerability.
  25. Benson is so terrible her close-up line readings feel as inconsequential as the insert shots, and Madsen, it must be said, finally looks exasperated with playing grumbly psychos. At times he looks as helpless as his hostages.
    • 83 Metascore
    • 80 Critic Score
    It's not always pretty, but Neil Young Trunk Show is very much rock 'n' roll.
  26. Though Ida's life would become a torturous hell spent locked away in an insane asylum, the legacy left by her letters has made for an intense and intriguing, if at times uneven, film with Italian director Marco Bellocchio wringing every drop of emotion out of his actors and his audience before it is over.
  27. The whole thing is as satisfying as a meal at a slow food restaurant, and when Gianni's mother gratefully tells her son, "you mellow these hours," we wholeheartedly agree.
  28. Small scale though it is, this is a film that knows what it wants to do and has thought out exactly how to go about doing it. The same must be said about the luminous nature of Kazan's performance, which won best actress last year at the Tribeca Film Festival.
  29. What he (Jay Baruchel) brings to She's Out of My League, in addition to the geek and the gawk, is a dash of the debonair, which might seem impossible and yet he does.

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