Los Angeles Times' Scores

For 16,526 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16526 movie reviews
  1. There's plenty of pacing verve in Costa-Gavras' technique, and the residue from that first thrilling peek inside the hermetic world of big-time money-moving never goes away. What's lacking is most surprising from this dissident filmmaker: the emotional outrage.
  2. Director Yoruba Richen has refreshingly avoided making this polemic into propaganda, a temptation many lesser documentarians could not resist.
  3. The brutally efficient shooting style Reeves employs to film master choreographer Yuen Woo Ping's breathtaking fights...is refreshingly grounded and old-school kinetic.
    • 70 Metascore
    • 70 Critic Score
    On the evidence of the documentary I Am Divine, to know the drag star Divine was to love him.
  4. Although no less fawning and indulgent about its self-centered subject, played by Jean-Marc Barr (who also narrates, run-on style), the muted emptiness of the ill-fated sojourn wills its way toward something like existential meaningfulness.
  5. Not Yet Begun to Fight is barely an hour long, but it justifies a theatrical release with a lyrical meditation on nature and war.
  6. An unabashed love letter to all things motorcycle, the documentary "Why We Ride" will surely warm the souls of bike enthusiasts while prompting many nonriders to join the fold.
  7. Flawed yet intimate, Diana respects its subject's hopes, strengths, weaknesses and legacy and, in the extraordinary Watts, boasts a formidably empathetic advocate.
  8. writer-director Andreas M. Dalsgaard takes such a low-key approach to presenting the film's vital, potentially involving topic that viewers may find themselves more inspired to take a snooze than a stroll.
  9. Its strong special effects make its simulated battles effective and, echoing the book, its story line touches on a number of intriguing issues.
  10. When I Walk is extraordinarily accomplished, poignant, and wise.
  11. With its flat punch lines, formulaic action and undercooked mélange of messages — touching on everything from factory farming to genocide — the film waddles awkwardly.
  12. The Square bears witness to history in an articulate, thoughtful and intensely dramatic way.
  13. Bastards is a thriller truly etched in darkness, pools of black broken mostly by the stricken yet soldiering faces of her main characters, like ships in a sea of stormy nights.
  14. Even with some flaws and flailing, Dallas Buyers Club is a rough, raw, ragged and exhilarating ride.
  15. Director Derek Hockenbrough's vision is bigger than his budget, and it shows.
  16. Watching Marwencol, Jeff Malmberg's probing documentary on Hogancamp's undertaking, is an exhilarating, utterly unique experience.
  17. Haunter offers a freaky, visceral experience — without a hint of gore.
  18. Because the stories are so specific, and because they play out over such a long period of time, it is hard not to be fascinated by this intimate look at how particular families deal with the great parental challenge of shepherding their children through the all-important educational experience.
  19. In Enzo Avitabile Music Life, Demme has not given us an expansive film, and there are spots you wish he'd dug deeper. But there is such a well of emotion that the music alone is almost enough.
  20. What raises this film to a more interesting level is that in addition to the food, each segment presents a personal drama that extends beyond the table.
  21. It's amazing what a little story and a little substance add to a movie. It might not be a giant leap for mankind, but it is a small step for one old man.
  22. The telling is beautiful and explicit. The truth of its emotionally raw, romantic drama is eternal and universal.
  23. McCarthy has not done himself or his reputation any favors with this original.
  24. Bridging the Gap may mainly aim for audio-visual delight (Stephan Mussil's cinematography undeniably dazzles), but as an authentic look at a more than 500-year-old institution, the film proves less in tune.
  25. The atmospheric heft of Il Futuro is invariably more bracing than oppressive, and in the complexly stoic Martelli and masterfully craggy, haunted Hauer, an alluringly opaque pas de deux of loss and uncertainty is wonderfully realized.
  26. Scenes can drag; they at times pay homage to the filmmaker's memories rather than drive the narrative forward.
  27. Hoover's stubbornly ground-level perspective renders the documentary's lack of context about HIV in India...rather frustrating. But Blood Brother feels important anyway, not so much as a snapshot of one volunteer but for its passionate portrayal of the curative powers of love.
  28. Though Torn contains its share of convincingly lived-in moments, there's a heavy-handed quality to both Jeremiah Birnbaum's direction and the script by Michael Richter that often undermines the movie's potential to truly grip and move.
  29. This is the straightforward story of a family facing adversity head-on and making inroads against a rare disease.

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