For 16,526 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,699 out of 16526
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Mixed: 5,810 out of 16526
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Negative: 2,017 out of 16526
16526
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Robert Abele
Pulpy dross of surpassing dumbness, Charlie Countryman takes the blender approach to mixing dark adventure, doofus comedy and pie-eyed romance, but forgets to put the lid on when pulsed.- Los Angeles Times
- Posted Nov 14, 2013
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Reviewed by
Gary Goldstein
The film, named for "Calvin" creator Bill Watterson, offers not only an in-depth look at the comic strip's unique influence but also a concise snapshot of the dwindling state of newspapers and their "funny pages."- Los Angeles Times
- Posted Nov 14, 2013
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Sheri Linden
It's a plot that never takes hold, a mystery devoid of suspense... But the actors' unforced chemistry defies the artifice.- Los Angeles Times
- Posted Nov 14, 2013
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Gary Goldstein
Despite some diffused messaging and oddly elliptical storytelling, "In the Name Of" proves an absorbing, at times hypnotic drama about religion, repression and sexuality.- Los Angeles Times
- Posted Nov 14, 2013
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Inkoo Kang
The lions are majestic yet adorable; too bad the humans are such a sorry sight.- Los Angeles Times
- Posted Nov 14, 2013
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Reviewed by
Robert Abele
Director Wendy J.N. Lee, who made the grueling trek with a solar-powered camera operated by a monk, provides plenty of breathtaking footage and a strong sense of both the journey's illuminative highs and treacherous (as in altitude and terrain) lows.- Los Angeles Times
- Posted Nov 14, 2013
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Robert Abele
Apart from Farmer's effectively stricken portrayal of a singularly conflicted man, The Falls: Testament of Love is too earnest a slog to have any impact.- Los Angeles Times
- Posted Nov 11, 2013
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Robert Abele
As a showcase for accomplished performers tugging heart strings in a holiday awards season, it's perfectly serviceable.- Los Angeles Times
- Posted Nov 8, 2013
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Kenneth Turan
The whole truth about the complicated, charismatic man may never come out, but The Armstrong Lie is closer than we ever thought we'd get.- Los Angeles Times
- Posted Nov 7, 2013
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Martin Tsai
Its depiction of esoteric facets of immigrant life lends an air of credibility seldom seen in rom-coms.- Los Angeles Times
- Posted Nov 7, 2013
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Reviewed by
Kenneth Turan
"Breakdown" gets the music right and has the benefit of strong acting, but its unapologetically melodramatic plot has a tendency to throw everything at you but the kitchen sink.- Los Angeles Times
- Posted Nov 7, 2013
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Gary Goldstein
It's shame that the first film to come out of Lebanon featuring a gay theme turns out to be such a head-scratching jumble.- Los Angeles Times
- Posted Nov 7, 2013
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Reviewed by
Annlee Ellingson
All of this is ridiculously silly, of course, with low-rent special effects to boot. But you may laugh despite yourself.- Los Angeles Times
- Posted Nov 7, 2013
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Annlee Ellingson
At once short on details and incredibly forthcoming, Barbara Kopple's documentary doesn't dig into specifics about Mariel's personal struggles with mental illness nor the WillingWay lifestyle that she and her boyfriend Bobby Williams espouse.- Los Angeles Times
- Posted Nov 7, 2013
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Martin Tsai
It does have a point of view, but the intended conclusion ripens for the picking in a roundabout way.- Los Angeles Times
- Posted Nov 7, 2013
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- Los Angeles Times
- Posted Nov 7, 2013
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Reviewed by
Sheri Linden
The feature spikes its lonesome mood with shots of dry humor, animated sequences and flashbacks — at times overplaying its hand, even as Emile Hirsch and Stephen Dorff wordlessly convey all that needs to be said.- Los Angeles Times
- Posted Nov 7, 2013
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Reviewed by
Gary Goldstein
Honest and unadorned though the film may be, it's ultimately just not that involving.- Los Angeles Times
- Posted Nov 7, 2013
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Reviewed by
Robert Abele
If Michael Mann, Luc Besson and Quentin Tarantino all ate the same bad sushi together, the unfortunate end result might just resemble the pre-digested pap that is the French thriller Paris Countdown.- Los Angeles Times
- Posted Nov 7, 2013
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Inkoo Kang
The film's overall narrative is one of rocky but steady progress.- Los Angeles Times
- Posted Nov 7, 2013
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Sheri Linden
Billy and Buddy manages to maintain the kind of brisk giddiness that many animated films struggle to achieve. But as family fare with a few unsettling Gallic touches, the boy-and-his-dog escapade is an odd fit.- Los Angeles Times
- Posted Nov 7, 2013
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Robert Abele
The scenarios in Ass Backwards, which director Chris Nelson contributed to by filming in focus, feel arbitrary rather than organic, as if the creators' list of humor targets — lesbian bikers, trailer trash, drug-addicted reality TV stars, pageant world denizens — were picked out of a hat.- Los Angeles Times
- Posted Nov 7, 2013
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Kenneth Turan
To see The Wind Rises is to simultaneously marvel at the work of a master and regret that this film is likely his last.- Los Angeles Times
- Posted Nov 7, 2013
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Gary Goldstein
The film's main misstep, however, is its unconvincing use of celebrity voices to re-create various speeches and letters... Though well-intended, their inclusion proves a needless distraction in an otherwise smart and dignified presentation.- Los Angeles Times
- Posted Nov 6, 2013
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Annlee Ellingson
A Case of You is perfectly enjoyable as far as indie rom coms go — just not particularly original.- Los Angeles Times
- Posted Nov 6, 2013
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Reviewed by
Gary Goldstein
Director Dong-Suk Kuk ratchets up the tension, effectively toggling back and forth in time to reveal the picture's various puzzle pieces.- Los Angeles Times
- Posted Nov 1, 2013
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Reviewed by
Annlee Ellingson
The performances are genuine and the narrative beats land solidly for a perfectly enjoyable feel-good dramedy.- Los Angeles Times
- Posted Nov 1, 2013
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Inkoo Kang
Director Junya Sakino's debut would have been stronger if the comic barbs in Jeff Mizushima's script hadn't been dulled by Mizushima's editing, which bungles the timing of the jokes.- Los Angeles Times
- Posted Nov 1, 2013
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Reviewed by
Sheri Linden
Franco seems torn, on the one hand presenting his subject as a likably ordinary, self-involved actor and on the other sanctifying him as a would-be gay icon in a conformist industry.- Los Angeles Times
- Posted Nov 1, 2013
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Inkoo Kang
This somber work about the worthiness of living has little life in it.- Los Angeles Times
- Posted Nov 1, 2013
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