Los Angeles Times' Scores

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For 16,524 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,698 out of 16524
  2. Mixed: 5,809 out of 16524
  3. Negative: 2,017 out of 16524
16524 movie reviews
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  1. Cabin Fever: Patient Zero
    [A] slack, dumb prequel.
  2. 4 Minute Mile
    It's a terrific little film worthy of discovery.
  3. Around the Block
    Though Page-Lochard manages to make his passive participation in violence compelling, Around the Block remains more lecture than drama about racism and its tragic consequences.
  4. Behaving Badly
    Behaving Badly is a dreadful sex comedy that gets worse and worse as its dopey story snowballs into relative incoherence.
  5. The Fluffy Movie
    Despite the Mexican American comic's engaging presence, amusing observations and deft imitations, "Fluffy" is a standard-issue comedy concert film far better suited to a 90-minute cable TV slot than the big screen.
  6. The Killer Inside Me
    Little more than torture porn tricked out in art-house finery. That is the bigger crime here.
  7. Hercules
    The mythically powerful demigod is back on the big screen in the simply titled Hercules and the results are canny, fast-paced, and, for what the film attempts to accomplish, enjoyable.
  8. Happy Christmas
    All in all, Happy Christmas is a good deal like cartoon Charlie Brown's classic tree — scraggly, plenty of heart and much to enjoy, especially if you prefer your presents homemade.
  9. A Most Wanted Man
    [A] crackerjack thriller, at once brooding, claustrophobic and unbearably tense.
  10. Magic in the Moonlight
    The séances are great fun, and the cast is charmingly eclectic. But as to whether "Moonlight" is magical — it is, but ever, ever so slightly.
  11. Very Good Girls
    Despite a finely wrought lead performance by Dakota Fanning, the drama feels more like the stuff of a mild — and dated — YA novel than an involving exploration of female experience.
  12. Premature
    A rapidly wearying comedy that mistakes crudeness with humor.
  13. And So It Goes
    The somnambulant slickness of the direction when a truly grown-up tale of late-in-life love is nipping at the edges suggests Reiner is more stubbornly set in his stay-cute approach than his leads, who at least find the occasional pocket of human messiness in this tension-free exercise.
  14. Le Chef
    An amusing soufflé of a comedy that pokes fun at foodies while honoring the art of those who cook for them.
  15. Come Back to Me
    Writer-director Paul Leyden does a decent job holding our interest as well as providing a few intriguing twists and reveals. But make no mistake, this is exceedingly far-fetched stuff.
  16. Ironclad: Battle for Blood
    The title's promise of violence is dutifully met in gory, sonically squishy close-quarter melees shot in Confuse-o-vision, as if the camera had been strapped to a whirring blender before the footage was edited with the puree button.
  17. The Empty Hours
    Like everything else about this lovely film, life, love and emotional growth are marked out in lush, languid, luminous terms.
  18. I Origins
    On the face of it, tackling the warring sides of science and the spirit seemed a good fit for the writer-director, who continues to be drawn to existential themes. There are occasional flashes of the exceptional, but the film's dodgy story can't sustain them.
  19. Mood Indigo
    With its indefinable, almost indescribable combination of whimsy, sentiment and strangeness, "Mood Indigo" (co-written by Gondry and Luc Bossi) will not be to all tastes at all times. But frame for frame, the amount of invention going on here can't be believed unless it's seen.
  20. Planes: Fire & Rescue
    If you ignore the slicker aspects of the dialogue (and with a little effort you mostly can), it's satisfying to find a film that is as innocent and as much visual fun as this one is.
  21. The Purge: Anarchy
    The Purge: Anarchy is a good deal bloodier, but also — gulp — a good deal better than its predecessor. Make no mistake, a good "Purge" does not equal a good movie, but the post-apocalyptic thriller is slightly more interesting because it takes itself, and its menace, more seriously.
  22. A Summer's Tale
    It may seem like nothing much is happening on-screen, but by the time A Summer's Tale is all over, it feels like everything important has been said and done. Welcome to the magic of Rohmer, one final time.
  23. Sex Tape
    Since it's a comedy, much could be forgiven if the film was consistent in generating laughs, but the comedy is as erratic as the couple's sex life.
  24. Wish I Was Here
    For a film that purports to be about the process of maturity and growth, it is woefully un-evolved, lacking in understanding and insight.
  25. Video Games: The Movie
    It's a lovefest in which critics' voices and debate are simply absent, and the only talking space is wonder, nostalgia and excitement for the future.
  26. K Missing Kings
    Making sense was never a top priority for "K," and its sequel is just as much of a hot mess.
  27. Closed Curtain
    Closed Curtain is richly allegorical, but the film succeeds even more as an exiled artist's reassurance that the law can't stamp out art.
  28. Among Ravens
    There's simply nobody to care about in Among Ravens, even as a case study in unhappiness and delusion.
  29. Affluenza
    The movie opens with the suggestion that it will address the generational divide, but it has nothing of substance to say.
  30. Aftermath
    Even if this largely contained movie remains more low key than frantic, it features enough well-executed bursts of tension and strong emotional beats to hold interest.
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