Los Angeles Times' Scores

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For 16,524 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,698 out of 16524
  2. Mixed: 5,809 out of 16524
  3. Negative: 2,017 out of 16524
16524 movie reviews
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  1. Kundo: Age of the Rampant
    Kundo: Age of the Rampant is an often entertaining if overlong look at the last days of Korea's Joseon Dynasty.
  2. The November Man
    It's called The November Man, but it's really just another forgettable August release.
  3. Jersey Shore Massacre
    There's no ignoring the aggressive stupidity and crassness behind the whole enterprise.
  4. The Olivia Experiment
    This is an enjoyably acted trifle that, despite some slowing in its second half, holds interest as it amusingly considers how an act so simple for some can be so tricky for others.
  5. The Possession of Michael King
    Although this film doesn't miss the whole point of found footage as the recent "Into the Storm" did, Jung does little to help suspend our disbelief.
  6. The Prince
    So unless you're a fan of yawn-worthy shootouts and showdowns, The Prince is a "Taken" retread hardly indicative of any special set of skills.
  7. Rabindranath Tagore: The Poet of Eternity
    It's essentially a glorified PowerPoint presentation that juxtaposes archival footage — an echo chamber of interviews, readings and performances taken entirely out of context — with amateurish stock footage and a short running time.
  8. Abuse of Weakness
    With clinical dispassion and narrative elegance, Breillat has constructed what she calls "a thriller about denial."
  9. Are You Here
    Are You Here proves a gently immersive, ingratiating, often witty character comedy with a pair of comfortably effective lead performances.
  10. When the Game Stands Tall
    A true tale of high school football achievement becomes a strained, by-the-numbers grab bag of uplift in the Christian sports drama When the Game Stands Tall.
  11. To Be Takei
    In all, writer-director Jennifer M. Kroot effectively jams in quite a lot about the super-busy Takei.
  12. The One I Love
    Though the indie falls short of its grandest ambitions, it is inventive in constructing its conceits. As to Moss and Duplass? It's hard not to love them — for better or worse.
  13. Love Is Strange
    In the hands of two of the craft's best, the most ordinary of moments become illuminating, penetrating.
  14. 14 Blades
    The movie's raison d'etre, its many highflying, wildly violent, often digitally enhanced kung fu fighting sequences, are edited with so much sleight of hand they may evoke more eye rolls than gasps. But the hard-working sound design, effectively stark visual palette and propulsive score do manage to impress.
  15. Jealousy
    Conventional dramatic hooks have no place in Garrel's filmography, so it's not surprising that his new movie is more atmospheric than involving, or that the two beautiful bed heads at its center hardly invite emotional connection.
  16. Frank
    Odd, offbeat, somehow endearing, the bleakly comic Frank has its own kind of charm as well as some pointed, poignant things to say about the mysterious nature of creativity, where it comes from and where it might all go.
  17. If I Stay
    If I Stay takes time to find its footing amid miscalculations and awkward moments.
  18. Sin City: A Dame To Kill For
    There is an interesting kernel of a story about beauty, betrayal and brutality inside each of the film's scenarios and a cast that could handle anything thrown at it. But the kernel never pops, and all we're really left with is a whole lot of neo-noir corn.
  19. Mission Blue
    Though Mission Blue gets its title from Earle's nonprofit organization, the film rarely comes across as propaganda.
  20. The Trip to Italy
    Brydon and Coogan's discourse over breakfast, lunch and dinner is captured with a casualness that makes the eavesdropping delicious.
  21. The Expendables 3
    Expendables 3 is a kind of ho-hum experience, wherein a lot of bullets are expended and a lot of structures exploded to minimal dramatic effect.
  22. After
    After catalogs so many clichés in the dysfunctional family at its center that the film could be taught in a screenwriting class as a lesson in what not to do.
  23. I Am Happiness on Earth
    By turns sexy and exasperating, hypnotic and confusing, this Mexican import is an art film for the patient, adventurous and, let's be honest, forgiving.
  24. Weaving the Past: Journey of Discovery
    A painstakingly crafted, lovingly wrought piece.
  25. Coldwater
    Too many roles remain underdeveloped — if developed at all. A lack of cohesion or camaraderie among the inmates compounds the film's impersonal vibe.
  26. Fort McCoy
    The period details are so lovingly burnished in this uneven, if heartfelt, feature that for a while they threaten to overpower the story, which delves gently into a rarely explored aspect of the war.
  27. Found
    Movies with no redeeming qualities are rare, but the execrable Found comes pretty close.
  28. Level Five
    It humanely, intelligently questions the very nature of our desire to make sense of the past with the tools of the present, when the human mind remains the most aggressively obliterating battlefield of all.
  29. Jake Squared
    Koteas and the rest of the cast (including Jane Seymour, Virginia Madsen and Jennifer Jason Leigh) struggle gamely with the material, but they're defeated by the nonstop chatter, Goldberg's flat-footed direction and the needlessly choppy cutting.
  30. Finding Fela!
    [Gibney's] chronicle informs rather than inspires, but it's a solid introduction to a fascinating figure.
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