For 16,524 reviews, this publication has graded:
-
56% higher than the average critic
-
6% same as the average critic
-
38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
-
Positive: 8,698 out of 16524
-
Mixed: 5,809 out of 16524
-
Negative: 2,017 out of 16524
16524
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Sheri Linden
"Him" and "Her" are hardly groundbreaking cinema, but they are more rewarding than "Them."- Los Angeles Times
- Posted Oct 9, 2014
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert Abele
The stars' banter is insipid and unfunny, the wacky shocks short out and, most unforgivably, the car chases are a snooze, filmed as a series of stationary close-ups and diced in the editing room until they suggest anything but movement.- Los Angeles Times
- Posted Oct 9, 2014
- Read full review
-
Reviewed by
-
-
Reviewed by
Charles Solomon
The story and characterizations never get much deeper than "We're all special in our own way."- Los Angeles Times
- Posted Oct 9, 2014
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
This pulpy, energetic film is a fast-moving and entertaining tale.- Los Angeles Times
- Posted Oct 9, 2014
- Read full review
-
Reviewed by
-
-
Reviewed by
Betsy Sharkey
At the moment, modestly amusing does not stave off that desire for a really great live-action family film after years of watching the terrain land-grabbed by animation.- Los Angeles Times
- Posted Oct 9, 2014
- Read full review
-
Reviewed by
-
-
Reviewed by
Sheri Linden
What tantalizes is the way the story moves between their private passion and their public shame, the way then and now become synchronous. Amalric navigates the shifts with a lapidary precision.- Los Angeles Times
- Posted Oct 9, 2014
- Read full review
-
Reviewed by
-
-
Reviewed by
Gary Goldstein
Seasoned pros Allen and LaPaglia are terrific as longtime mates forged together in an unexpected game of cat and mouse.- Los Angeles Times
- Posted Oct 3, 2014
- Read full review
-
Reviewed by
-
-
Reviewed by
Martin Tsai
The will-he-or-won't-he question becomes the focus of director Mark Raso's film, and how William responds under the mercy of Effy's whims ultimately determines whether he can emerge from his self-absorption at long last.- Los Angeles Times
- Posted Oct 3, 2014
- Read full review
-
Reviewed by
-
-
Reviewed by
Sheri Linden
For Westerners, Lemelson offers an eye-opening look behind Bali's profile as a tourist Shangri-la. The documentary's ultimate value, though, may be in local education.- Los Angeles Times
- Posted Oct 2, 2014
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
A small-scale gem of a movie, both dramatically aware and psychologically astute.- Los Angeles Times
- Posted Oct 2, 2014
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert Abele
There's the unfettered access to Harmon's brilliant comic mind, of course, yet also a warts-and-all portraiture of a difficult personality, by turns boyish, self-involved, abusive and exhilaratingly self-analytical.- Los Angeles Times
- Posted Oct 2, 2014
- Read full review
-
Reviewed by
-
-
Reviewed by
Betsy Sharkey
Teasing out the vagaries of language, how confusing communication can be, is such a good idea. Despite a strong start, the filmmaker doesn't exactly know where to go with it. Still, there are moments before things get away from him that are captivating to watch and lovely to listen to.- Los Angeles Times
- Posted Oct 2, 2014
- Read full review
-
Reviewed by
-
- Los Angeles Times
- Posted Oct 2, 2014
- Read full review
-
-
Reviewed by
Lorraine Ali
The admittedly simple premise — that El Libertador fought the good fight, for a worthy cause — is refreshingly escapist. By only briefly addressing the complications of Bolívar's later life as a ruler, it lets us revel in the antiquated notion, if only for a couple of hours, that there are some battles worth fighting.- Los Angeles Times
- Posted Oct 2, 2014
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
Unlike documentaries that tie things up in a tidy bow, Supreme Price wants viewers to understand that the status of democracy in Nigeria remains very much in flux.- Los Angeles Times
- Posted Oct 2, 2014
- Read full review
-
Reviewed by
-
-
Reviewed by
Betsy Sharkey
The pieces don't always fit together as neatly as you might wish, but if you let it, The Good Lie's heartwarming soul will win you over.- Los Angeles Times
- Posted Oct 2, 2014
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert Abele
Annabelle works enough devil figurine juju to make for a modestly hair-raising prequel to the more satisfying scares of its predecessor, "The Conjuring."- Los Angeles Times
- Posted Oct 2, 2014
- Read full review
-
Reviewed by
-
-
Reviewed by
Gary Goldstein
Cheesy visual effects, flat shooting, slack directing and pacing, risible dialogue and characterization, lots of crummy acting, plus a painfully dull first act make this anything but a rapturous experience.- Los Angeles Times
- Posted Oct 2, 2014
- Read full review
-
Reviewed by
-
-
Reviewed by
Sheri Linden
Waiting for August" is an impressive, if muted, debut documentary.- Los Angeles Times
- Posted Oct 2, 2014
- Read full review
-
Reviewed by
-
-
Reviewed by
Gary Goldstein
Fine performances (MacKay is a revelation), bristling tension, strong atmospherics and a wealth of superbly wrought, often heartbreaking scenes add up to make "Peril" a must-see for serious filmgoers.- Los Angeles Times
- Posted Oct 2, 2014
- Read full review
-
Reviewed by
-
-
Reviewed by
Gary Goldstein
The war scenes and their aftermath are involving and emotionally sound as well as skillfully shot and edited. And if several moments smack of revisionist history, perhaps best to ascribe them to dramatic license.- Los Angeles Times
- Posted Oct 2, 2014
- Read full review
-
Reviewed by
-
-
Reviewed by
Martin Tsai
Although director and co-writer Cutter Hodierne tells the story from the pirates' viewpoint, he adds no more dimension to them than the one we saw in "Phillips."- Los Angeles Times
- Posted Oct 2, 2014
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Rechtshaffen
Filmmaker Nicholas Mross takes a straight-ahead, even-handed approach to the controversial payment system.- Los Angeles Times
- Posted Oct 2, 2014
- Read full review
-
Reviewed by
-
-
Reviewed by
Gary Goldstein
Good People goes from being simply pedestrian to outright preposterous without batting an eye.- Los Angeles Times
- Posted Oct 2, 2014
- Read full review
-
Reviewed by
-
-
Reviewed by
Martin Tsai
The narrative of Strachwitz as preserver of obscure music just repeats like a broken record with the introduction of each region, genre and musician.- Los Angeles Times
- Posted Oct 2, 2014
- Read full review
-
Reviewed by
-
-
Reviewed by
Martin Tsai
Since many of the themes from Illmatic have become mere clichés in contemporary rap, this film serves as a reminder of the potential and the promise that hip-hop truly holds.- Los Angeles Times
- Posted Oct 2, 2014
- Read full review
-
Reviewed by
-
-
Reviewed by
Betsy Sharkey
A few steps further and Reitman might have turned Men, Women & Children into parody — at least that might have made for some laughs.- Los Angeles Times
- Posted Oct 1, 2014
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert Abele
Though the breathless tale and full-throttle tunes give "Filmage" plenty of rollicking energy, it's the through-line of genuine soulfulness and tireless artistic commitment that sets it apart.- Los Angeles Times
- Posted Sep 25, 2014
- Read full review
-
Reviewed by
-
-
Reviewed by
Martin Tsai
The film seems to have an entire deck of cards up its sleeve, and they're dealt out with more tedium than fun.- Los Angeles Times
- Posted Sep 25, 2014
- Read full review
-
Reviewed by
-
-
Reviewed by
Gary Goldstein
In addition to flat visuals, logy pacing and lots of first-draft dialogue, "Bridge" plays host to such an uninspired — and uninspiring — circle of friends and lovers it's hard to invest in their mundane journeys.- Los Angeles Times
- Posted Sep 25, 2014
- Read full review
-
Reviewed by