Los Angeles Times' Scores

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For 16,520 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,697 out of 16520
  2. Mixed: 5,806 out of 16520
  3. Negative: 2,017 out of 16520
16520 movie reviews
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  1. Live Cargo
    Logan Sandler’s Live Cargo is stuffed with arty close-ups and stunning backdrops, but the emotions to connect them are missing.
  2. Cézanne et Moi
    Ever-present is the mild dissonance of fiery pioneers of expression inspiring charmingly pretty if standard art house fare.
  3. All These Sleepless Nights
    Tapping into that transitional juncture where limitless possibility crosses paths with nagging uncertainty, filmmaker Michal Marczak adroitly captures the youthful, restless spirit cradled within the pulsating beat of its immersive, ambient soundtrack.
  4. Alive and Kicking
    There may be no fancy filmmaking steps in “Alive and Kicking,” but the jaw-dropping improvisations and physical intimacy of the dancers make it an action film par excellence — joy-fueled and gravity-defying.
  5. God Knows Where I Am
    This documentary is a lyrical exploration of both a person and the place she died in, as well as a devastating commentary on American society’s approach to mental health.
  6. SHOT! The Psycho-Spiritual Mantra of Rock
    The maximalist approach isn’t necessary to enhance the wild tales, but the film does reflect its subject in its messy yet invigorating approach.
  7. Mine
    The film is often a marvel of visual and narrative resourcefulness. But with its single primary location, blistering atmosphere, small cast and narrow focus, “Mine” may prove too grueling for some.
  8. 1 Mile to You
    The film feels cluttered by all the other nonsense of girls, rivalries and friendships that could have been pared down for a more efficient narrative.
  9. The Void
    Few horror fans will complain about a movie that’s so generous with well-constructed, energetically staged set pieces featuring elaborate makeup effects and plenty of nondigital goo. The Void is derivative, but delightful.
  10. Bethany
    James Cullen Bressack’s Bethany is polished, well-acted and filled with memorably disgusting images, but its portrait of a frazzled adult survivor of child abuse is ultimately formulaic and a little sleazy.
  11. The Ticket
    Directed by Ido Fluk from a screenplay he wrote with Sharon Mashihi, the film is sensitively observed, its performances convincingly understated. But it rapidly devolves into a standard, and increasingly unfocused, story of materialism and greed.
  12. Colossal
    Neither Hathaway nor the script makes any overt bids for the audience’s sympathy in Colossal, which may explain why they earn it so handily.
  13. Queen of the Desert
    The main flaws in “Queen,” however, are a lurching narrative coupled with dialogue awkwardness, and a blasé approach to Bell’s motivations.
  14. Salt and Fire
    Like something you peer at rather than absorb, Salt and Fire is both awful and a tad fascinating.
  15. Speech & Debate
    Although the story, which feels a tad past its expiration date, never digs too deeply into its central issues (hypocrisy, loneliness, censorship, finding one’s voice), Dan Harris’ peppy direction and nimble turns by the film’s young leads prevail.
  16. Going in Style
    If anything, it uses its gifted veterans to disguise how tired, implausible and overly sentimental the proceedings turn out to be.
  17. Smurfs: The Lost Village
    Though it's nice to see Smurfette get her due, the whole endeavor feels tired and tiring.
  18. Aftermath
    Aftermath can’t quite sustain its controlled tone, relying on operatic melodrama and limp plot twists as it concludes in an uneasy resolution.
  19. The Assignment
    There’s howlingly awful and then there’s The Assignment, a thoroughly ridiculous, numbingly slow neo-noir thriller.
  20. Your Name.
    The movie’s spirit is by turns energetic and serene, impetuous and wise, its wild shifts from comedy to tragedy to romance revealing themselves not as tonal swings so much as variations in a larger cosmic pattern.
  21. Gifted
    No one is likely to disagree with the basic correctness of the movie’s conclusions, though you may well object to the process by which it arrives at them.
  22. bwoy
    Bwoy (Jamaican patois for boy), which largely plays like a stage-appropriate two-hander, is ultimately a surprising and cathartic, if often unsettling, film anchored by Rapp’s superb portrayal of a tortured soul desperate to connect. Brooks’ deftly enticing turn is also a standout.
  23. Fare
    Forced character arc aside though, this is a tightly constructed and well acted indie with a few standout sequences. It’s further proof that sometimes all a filmmaker needs is a cab and a camera.
  24. Pitching Tents
    From the homophobic slurs to the lowest common denominator body humor to the stale gender politics, Pitching Tents is all cutesy retro raunchiness without any innovation or comedic payoff. It might have been excusable back in the day, but now it’s just boring.
  25. Here Alone
    This is the first act of a better movie, stretched to fill a feature.
  26. Despite the Falling Snow
    Despite the Falling Snow is ostensibly a love story set against a Cold War thriller backdrop, but it features no heat and little tension.
  27. In Search of Israeli Cuisine
    If the pacing flags a bit en route, enough vivid imagery remains to hold interest, with Solomonov proving a smart, appealing and personally invested guide.
  28. The Levelling
    Set on a dairy farm in southwestern England, The Levelling is a modestly scaled, superbly crafted drama with a powerful sense of place.
  29. The Prison
    Two tedious hours later, the sensation of doing time is all too tangible.
  30. I Called Him Morgan
    Artistic, obsessive and intoxicating, I Called Him Morgan is a documentary with a creative soul, and that makes all the difference.
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