Los Angeles Times' Scores

For 16,520 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16520 movie reviews
  1. The Happiest Day in the Life of Olli Maki is a lovely piece of work, a sweet, warmly observed tale overlaid with just the right amount of Scandinavian melancholy, a combination that perfectly suits its quietly engaging protagonist.
  2. Bold and brutal in shocking spurts, the indie horror drama from writer-director O’Shea is a startling debut that leaves a fresh mark on the genre while celebrating its forbears.
  3. Though this movie has its outrageous moments, Di Novi puts the female emotional journey up front and treats things respectfully. But every erotic thriller needs some crazy, and thank goodness for Heigl's full commitment to her character's insanity.
  4. With seemingly all the right pieces, it's a disappointment that The Promise lacks the energy and originality needed to sustain itself. It might be fresh material, but the approach is decidedly stale.
  5. The stately rhythms of the dialogue — drawn out by the particulars of Davies’ blocking, framing and editing — become a kind of music. The effect is bewildering at first, then absorbing, then transfixing. Its purpose, in line with the loftiest ideals of poetry itself, is to clear the mind and stir the soul.
  6. Shot in evocative black and white, Karl Marx City is a sleek, absorbing detective story, a fascinating primer on mass surveillance in the pre-Snowden era, and a roving memoir of East German life.
  7. “Spark” should earn points for originality, but it never invests in establishing its world or its characters in a way that engages viewers.
  8. It sounds paradoxical but, if done right, films about a life ending can be the most life-affirming films you'll see. Truman, a great success in its native Spain, is definitely done right.
  9. The movie may, in the end, frustrate your desire for straight-up thrills and clear answers, but its irresolution is masterful — sincere, generous and entirely appropriate to the deeply searching story it has to tell.
  10. Lynch devotees should dig this respectful, offbeat portrait.
  11. Frequently fun and generally harmless, The Outcasts doesn’t bring anything new to the teen comedy, but that’s the nice thing about the sub-genre for its viewers.
  12. Subtle, unsettling, slyly amusing, Norman: The Moderate Rise and Tragic Fall of a New York Fixer takes some getting used to because it's the kind of film we're not used to seeing.
  13. Mission Control: The Unsung Heroes of Apollo is a well-crafted, revealing British documentary.
  14. By showing the exhausting diligence that goes into moments of pure transcendent joy onstage, this doc should make new fans for Giordano’s living museum.
  15. Bleak, naturalistic and flawlessly acted, Graduation distills the mood and moral decay of a place whose gray skies and nondescript housing blocks feel like permanent reminders of its dark history.
  16. All This Panic is a deeply felt tribute to youth but also to growing up; it’s a time capsule of a fleeting, fragile moment when angst is mixed with beauty and everything seems ripe with potential.
  17. The cast is game and the pace blessedly zippy, but everything about this film feels too fake to generate any real suspense.
  18. This lifeless serving of soggy pulp packs all the gritty authenticity of a gummy vitamin.
  19. The film is an astute character study that is analytical but never unemotional.
  20. As externalized visions of high school hellishness go, Shaw’s doesn’t always translate into the most cohesively entertaining of mash-ups, but his techniques are attention-grabbers.
  21. It’s surprisingly affecting, but there’s a tendency to telegraph these pivotal emotional moments that in a way lessens their effect. It’s a tribute to the film’s overall craft, and especially its cast, that it’s as much a winner as it is.
  22. Heal the Living reveals a gift for joining skillful visual filmmaking with moving, affecting storytelling, all in the service of a story that unfolds in surprising ways.
  23. Lynskey, Ellis, and Jackson are charming enough to buoy this lightly dramatic tale, but with a laid-back energy the stakes are never quite high enough. “Little Boxes” offers tame social commentary in a pleasant package.
  24. The series seems to have at last entered its frustrating, decadent, spinning-its-wheels phase.
  25. Tickling Giants surprises us on several levels. It reveals Egypt’s familiar Arab Spring experience through a lens, that of satiric comedy, which is very different from the way we usually see it. And it has the personal element of Youssef’s involving story, showing what can happen when your dreams come true to a completely unexpected extent.
  26. Give credit to the filmmakers for making a faith-affirming picture that aims to be more thoughtful than maudlin. But what they’ve ended up with is a fairly rote Christian redemption narrative — albeit with more charts and graphs.
  27. Their Finest is a treat that has something on its mind, a charming concoction that adds a bit of texture and bite to the mix. Genial and engaging with a fine sense of humor, it makes blending the comic with the serious look simpler than it actually is.
  28. Blue Gold: American Jeans is intermittently engaging, but its attempt to weave together the journey of vintage clothing dealer Eric Schrader with the history of the apparel ultimately falls apart.
  29. The Eyes is a talky, set-bound drama masquerading as a suspense picture, and nearly the entire movie consists of overwritten, overacted, visually inert confrontations and monologues.
  30. Logan Sandler’s Live Cargo is stuffed with arty close-ups and stunning backdrops, but the emotions to connect them are missing.

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