For 16,520 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,697 out of 16520
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Mixed: 5,806 out of 16520
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Negative: 2,017 out of 16520
16520
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Justin Chang
The resulting genre stew is rich and flavorsome, if also somewhat chunky and uneven. The characters are thinly drawn by design, but Mendonça Filho and Dornelles know how to use the magnetism of their actors to maximum advantage.- Los Angeles Times
- Posted May 17, 2019
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Reviewed by
Justin Chang
As with its beloved subject and his enormous catalog of multiplatinum earworms, the movie’s familiarity turns out to be crucial to its charm.- Los Angeles Times
- Posted May 17, 2019
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Reviewed by
Maria Garcia
Weçel’s documentary is aimed at broadening the audience for “Loving Vincent,” yet it is also a wonderful tribute to the vision and craft of independent moviemaking.- Los Angeles Times
- Posted May 16, 2019
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Reviewed by
Noel Murray
These kind of indie neo-noirs can be little gems when done well. Here though, directors Kevin and Michael Goetz and screenwriter Michael Arkof have delivered something largely devoid of style or narrative tension.- Los Angeles Times
- Posted May 16, 2019
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Reviewed by
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- Los Angeles Times
- Posted May 16, 2019
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Reviewed by
Noel Murray
There’s nothing particularly awful about the film (title aside), but it never develops into the “Shaun of the Dead”-like social satire it strains to be.- Los Angeles Times
- Posted May 16, 2019
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Reviewed by
Noel Murray
While the “Wait Until Dark”-like suspense of the film’s climax feels a little rote, that’s OK, because the foggy depiction of a troubled marriage is plenty disturbing.- Los Angeles Times
- Posted May 16, 2019
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Reviewed by
Noel Murray
It’s a grim vision, sure. But it’s a compelling one too, using the flash of a space opera to remind viewers that — whether on the ground or in the stars — we’re stuck with each other.- Los Angeles Times
- Posted May 16, 2019
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Reviewed by
Justin Chang
Although ostensibly set in the present day, this odd, frightening and entrancing little movie seems stuck in a moment out of time.- Los Angeles Times
- Posted May 16, 2019
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Reviewed by
Gary Goldstein
The movie, which comes off strangely wide-eyed about such “outré” things as marijuana and same-sex attraction, evokes some 1970s-era George Segal vehicle as it struggles to pair hip defiance with come-to-Jesus-style pathos, the latter of which provides a few of the film’s more compelling moments.- Los Angeles Times
- Posted May 16, 2019
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Reviewed by
Michael Rechtshaffen
Far more than simply “The Longest Yard” with hoops, the remarkable Q Ball serves as a potent illustration of the redemptive powers of team camaraderie.- Los Angeles Times
- Posted May 16, 2019
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Reviewed by
Kimber Myers
The Serengeti Rules celebrates not only the diversity and beauty of the natural world but also recognizes the transformative power of curiosity and knowledge.- Los Angeles Times
- Posted May 16, 2019
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Reviewed by
Robert Abele
Heightened but airless, this “Castle” is like a checklist of the novel’s peculiarities, rather than its singular soul brought to life.- Los Angeles Times
- Posted May 16, 2019
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Reviewed by
Katie Walsh
The story takes some unbelievably tragic twists and turns, and along the way, Dastmalchian unfolds a riveting performance, aided by Schiffli’s beautiful and unobtrusive style.- Los Angeles Times
- Posted May 16, 2019
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Reviewed by
Robert Abele
It’s an old-fashioned injustice barn burner with narrative and emotional beats so sturdy you can practically see the rivets. But on the big screen, it’s just not convulsive enough to stir us and instead feels trapped in a limbo of not quite awards-prestigious, but not exactly indie-fired.- Los Angeles Times
- Posted May 16, 2019
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Reviewed by
Gary Goldstein
It’s a heavy lift that, to do her efforts justice, required a more dimensional, broadly contextual and, for a movie about art, visually adept depiction than first-time filmmaker Rynecki has managed.- Los Angeles Times
- Posted May 16, 2019
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- Los Angeles Times
- Posted May 16, 2019
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Reviewed by
Kenneth Turan
Director Russo-Young, whose roots are in independent film, has brought a bit of a welcome indie sensibility to the proceedings.- Los Angeles Times
- Posted May 15, 2019
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Jen Yamato
Parabellum excels when it tees up the sublimely inventive and wince-inducing close quarters fights with the lethally graceful Reeves baring John Wick’s psyche and soul between reloads and headshots.- Los Angeles Times
- Posted May 15, 2019
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Katie Walsh
While Just Say Goodbye reveals the filmmakers’ inexperience, with a bit of finesse, Walting could be a promising new voice.- Los Angeles Times
- Posted May 10, 2019
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Reviewed by
Kimber Myers
For her directorial debut, Vilaysack has made an authentic documentary that deals honestly with issues of identity, immigration and family. There’s little self-editing here, giving the audience insight into her pain, an experience that is both moving and uncomfortable in its raw state.- Los Angeles Times
- Posted May 10, 2019
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Reviewed by
Gary Goldstein
It’s a one-day-at-a-time kind of portrait that’s dispiriting, unsettling and undeniably authentic.- Los Angeles Times
- Posted May 10, 2019
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Reviewed by
Noel Murray
A thin plot and a distractingly jaunty score hold The Bastards’ Fig Tree back. But for the most part, this is a thought-provoking historical fairy tale about the values — and grudges — that survive whomever’s in power.- Los Angeles Times
- Posted May 10, 2019
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Reviewed by
Kimber Myers
The vibrant visuals contrast with a muddled narrative, leaving the audience less satisfied than the characters.- Los Angeles Times
- Posted May 10, 2019
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Reviewed by
Carlos Aguilar
An eternal nurturer, the black mother whom Allah dissects and praises in this transfixing hymn of a movie about the place where the woman that gave him life was born is far more than just a homeland but a direct link to the answers about existence.- Los Angeles Times
- Posted May 10, 2019
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Reviewed by
Robert Abele
At its intimate best, Merata is an embrace and an education, a son’s love letter and for cineastes, a celebration of inclusion and voice.- Los Angeles Times
- Posted May 10, 2019
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Reviewed by
Noel Murray
This almost unclassifiable Brazilian horror film is one of the most assured, unconventional genre pictures of recent years.- Los Angeles Times
- Posted May 9, 2019
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Reviewed by
Robert Abele
Shéhérazade wins us over with what we love about love: its strength in even the direst of circumstances.- Los Angeles Times
- Posted May 9, 2019
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Reviewed by
Gary Goldstein
This frequently fascinating, frustrating study in naiveté, personal turmoil and self-discovery leaves the viewer stranded in process.- Los Angeles Times
- Posted May 9, 2019
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Reviewed by
Kenneth Turan
The step-by-step examination of how so many smart people with such a good idea failed so badly results in a film which offers up not only a crackling story but also enough lessons that it could be a Harvard Business School case study all by itself.- Los Angeles Times
- Posted May 9, 2019
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