For 16,523 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,698 out of 16523
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Mixed: 5,808 out of 16523
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Negative: 2,017 out of 16523
16523
movie
reviews
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- By Critic Score
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- Los Angeles Times
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Reviewed by
Kevin Thomas
The singular achievement of Jonathan Karsh's graceful and rigorous documentary is that he enables his audiences to see his heroine's family through her very clear but always loving eyes.- Los Angeles Times
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Reviewed by
Kenneth Turan
The result is a kind of ultimate romantic film, joining an almost Jamesian sadness and discipline to that extraordinary visual sensibility. It's not the kind of thing you see every day.- Los Angeles Times
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Reviewed by
Kenneth Turan
A surprisingly satisfying combination of bawdy sexual humor, genuine emotion and a plot with mechanics so excessive that Almodóvar himself calls it "a screwball drama."- Los Angeles Times
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Reviewed by
Kevin Thomas
The look and feel of the film is entirely beguiling. It is deliberately not a period piece, heavy with dated styles and fads, but instead evokes a sense of timelessness.- Los Angeles Times
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Reviewed by
Kevin Thomas
Malena the film is as beautiful and seductive as its heroine, with its ravishing Lajos Koltai cinematography and sweepingly romantic Ennio Morricone score.- Los Angeles Times
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Reviewed by
Kenneth Turan
It turns out to be an especially warm comedy with a hidden heart. It's a film whose humor has feeling behind it because writer-director Peter Hedges doesn't let his comedy overpower an understanding of how emotionally weighted family situations are always going to be.- Los Angeles Times
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Manohla Dargis
As with the greatest animated films, the triumph of Kon's work lies not just in its beauty and singularly sophisticated storytelling but in how that beauty and storytelling combine to give the films a sting so human you can forget you're watching a cartoon.- Los Angeles Times
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Reviewed by
Kevin Thomas
It is best to let this stunning film simply wash over you and trust that all will become clear enough in time. Vengo in a sense is a concert film tied together with the slenderest of plots.- Los Angeles Times
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Reviewed by
Kevin Thomas
As atmospheric and moody as a film noir, the stylish, sometimes perplexing Purple Butterfly is a remarkable period piece, evoking the bustling, dense and increasingly dangerous Shanghai of the '30s- Los Angeles Times
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Reviewed by
Kenneth Turan
Amore satisfying use of the medium would be difficult to imagine.- Los Angeles Times
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Manohla Dargis
Godard has always made films that are as thrilling for their ideas and ideals as for the sheer beauty of their images; the difference here is that for the first time in years he's more interested in turning us on than in turning us off.- Los Angeles Times
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Reviewed by
Kenneth Turan
The wonderful thing about Band of Outsiders is that the daring elements that jazzed audiences then have the same power to intoxicate all these years later.- Los Angeles Times
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Reviewed by
Kevin Thomas
An accomplished film that continually takes us beyond our first impressions of people and situations.- Los Angeles Times
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Sheila Benson
Working Girl is the sparkling success that it is because of the sheer irresistibility of Melanie Griffith. [21 Dec 1988, Calendar, p.6-1]- Los Angeles Times
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Reviewed by
Kenneth Turan
Such a smart and savvy piece of work it encourages us to feel we're eavesdropping on history.- Los Angeles Times
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Reviewed by
Kenneth Turan
A completely charming reality-based romantic fantasy, both sweet-natured and sympathetic, Show Me Love is a leader of the pack.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
A gorgeous film with a vision strong enough to sustain heart-tugging, heightened by San Bao's romantic score, that verges on the sentimental.- Los Angeles Times
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Manohla Dargis
One of the most harrowing and plausible visions of apocalypse since George A. Romero's 1968 zombie shocker, "Night of the Living Dead."- Los Angeles Times
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Reviewed by
Kevin Thomas
Brings maximum subtlety, nuance and insight into the timeless story of first love.- Los Angeles Times
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Kenneth Turan
Dark, dangerous and a great deal of wicked, amoral fun. A film that manages to be as clever, playful and mock violent as its title, Lock, Stock was a major hit in its native Britain and its cheeky tone, simultaneously calculated and off the cuff, is as hip as anyone could want. [5 Mar 1999]- Los Angeles Times
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Manohla Dargis
It's all terribly tortured, often laugh-out-loud, absurdly funny and, as with all of Maddin's movies, conveyed through images that are as lush and beautifully over the top as the story's emotions.- Los Angeles Times
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- Critic Score
In her first feature, writer-director Gina Prince-Bythewood tells a familiar tale with first-rate acting and an underlying sense of authenticity.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Crust
Marvin's performance, much enhanced by "The Reconstruction," is a marvel.- Los Angeles Times
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Kenneth Turan
Crouching Tiger's blend of the magical, the mythical and the romantic fills a need in us we might not even realize we had.- Los Angeles Times
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Reviewed by
Kenneth Turan
Intoxicating and meditative by turns, helped by Fred Frith's minimalist score, this film opens a portal into a singular creative mind.- Los Angeles Times
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Reviewed by
Kenneth Turan
Though Bottle Rocket is wryly amusing from beginning to end, the hard edges of the real world are never too far from its surface. And it is the particular grace of the film that though all its characters end up with something like what they're looking for, its not exactly how they'd imagined it would be.- Los Angeles Times
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Reviewed by
Kevin Crust
Director Wong is at his best in this rerelease of the 1991 film.- Los Angeles Times
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