For 16,522 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,697 out of 16522
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Mixed: 5,808 out of 16522
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Negative: 2,017 out of 16522
16522
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Kevin Thomas
It's sensational in both senses of the word: a bravura, provocative sendup of horror pictures that's also scary and gruesome yet too swift-moving to lapse into morbidity.- Los Angeles Times
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Reviewed by
Kevin Thomas
It's no thigh-slapper like the Rodney Dangerfield's "Back to School," but it's exceptionally good-natured and perceptive, and Harmon, in his first starring screen role, is a real charmer. [22 July 1987]- Los Angeles Times
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It's a nearly pitch-perfect melding of genres, influences and modes of expression--it's the first Mafia movie for the hip-hop age.- Los Angeles Times
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Reviewed by
Manohla Dargis
Twenty-four years later -- digitally spruced up, with some scenes shaved and others padded with previously cut material -- Scott's film still shreds nerves.- Los Angeles Times
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Reviewed by
Kevin Thomas
Blood Simple becomes a dazzling comedie noire, a dynamic, virtuoso display by a couple of talented fledgling filmmakers who give the conventions of the genre such a thorough workout that the result is a movie that's fresh and exhilarating (in the way that Jean-Jacques Beineix’s “Diva” was).- Los Angeles Times
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Reviewed by
Kenneth Turan
Once positions hardened, tragedy was all but inevitable, and Bloody Sunday" does the spirit of that awful day full and unforgettable justice.- Los Angeles Times
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Reviewed by
Kevin Thomas
Handsome as all Allen films are, and it proceeds with the brisk, sophisticated air of throwaway confidence and lack of pretense that we expect from the contemporary master of grown-up comedy.- Los Angeles Times
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Reviewed by
Kenneth Turan
Never loses its priceless stamp of individuality. Reduced to its essence, this is a joke told by a person, not a corporation--and that makes all the difference.- Los Angeles Times
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Reviewed by
Kevin Thomas
Moll, in only his second feature, evokes a sense of foreboding, playing the routine against the unnerving, the humorous against the sinister, with a wit and deftness that might have impressed Hitchcock.- Los Angeles Times
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Reviewed by
Kenneth Turan
Director Demme has done other potent and meaningful films, but The Agronomist defers to none of them in its effectiveness and its power.- Los Angeles Times
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Reviewed by
Kenneth Turan
The creators of the magnificent Balseros stayed involved with its subject, a group of Cuban boat people who made it to the United States, for a full seven years. If you put in that kind of time, you witness life happening in front of you in all its compelling, confounding drama. What could be better than that?- Los Angeles Times
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Reviewed by
Kenneth Turan
A remarkably thoughtful drama, Lantana makes it clear not only how hard to come by any emotional comfort is in this life, but more important, why we can't give up on the struggle.- Los Angeles Times
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Reviewed by
Sheila Benson
Biting and vicious, a styptic pencil on the battered face of "civilized divorce." It's also thoughtful, laceratingly funny, and bravely true to its own black-and-blue comic vision. [8 Dec 1989]- Los Angeles Times
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Reviewed by
Kenneth Turan
The more things change, the more we have to laugh if we are to have a prayer of remaining sane, and the Pythons are the best possible step in that direction.- Los Angeles Times
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Reviewed by
Kevin Thomas
A fast and furious action-adventure. The film's comedy counts for as much as the clever and risky ways in which Wahlberg and company go after the nasty Norton, who has holed up in a Bel-Air mansion with a world-class security system.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
The vigorous Bang Rajan moves with a sure sense of direction and authority to its major culminating battle, a singularly savage and wrenching encounter that for all its bloodshed is never exploitative and concludes the film on a resounding note of tragic grandeur.- Los Angeles Times
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Reviewed by
Kenneth Turan
A dead-on tale of corporate power, courage, cowardice and how we live.- Los Angeles Times
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Kevin Thomas
Amazing, rich in authentic period atmosphere and detail, an ever-changing cyclorama of a movie.- Los Angeles Times
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Manohla Dargis
His film may be something of a beautiful lie, but what's true about Sollett's characters is that their dreams, their grace and their struggles are as real as it gets.- Los Angeles Times
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Reviewed by
Kenneth Turan
A wholly enveloping experience. Gentle, ravishingly beautiful and awash in everyday sensuality, it so intoxicates you with the elegance and refinement of its filmmaking that even noticing, let alone caring, whether it has a plot starts to seem beside the point.- Los Angeles Times
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Reviewed by
Kenneth Turan
At a time when so many in this country are at odds about what represents America at its best, it's refreshing and then some to see a film that everyone can agree is an example of exactly that.- Los Angeles Times
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Reviewed by
Kenneth Turan
Not just an especially subtle and thoughtful psychological drama, it's a provocative, even an unnerving one as well.- Los Angeles Times
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Reviewed by
Kenneth Turan
If there is one moment in The Language of Music that will thrill old rock fans, it's watching Dowd, his fluid hands moving with a surgeon's grace, remix for the film's benefit the 24-track sub-master of "Layla."- Los Angeles Times
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Reviewed by
Kenneth Turan
Exuberant and pitiless, profane yet eloquent, flush with the ability to create laughter out of unspeakable situations, Trainspotting is a drop-dead look at a dead-end lifestyle that has all the strength of its considerable contradictions.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kenneth Turan
What results is a thoughtful, analytical yet still emotional film, meticulously investigated and absolutely compelling.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Michael Wilmington
It's Patinkin who scores a special triumph. In his role there's a poignant strain of weariness beneath the leaping bravado, a pain under the braggadocio. [25 Sept 1987]- Los Angeles Times
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Reviewed by
Kenneth Turan
If Asian martial arts movies interest you even a little bit, you're going to want to see Iron Monkey. Not only that, you're going to want to see it more than once.- Los Angeles Times
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