Los Angeles Times' Scores

For 16,522 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16522 movie reviews
  1. It's sensational in both senses of the word: a bravura, provocative sendup of horror pictures that's also scary and gruesome yet too swift-moving to lapse into morbidity.
  2. It's no thigh-slapper like the Rodney Dangerfield's "Back to School," but it's exceptionally good-natured and perceptive, and Harmon, in his first starring screen role, is a real charmer. [22 July 1987]
    • Los Angeles Times
    • 68 Metascore
    • 90 Critic Score
    It's a nearly pitch-perfect melding of genres, influences and modes of expression--it's the first Mafia movie for the hip-hop age.
  3. Twenty-four years later -- digitally spruced up, with some scenes shaved and others padded with previously cut material -- Scott's film still shreds nerves.
  4. Blood Simple becomes a dazzling comedie noire, a dynamic, virtuoso display by a couple of talented fledgling filmmakers who give the conventions of the genre such a thorough workout that the result is a movie that's fresh and exhilarating (in the way that Jean-Jacques Beineix’s “Diva” was).
  5. Once positions hardened, tragedy was all but inevitable, and Bloody Sunday" does the spirit of that awful day full and unforgettable justice.
  6. Handsome as all Allen films are, and it proceeds with the brisk, sophisticated air of throwaway confidence and lack of pretense that we expect from the contemporary master of grown-up comedy.
    • Los Angeles Times
  7. Never loses its priceless stamp of individuality. Reduced to its essence, this is a joke told by a person, not a corporation--and that makes all the difference.
  8. Moll, in only his second feature, evokes a sense of foreboding, playing the routine against the unnerving, the humorous against the sinister, with a wit and deftness that might have impressed Hitchcock.
  9. Director Demme has done other potent and meaningful films, but The Agronomist defers to none of them in its effectiveness and its power.
  10. The creators of the magnificent Balseros stayed involved with its subject, a group of Cuban boat people who made it to the United States, for a full seven years. If you put in that kind of time, you witness life happening in front of you in all its compelling, confounding drama. What could be better than that?
  11. A remarkably thoughtful drama, Lantana makes it clear not only how hard to come by any emotional comfort is in this life, but more important, why we can't give up on the struggle.
  12. Biting and vicious, a styptic pencil on the battered face of "civilized divorce." It's also thoughtful, laceratingly funny, and bravely true to its own black-and-blue comic vision. [8 Dec 1989]
    • Los Angeles Times
  13. The more things change, the more we have to laugh if we are to have a prayer of remaining sane, and the Pythons are the best possible step in that direction.
  14. A fast and furious action-adventure. The film's comedy counts for as much as the clever and risky ways in which Wahlberg and company go after the nasty Norton, who has holed up in a Bel-Air mansion with a world-class security system.
  15. Exuberant and insidiously funny satire.
  16. The vigorous Bang Rajan moves with a sure sense of direction and authority to its major culminating battle, a singularly savage and wrenching encounter that for all its bloodshed is never exploitative and concludes the film on a resounding note of tragic grandeur.
  17. A dead-on tale of corporate power, courage, cowardice and how we live.
  18. Amazing, rich in authentic period atmosphere and detail, an ever-changing cyclorama of a movie.
  19. His film may be something of a beautiful lie, but what's true about Sollett's characters is that their dreams, their grace and their struggles are as real as it gets.
  20. A wholly enveloping experience. Gentle, ravishingly beautiful and awash in everyday sensuality, it so intoxicates you with the elegance and refinement of its filmmaking that even noticing, let alone caring, whether it has a plot starts to seem beside the point.
  21. At a time when so many in this country are at odds about what represents America at its best, it's refreshing and then some to see a film that everyone can agree is an example of exactly that.
  22. Not just an especially subtle and thoughtful psychological drama, it's a provocative, even an unnerving one as well.
  23. If there is one moment in The Language of Music that will thrill old rock fans, it's watching Dowd, his fluid hands moving with a surgeon's grace, remix for the film's benefit the 24-track sub-master of "Layla."
  24. Exuberant and pitiless, profane yet eloquent, flush with the ability to create laughter out of unspeakable situations, Trainspotting is a drop-dead look at a dead-end lifestyle that has all the strength of its considerable contradictions.
  25. It's sexy, brainy and slightly nuts.
  26. What results is a thoughtful, analytical yet still emotional film, meticulously investigated and absolutely compelling.
  27. Terrific escapist fare, stylish, outrageous and compelling.
  28. It's Patinkin who scores a special triumph. In his role there's a poignant strain of weariness beneath the leaping bravado, a pain under the braggadocio. [25 Sept 1987]
    • Los Angeles Times
  29. If Asian martial arts movies interest you even a little bit, you're going to want to see Iron Monkey. Not only that, you're going to want to see it more than once.

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