Los Angeles Times' Scores

For 16,522 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16522 movie reviews
  1. A wildly cinematic futuristic thriller that is determined to overpower the imagination, The Matrix combines traditional science-fiction premises with spanking new visual technology in a way that almost defies description.
  2. Never before has a fiction film so clearly and to such devastating effect laid out the calculation of the Nazi machinery of death and its irrationality.
  3. All of this romantic back and forth unfolds gradually and in charming ensemble style. As the characters think about seducing each other, as they inevitably complicate their lives without being able to help themselves, the film is simultaneously seducing us.
  4. In As Good as It Gets, his (Brooks) mastery of the nuances of language and emotion has turned the most unlikely material into the best and funniest romantic comedy of the year.
  5. By far the most approachable of the director's recent films, with an emotional depth that's true to life and a streamlined narrative that for long stretches barely contains a word.
  6. A heart-tugger made totally irresistible because of the combination of Kitano's wry, sly sense of humor and his rigorous detachment.
  7. For all its nonstop energy and high spirits, Can't Hardly Wait allows its characters to emerge as fully dimensional individuals; they've been written with care and perception and played with equal aplomb by a roster of talented young actors.
  8. Wonderfully humanistic film. Yi Yi investigates the entire melody of life.
  9. Genteelly erotic, surprisingly emotional, exquisitely made from start to finish.
  10. A substantial film of unexpected emotional force. And when at a certain point it seems to slip the bonds of this world and take a leap of faith into an almost mythological dimension, it breathlessly takes us along for that memorable ride.
  11. A clever and outrageous piece of whimsical fantasy that is unique, unpredictable and more than a little strange.
  12. There's nothing casual about the way this film has been put together, yet that painstaking care leads to laughter that is completely unrestrained.
  13. Though Kidman doesn't hesitate to make Grace high-strung and as tightly wound as they come, she also projects vulnerability and courage when they're called for. It's an intense, involving performance, and it dominates and energizes a film that would be lost without it.
  14. At once an old-fashioned freakout and an environmental cautionary tale (mess with Mother Nature and she'll mess with you right back), the film combines two genre standbys -- lethal contagion and the undead -- and gives them a wicked, contemporary spin.
  15. The sweeping, confounding conclusion therefore unfolds with a beauty and an ease that seem truly organic. The Way We Laughed has that feeling of being a work of art.
  16. This buoyant, giddy comedy of catastrophe is the funniest film of the year so far, possibly the most amusing mainstream live-action comedy since "There's Something About Mary."
    • Los Angeles Times
  17. Bridges turns a two-dimensional image into a presence so vital, so filled with breath and blood, that you uneasily fall in love with his character and abandon all thought of the artifice that's brought it to life.
  18. A work of artistry and craftsmanship at the highest level.
  19. A memory play and a sleight of hand, Eternal Sunshine is more than anything else deeply sincere. Like Spike Jonze, who directed "Adaptation" and "Being John Malkovich," Gondry succeeds principally by balancing Kaufman's churning skepticism with unflinching hope.
  20. Intelligently written and directed with a pleasing frankness by Bill Condon and well played by Liam Neeson, Laura Linney and a strong supporting cast, the film skillfully uses the forms of old Hollywood to tell a story that would have given heart failure to Harry Cohn and his fellow tycoons.
    • 79 Metascore
    • 90 Critic Score
    A lovely piece of movie making: precisely controlled but with a lived-in scruffiness.
  21. It takes exceptional acting to enable a story like this to take hold, and Campion has gotten it here. [19 Nov 1993]
    • Los Angeles Times
  22. A work of art whose beauty has the eternal power of redemption.
  23. Bardem's performance is a marvel of restraint and control, both physical and emotional.
  24. It's one of the most emotional and compelling the filmmaker has ever made. Confident, uncompromising and blisteringly realistic, Sweet Sixteen is a gritty and immediate film yet it goes right to the emotions.
  25. A potent mixture of sentiment and grit, and it showcases the talents of its young principals.
  26. Patrice Leconte has long ago mastered a Gallic specialty: the knack of making impeccably polished, graceful films with an unpretentious ease while allowing them to emerge seeming fresh and spontaneous. Leconte's latest film to reach the U.S. reveals him to be at his slyest best.
  27. Rarely does pop come with such sizzle.
  28. As a result of Mann's craftsmanship and concern, Collateral crackles with energy and purpose, a propulsive film with character on its mind and confident men and women on both sides of the camera.
  29. The film is never more real than when Jimmy unloads his anger on someone close to him, a frequent occurrence. Eminem is an actor with a rare gift for rage, and movie careers, even big ones, have been built on less.

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