Los Angeles Times' Scores

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For 16,539 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,706 out of 16539
  2. Mixed: 5,816 out of 16539
  3. Negative: 2,017 out of 16539
16539 movie reviews
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  1. Filly Brown
    The cast keeps us invested in Filly's furious resurrection.
  2. Oconomowoc
    Ironically, the only thing that makes much sense about the DIY effort Oconomowoc is its baffling title.
  3. Violeta Went to Heaven
    Francisca Gavilán's lead performance burns with a dark radiance that's anything but self-congratulatory.
  4. Home Run
    Almost from the beginning the message overwhelms the medium.
  5. Three Days (of Hamlet)
    The result is high school English crossed with "Waiting for Guffman," though the humor is largely accidental.
  6. Oblivion
    Oblivion has the ability to haunt you visually and, with an unanticipated love story, even emotionally.
  7. The Lords of Salem
    The Lords of Salem is like some queasy-making machine, a chamber piece of possession and madness that exerts a strange, disturbing power.
  8. Stolen Seas
    What really elevates the film, though, is the crucial context that Payne provides to explain — but not justify — the pirates' actions.
  9. The Revolutionary Optimists
    Unfortunately, the film often feels somewhat random and disorganized, with Newnham and Grainger-Monsen never zeroing in on a cohesive narrative structure. Still, the movie's engaging subjects (including several parents) and valuable themes largely carry the day.
  10. Pawn
    Pawn's cops and robbers game could have been far better played.
  11. Unmade in China
    It's a cautionary tale of sorts, but the story is so strange it is often not clear exactly what it's cautioning us against.
  12. In the House
    François Ozon can usually be counted on for dark irony of the juiciest sort...But the filmmaker has an especially deft touch when a dash of comedy is mixed in. He uses this to delicious effect in his latest, In the House.
  13. Scary Movie 5
    If you think three months is an impossible amount of time to write and produce a feature film, well, it is.
  14. Lotus Eaters
    McGuinness has a commendable grasp of visual textures and rhythms. It will be interesting to see what she does with a stronger story to tell. Here, reaching for dramatic effect, she comes up empty.
  15. Which Way Is the Front Line from Here? The Life and Time of Tim Hetherington
    For Hetherington, the front line was not just a set of coordinates in a bloody battle, but a space where true artists operated, and Junger's film goes a long way toward celebrating that mind set, but also recognizing how treacherous it can be.
  16. Pavilion
    What you see is pretty much what you get. Fortunately, what we see is often vivid and lovely.
  17. It's a Disaster
    The movie elicits knowing smiles more than laughs, even as it reveals a boundless observational awareness about the beefs and slights that, for the small-minded, must feel like everyday Armageddons.
  18. Leonie
    As a portrait of female strength and a celebration of the artistic spirit, Leonie too seldom comes fully alive.
    • 47 Metascore
    • 60 Critic Score
    Fists of Legend
    Director Kang Woo-Suk spins an epic swirl of masculine psychodrama over his many punishing fight sequences...But he also makes a handful of sage points about desperate times, the cycle of bullying and our modern culture of ratings-sanctioned aggression.
  20. No Place on Earth
    Add one more extraordinary survival tale to the canon of Holocaust documentaries: No Place on Earth.
  21. Consuming Spirits
    With its startling mix of 16-millimeter-shot, handmade animation styles using stop-motion, sketches, collages and models, along with uncensored characters often resembling cadaverous marionettes, this twisted look at life in a faded Appalachian town is one decidedly idiosyncratic ride.
  22. Disconnect
    Alas, the flick can't resist overheating. Paradoxically, when people finally do jump in their cars, curl their fists and grab their guns, we wish they'd retreat to the safety of their monitors.
  23. To the Wonder
    I found it to be some kind of wonderful, flaws and all. This is one to be taken in like meditation. Clear the mind and let what is in front of you wash over you. Save the contemplation for later.
  24. 42
    Robinson's combination of fortitude, restraint and passion for the game was stunning. You can't help getting caught up in this story, even as you are wishing the telling was sharper than it is.
  25. Upstream Color
    Part science fiction scare movie, part offbeat romance, part completely unclassifiable, "Color" is also one-man filmmaking of a remarkable sort.
  26. The Angels' Share
    The Angels' Share leaves a warm glow.
  27. Simon Killer
    Simon Killer...is Campos' bleakest project, which honestly makes me fearful for the future. Still, he is a provocative one to watch — willing to push the aesthetic boundaries as well as the story to extremes even when the risks don't always pay off.
  28. My Brother the Devil
    My Brother the Devil is a promising debut that marks El Hosaini as a filmmaker to watch, but one still very much in the developmental stages.
  29. 6 Souls
    6 Souls is regrettably sick with that familiar disease afflicting movies of this ilk: ostentatious, hollow moodiness that spreads like an unwelcome rash.
  30. The Brass Teapot
    Without a human dimension to ground its construct, The Brass Teapot ultimately feels like an interminably stretched-out skit rather than a storybook lesson stained with blood and hurt.
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