Los Angeles Times' Scores

For 16,539 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16539 movie reviews
  1. Chow is actually an apt metaphor for the movie - indescribably irritating and only in it for the money.
  2. 3 Geezers is painful.
  3. This mission, well intended as it may be, proves a no-go from the get-go.
  4. Pieta, which won last year's Golden Lion at the Venice Film Festival, is disturbing, for sure, but its larger points save it from being a quick and dirty wallow.
  5. The climactic collision of agendas is even more contrived than everything leading to it.
  6. There's something healing about simply watching Free the Mind, Danish filmmaker Phie Ambo's gentle, compassionate documentary.
  7. Erased is eminently forgettable.
  8. With a two-state solution still elusive, "State 194" may feel a bit like yesterday's news — literally and figuratively. But as an aid to better understanding this vital, complex dispute, the film is definitely worth a look.
  9. The film's dark beauty and the quiet intensity of the performances have a discomforting pull.
  10. The film's anthropological interest in Indonesia is the smartest thing in an otherwise familiar scramble of kidnapped babes, expensive jewelry and millions of bullets.
  11. [Aselton's] disregard for her male characters causes Black Rock to spiral into dudette "Deliverance."
  12. Effortless and effervescent, Frances Ha is a small miracle of a movie, honest and funny with an aim that's true.
  13. It's a provocative, absorbing — and at times dicey — study.
  14. This documentary provides an elegant, enthralling peek behind the curtain and into the you-won't-trust-your-eyes world of this celebrated contemporary conjurer.
  15. An invigorating powerhouse of a personal documentary, adventurous and absolutely fascinating.
  16. The English Teacher is a tragedy masquerading as a comedy and doing a disservice to both.
  17. This is a beautifully rendered film.
  18. So many things are done right that even with the bombast, "Into Darkness" is the best of this summer's biggies thus far. It's a great deal of brash fun.
  19. Though it's a decidedly arty piece, Leviathan, named after the biblical sea creature, also lacks much in the way of traditional beauty or splendor. However, the immersive shots of those swooping and circling sea gulls are quite something.
  20. The death of the typewriter has been greatly exaggerated, at least according to the fun, compact love letter of a documentary The Typewriter (in the 21st Century).
  21. Like getting a half-dozen undercooked after-school specials at once, Quentin Lee's White Frog serves up a medley of messages and themes while generating no discernible dramatic heft.
  22. While the plot is a non-starter, the margins of Gold and co-director Tammy Caplan's debut feature are scattered with other real-life magicians who make quarters vanish every time our attention does the same.
  23. Piscopo...isn't just too good for this film, he's too good to be giving it this much effort.
  24. No One Lives is a cheap horror prank that's ultimately not clever or accomplished enough to sustain its eccentricities, and they are very bloody eccentricities indeed.
  25. Baker's transformation from "spiritual father" to megalomaniac follows a familiar path of brainwashing and hedonism.
  26. Lopez is a middling ringmaster of doom at best. But there's so little context to the litany of ugliness — some played for laughs, some meant to shock — that it's hard to discern where the entertainment value lies in any of this.
  27. It's not the worst idea for a revenge fantasy, but Jim's payback is so lacking in logic and reality, not to mention tension, that it proves more laughable than cathartic.
  28. With the nimble Greenwood and a kinder, gentler-than-usual Posey in charge, "And Now" proves a thoroughly engaging lark.
  29. This is a story as involving as you'd imagine it would be.
  30. It is the almost accidental way Tina and Chris go about going bad that provides Sightseers with its twisted humor and its unexpected charm.

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