For 16,539 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,706 out of 16539
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Mixed: 5,816 out of 16539
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Negative: 2,017 out of 16539
16539
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Betsy Sharkey
Chow is actually an apt metaphor for the movie - indescribably irritating and only in it for the money.- Los Angeles Times
- Posted May 22, 2013
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- Los Angeles Times
- Posted May 21, 2013
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Reviewed by
Gary Goldstein
This mission, well intended as it may be, proves a no-go from the get-go.- Los Angeles Times
- Posted May 17, 2013
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Reviewed by
Robert Abele
Pieta, which won last year's Golden Lion at the Venice Film Festival, is disturbing, for sure, but its larger points save it from being a quick and dirty wallow.- Los Angeles Times
- Posted May 17, 2013
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Sheri Linden
The climactic collision of agendas is even more contrived than everything leading to it.- Los Angeles Times
- Posted May 17, 2013
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Reviewed by
Gary Goldstein
There's something healing about simply watching Free the Mind, Danish filmmaker Phie Ambo's gentle, compassionate documentary.- Los Angeles Times
- Posted May 17, 2013
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- Los Angeles Times
- Posted May 17, 2013
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Reviewed by
Gary Goldstein
With a two-state solution still elusive, "State 194" may feel a bit like yesterday's news — literally and figuratively. But as an aid to better understanding this vital, complex dispute, the film is definitely worth a look.- Los Angeles Times
- Posted May 16, 2013
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Reviewed by
Sheri Linden
The film's dark beauty and the quiet intensity of the performances have a discomforting pull.- Los Angeles Times
- Posted May 16, 2013
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Amy Nicholson
The film's anthropological interest in Indonesia is the smartest thing in an otherwise familiar scramble of kidnapped babes, expensive jewelry and millions of bullets.- Los Angeles Times
- Posted May 16, 2013
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Amy Nicholson
[Aselton's] disregard for her male characters causes Black Rock to spiral into dudette "Deliverance."- Los Angeles Times
- Posted May 16, 2013
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Kenneth Turan
Effortless and effervescent, Frances Ha is a small miracle of a movie, honest and funny with an aim that's true.- Los Angeles Times
- Posted May 16, 2013
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Gary Goldstein
It's a provocative, absorbing — and at times dicey — study.- Los Angeles Times
- Posted May 16, 2013
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Reviewed by
Kenneth Turan
This documentary provides an elegant, enthralling peek behind the curtain and into the you-won't-trust-your-eyes world of this celebrated contemporary conjurer.- Los Angeles Times
- Posted May 16, 2013
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Reviewed by
Kenneth Turan
An invigorating powerhouse of a personal documentary, adventurous and absolutely fascinating.- Los Angeles Times
- Posted May 16, 2013
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Betsy Sharkey
The English Teacher is a tragedy masquerading as a comedy and doing a disservice to both.- Los Angeles Times
- Posted May 16, 2013
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- Los Angeles Times
- Posted May 16, 2013
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Reviewed by
Betsy Sharkey
So many things are done right that even with the bombast, "Into Darkness" is the best of this summer's biggies thus far. It's a great deal of brash fun.- Los Angeles Times
- Posted May 16, 2013
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Reviewed by
Gary Goldstein
Though it's a decidedly arty piece, Leviathan, named after the biblical sea creature, also lacks much in the way of traditional beauty or splendor. However, the immersive shots of those swooping and circling sea gulls are quite something.- Los Angeles Times
- Posted May 10, 2013
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Gary Goldstein
The death of the typewriter has been greatly exaggerated, at least according to the fun, compact love letter of a documentary The Typewriter (in the 21st Century).- Los Angeles Times
- Posted May 9, 2013
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Reviewed by
Robert Abele
Like getting a half-dozen undercooked after-school specials at once, Quentin Lee's White Frog serves up a medley of messages and themes while generating no discernible dramatic heft.- Los Angeles Times
- Posted May 9, 2013
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Amy Nicholson
While the plot is a non-starter, the margins of Gold and co-director Tammy Caplan's debut feature are scattered with other real-life magicians who make quarters vanish every time our attention does the same.- Los Angeles Times
- Posted May 9, 2013
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Amy Nicholson
Piscopo...isn't just too good for this film, he's too good to be giving it this much effort.- Los Angeles Times
- Posted May 9, 2013
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Robert Abele
No One Lives is a cheap horror prank that's ultimately not clever or accomplished enough to sustain its eccentricities, and they are very bloody eccentricities indeed.- Los Angeles Times
- Posted May 9, 2013
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Glenn Whipp
Baker's transformation from "spiritual father" to megalomaniac follows a familiar path of brainwashing and hedonism.- Los Angeles Times
- Posted May 9, 2013
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Reviewed by
Robert Abele
Lopez is a middling ringmaster of doom at best. But there's so little context to the litany of ugliness — some played for laughs, some meant to shock — that it's hard to discern where the entertainment value lies in any of this.- Los Angeles Times
- Posted May 9, 2013
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Reviewed by
Gary Goldstein
It's not the worst idea for a revenge fantasy, but Jim's payback is so lacking in logic and reality, not to mention tension, that it proves more laughable than cathartic.- Los Angeles Times
- Posted May 9, 2013
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Gary Goldstein
With the nimble Greenwood and a kinder, gentler-than-usual Posey in charge, "And Now" proves a thoroughly engaging lark.- Los Angeles Times
- Posted May 9, 2013
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Reviewed by
Kenneth Turan
This is a story as involving as you'd imagine it would be.- Los Angeles Times
- Posted May 9, 2013
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Reviewed by
Betsy Sharkey
It is the almost accidental way Tina and Chris go about going bad that provides Sightseers with its twisted humor and its unexpected charm.- Los Angeles Times
- Posted May 9, 2013
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