Los Angeles Times' Scores

For 16,539 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16539 movie reviews
  1. Wish You Were Here is mystery moviemaking at its most intriguing.
  2. As the deliberately paced film never gets under the character's skin, it doesn't quite get under ours. Still, it's a physically impressive, visually compelling journey.
  3. We're not sure what director Michelle Danner, who plays Herman's defensive mother in an uncredited role, wants us to get besides a reminder that angry boys act out for a host of half-defined reasons.
  4. The movie, though uneven, benefits from a strong sense of place and an exceptionally well-cast lead.
  5. A routine home invasion movie more interested in B-horror tropes and bloodletting than a thought-provoking look at "Hunger Games"-ish class warfare.
  6. The ambitions toward '70s-era paranoia thrillers aside, as a connect-the-dots narrative, Dirty Wars is eye-opening, a fierce argument that there are chilling ramifications to endless, vague aggression.
  7. Chris Matheson's script focuses its energy on small, wickedly funny gags, half of which Robinson seems to have sputtered out as improv.
  8. The movie is not exactly a laugh riot. But its comedy is amiable enough — and surprisingly clean.
  9. It's not only this idealism that makes the subjects of Fame High so compelling, it's also their honesty, their willingness to open a window into their lives at that pivotal moment when they're taking their first tentative steps toward becoming their own person personally and professionally.
  10. From the Head settles into an enjoyably miserablist episodic rhythm.
  11. Writer-director siblings Jen and Sylvia Soska allow their film to turn slack and unfocused after an enticingly lurid, wickedly tense first half.
  12. A sweet, sincere, yet ultimately tepid story.
  13. The filmmakers are a bit like their boys of summer, plowing into new terrain in promising ways but rough around the edges.
  14. For all the talent up on the screen — and one can't fault the performances — the movie just doesn't deliver.
  15. Free Samples is a film about wasting time, and it feels like it. Despite clocking in at 79 minutes, Jay Gammill's comedy drags by no fault of its delightfully sour lead.
  16. The character mechanics... leave the viewer always feeling a step ahead of the story and its too-late-to-excite twists. As a portrait of violence-riven motherhood, however, Riseborough gives Shadow Dancer most of its grave power.
  17. Though his treatment of the subject is often superficial, Perlman makes a clear argument for the broader implications, especially for Western consumers.
  18. The script has no nuance, none. And when Shyamalan moves into the director's chair, the script problems are magnified. Everything is spelled out, underlined in red.
  19. Even if you may not be putting a Pussy Riot song on your next playlist, there is something so of-the-moment and exciting about the group that Pussy Riot: A Punk Prayer feels important, if not fully complete.
  20. Insights are few in this fan letter of a documentary.
  21. For the most part, The East is a dizzying cat and mouse game with all sorts of moral implications.
  22. After the quiet, dread-filled punch of the first half-hour — when it seems vampire culture is going to get turned on its head — Iwai's character study mostly descends into a pretentious slog.
  23. Make no mistake, "We Steal Secrets" is a sprawling, ambitious, major work — a gripping exploration of power, personality, technology and the crushing weight that can come to bear on those who find themselves in its combined path.
  24. When the movie should touch the heart, it just misses. When moments should produce gales of laughter, it struggles for a smile. When panic and fear should set the heart racing, it doesn't.
  25. The films have only gotten better by letting the relationship marinate. "Midnight's" more disgruntled edge reflects what creeps up on couples as years pass, regrets stack up, kids factor in, real life intervenes.
  26. A transfixing, emotionally complex Israeli drama.
  27. Laguionie's animation is a lovely jumble of thick lines and saturated pastels...But while the artist-as-deity concept was flattering enough to get The Painting nominated for a 2012 Cesar Award, its big ideas about equality and friendship are flatly 2-D.
  28. Though it's not that gracefully told and sometimes seems to exist just to plug eco-friendly cleaning supplies, A Green Story holds interest as a gentle, old-fashioned look at achieving the American dream.
  29. Zeroing in on the art of rehearsal, Becoming Traviata is an exquisitely observed look at performance and the creative process.
  30. What really sets "F&F6" apart is the blinding speed with which it shifts between over-the-top action, that speedometer inching toward 800 mph at times, and soap opera emotions that bring everything to a screeching halt. It's enough to give you whiplash … in a good way.

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