Los Angeles Times' Scores

For 16,539 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16539 movie reviews
  1. The Rooftop is a bullet train to bananasville, its tonal eccentricities sure to wear out even the most dedicated connoisseur of silly cinema.
  2. Solidly done if somewhat unremarkable, there is nothing particularly wrong with "Broken," nothing that needs fixing exactly, and yet it never fully comes together.
  3. The result is as sugary as a fatal toothache, though it's hard to hate a film that merely wants to give the world a hug.
  4. The heavily improvised flick ambles as slowly as a toddler rounding first base. Hopefully, Garlin's next movie bothers to include a plot and jokes, i.e. the essential building blocks of a comedy.
  5. There's a great story at the heart of Matej Minac's documentary Nicky's Family, if only it were allowed to be told unvarnished.
  6. Justin McMillan and Christopher Nelius' rah-rah documentary is most alive when it unearths old '80s footage of the friends partying it up with blond groupies — talk about thrilling curves.
  7. In inverse proportion to typically long-winded, inscrutable terms of service, the film is concise, direct and thoroughly engaging.
  8. Blackfish, named after the Native American term for orcas, remains decidedly one-sided. But when that "side" is such a vital, convincing proponent for the greater protection and understanding of such evolved and majestic creatures, it can't help but win.
  9. A series of strong emotional crosscurrents tied to the notion of winning and losing are in the hands of a very eclectic and capable cast.
  10. It is a devastating film to watch.
  11. Whether the San Pedro does its magic is of course the big question. Regardless, Silva works his, delivering not exactly the Holy Grail of road movies, but a very mellow summer high.
  12. Intimate in the telling, sweeping in the implications, Loznitsa has created an unusually incisive film.
  13. Grown Ups 2 looks like it was a lot of fun to make. And the last laugh is on us.
  14. Made with assurance and deep emotion, Fruitvale Station is more than a remarkable directing debut for 26-year-old Ryan Coogler. It's an outstanding film by any standard.
  15. The movie is itself rough around the edges, notably in some chintzy attempts at animating pulp graphics. But it's briskly pieced together from interviews and archival footage.
  16. The pretentious, preposterous, dueling-dialect flameout called Killing Season has to stand as one of the biggest missed opportunities in iconic matchups.
  17. Often an engrossing example of the sweeping, stirring biography.
  18. What could have been an empowering and amusing riff on the typically male underdog genre is mostly charmless.
  19. The estimable James Cromwell splendidly anchors this tender, true-life tale.
  20. Kramer, 10 years removed from his lone critical success, "The Cooler," and writer Adam Minarovich aren't exactly aping Tarantino, if only because they don't have the talent or inclination to aim that high.
  21. Guillermo del Toro is more than a filmmaker, he's a fantasy visionary with an outsized imagination and a fanatical specificity, a creator of out-of-this world universes carefully conceived down to the smallest detail. His particular gifts and passions are on display in the long-awaited Pacific Rim and the results are spectacular.
  22. Sweetgrass is an unexpectedly intoxicating documentary, unexpected because it blends high artistic standards with the grueling reality of one of the toughest, most exhausting of work environments.
  23. A crafty, brainy and uniquely stirring concoction.
  24. Authenticity gives the movie its witty, heartwarming, hopeful, sentimental, searing and relatable edge. It is merciless in probing the tender spots of times like these, and tough-guy sweet in patching up the wounds.
  25. The Crash Reel asks pointed questions about hazard, reward and consequence, forcing us to look anew at the rush attached to so many high-stakes sports.
  26. A skillfully rendered narrative that should satisfy fans and pique the interest of the uninitiated.
  27. Skims a host of provocative surfaces without truly dissecting the self-absorbed playboy.
    • 73 Metascore
    • 70 Critic Score
    At nearly three hours, it's by turns an extraordinary and exhausting work.
  28. All that's missing from Just Like a Woman, Rachid Bouchareb's salute to "Thelma & Louise," is the quality.
  29. The hour of mike time isn't as strong as such previous dispatches as "Seriously…Funny."

Top Trailers