For 16,539 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,706 out of 16539
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Mixed: 5,816 out of 16539
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Negative: 2,017 out of 16539
16539
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Robert Abele
The Rooftop is a bullet train to bananasville, its tonal eccentricities sure to wear out even the most dedicated connoisseur of silly cinema.- Los Angeles Times
- Posted Jul 18, 2013
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Mark Olsen
Solidly done if somewhat unremarkable, there is nothing particularly wrong with "Broken," nothing that needs fixing exactly, and yet it never fully comes together.- Los Angeles Times
- Posted Jul 18, 2013
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Amy Nicholson
The result is as sugary as a fatal toothache, though it's hard to hate a film that merely wants to give the world a hug.- Los Angeles Times
- Posted Jul 18, 2013
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Amy Nicholson
The heavily improvised flick ambles as slowly as a toddler rounding first base. Hopefully, Garlin's next movie bothers to include a plot and jokes, i.e. the essential building blocks of a comedy.- Los Angeles Times
- Posted Jul 18, 2013
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Robert Abele
There's a great story at the heart of Matej Minac's documentary Nicky's Family, if only it were allowed to be told unvarnished.- Los Angeles Times
- Posted Jul 17, 2013
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Amy Nicholson
Justin McMillan and Christopher Nelius' rah-rah documentary is most alive when it unearths old '80s footage of the friends partying it up with blond groupies — talk about thrilling curves.- Los Angeles Times
- Posted Jul 17, 2013
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Sheri Linden
In inverse proportion to typically long-winded, inscrutable terms of service, the film is concise, direct and thoroughly engaging.- Los Angeles Times
- Posted Jul 17, 2013
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Gary Goldstein
Blackfish, named after the Native American term for orcas, remains decidedly one-sided. But when that "side" is such a vital, convincing proponent for the greater protection and understanding of such evolved and majestic creatures, it can't help but win.- Los Angeles Times
- Posted Jul 17, 2013
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Betsy Sharkey
A series of strong emotional crosscurrents tied to the notion of winning and losing are in the hands of a very eclectic and capable cast.- Los Angeles Times
- Posted Jul 17, 2013
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- Los Angeles Times
- Posted Jul 12, 2013
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Reviewed by
Betsy Sharkey
Whether the San Pedro does its magic is of course the big question. Regardless, Silva works his, delivering not exactly the Holy Grail of road movies, but a very mellow summer high.- Los Angeles Times
- Posted Jul 11, 2013
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Betsy Sharkey
Intimate in the telling, sweeping in the implications, Loznitsa has created an unusually incisive film.- Los Angeles Times
- Posted Jul 11, 2013
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Mark Olsen
Grown Ups 2 looks like it was a lot of fun to make. And the last laugh is on us.- Los Angeles Times
- Posted Jul 11, 2013
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Kenneth Turan
Made with assurance and deep emotion, Fruitvale Station is more than a remarkable directing debut for 26-year-old Ryan Coogler. It's an outstanding film by any standard.- Los Angeles Times
- Posted Jul 11, 2013
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Robert Abele
The movie is itself rough around the edges, notably in some chintzy attempts at animating pulp graphics. But it's briskly pieced together from interviews and archival footage.- Los Angeles Times
- Posted Jul 11, 2013
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Robert Abele
The pretentious, preposterous, dueling-dialect flameout called Killing Season has to stand as one of the biggest missed opportunities in iconic matchups.- Los Angeles Times
- Posted Jul 11, 2013
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Robert Abele
Often an engrossing example of the sweeping, stirring biography.- Los Angeles Times
- Posted Jul 11, 2013
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Robert Abele
What could have been an empowering and amusing riff on the typically male underdog genre is mostly charmless.- Los Angeles Times
- Posted Jul 11, 2013
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Gary Goldstein
The estimable James Cromwell splendidly anchors this tender, true-life tale.- Los Angeles Times
- Posted Jul 10, 2013
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Glenn Whipp
Kramer, 10 years removed from his lone critical success, "The Cooler," and writer Adam Minarovich aren't exactly aping Tarantino, if only because they don't have the talent or inclination to aim that high.- Los Angeles Times
- Posted Jul 10, 2013
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Kenneth Turan
Guillermo del Toro is more than a filmmaker, he's a fantasy visionary with an outsized imagination and a fanatical specificity, a creator of out-of-this world universes carefully conceived down to the smallest detail. His particular gifts and passions are on display in the long-awaited Pacific Rim and the results are spectacular.- Los Angeles Times
- Posted Jul 10, 2013
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Kenneth Turan
Sweetgrass is an unexpectedly intoxicating documentary, unexpected because it blends high artistic standards with the grueling reality of one of the toughest, most exhausting of work environments.- Los Angeles Times
- Posted Jul 9, 2013
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Gary Goldstein
A crafty, brainy and uniquely stirring concoction.- Los Angeles Times
- Posted Jul 4, 2013
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Betsy Sharkey
Authenticity gives the movie its witty, heartwarming, hopeful, sentimental, searing and relatable edge. It is merciless in probing the tender spots of times like these, and tough-guy sweet in patching up the wounds.- Los Angeles Times
- Posted Jul 4, 2013
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Robert Abele
The Crash Reel asks pointed questions about hazard, reward and consequence, forcing us to look anew at the rush attached to so many high-stakes sports.- Los Angeles Times
- Posted Jul 4, 2013
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Reviewed by
Robert Abele
A skillfully rendered narrative that should satisfy fans and pique the interest of the uninitiated.- Los Angeles Times
- Posted Jul 3, 2013
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Reviewed by
Gary Goldstein
Skims a host of provocative surfaces without truly dissecting the self-absorbed playboy.- Los Angeles Times
- Posted Jul 3, 2013
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- Critic Score
At nearly three hours, it's by turns an extraordinary and exhausting work.- Los Angeles Times
- Posted Jul 3, 2013
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Reviewed by
Amy Nicholson
All that's missing from Just Like a Woman, Rachid Bouchareb's salute to "Thelma & Louise," is the quality.- Los Angeles Times
- Posted Jul 3, 2013
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Reviewed by
Robert Abele
The hour of mike time isn't as strong as such previous dispatches as "Seriously…Funny."- Los Angeles Times
- Posted Jul 3, 2013
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