For 16,539 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,706 out of 16539
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Mixed: 5,816 out of 16539
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Negative: 2,017 out of 16539
16539
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Gary Goldstein
Loyalties are tested, futures are reconsidered and the body count climbs in the effective action import New World.- Los Angeles Times
- Posted Mar 21, 2013
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Reviewed by
Gary Goldstein
Save a weak police pursuit, events are earnestly depicted and involvingly played, even if the period re-creation at times feels overly burnished. Still, Love and Honor suffices as old-fashioned, pie-in-the-sky entertainment.- Los Angeles Times
- Posted Mar 21, 2013
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Reviewed by
Mark Olsen
Though the film at times works scene by scene, Webley can't quite tie it all together. A disjointed jumble, The Kill Hole can't dig itself out.- Los Angeles Times
- Posted Mar 21, 2013
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Amy Nicholson
Laurence Coriat's shapeless script...pads its overlong running time with standard teen trauma — band squabbles, girl betrayals, skinhead brothers — that saps the audience's energy before the grand finale.- Los Angeles Times
- Posted Mar 21, 2013
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Reviewed by
Betsy Sharkey
Good stuff comes when bad stuff happens; that's when some of the movie animation prowess kicks into high gear. But too many of the "solutions" the guys concoct are so impossibly complex or just downright ridiculous — puppetry comes to mind — that like the continents, it's a little too easy to drift away.- Los Angeles Times
- Posted Mar 21, 2013
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Robert Abele
The noir-ish contours of writer-director Ana Piterbarg's story yield a frustratingly dissipated movie, one with few storytelling pleasures and an overabundance of forced mood.- Los Angeles Times
- Posted Mar 21, 2013
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Amy Nicholson
Brad Leong's comedy has some nicely miserable character beats.- Los Angeles Times
- Posted Mar 21, 2013
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Reviewed by
Gary Goldstein
A one-man band known as Makinov — he wrote, directed, produced, shot, edited and ran sound here — has done a pretty decent job in the chills department using a simple story, small cast and largely contained location.- Los Angeles Times
- Posted Mar 21, 2013
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Kenneth Turan
From Up on Poppy Hill is frankly stunning, as beautiful a hand-drawn animated feature as you are likely to see. It's a time-machine dream of a not-so-distant past, a sweet and honestly sentimental story that also represents a collaboration between the greatest of Japanese animators and his up-and-coming son.- Los Angeles Times
- Posted Mar 21, 2013
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Reviewed by
Sheri Linden
It buzzes along for a while, the promising plot innovations inviting suspension of disbelief, before by-the-numbers implausibility, over-the-top valor and unsavory contrivances take over and the line goes dead.- Los Angeles Times
- Posted Mar 14, 2013
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- Critic Score
Capper's film feels like a making-of featurette spun out to documentary dimensions, just another component in the new album's marketing plan...In its simplest moments, though, Reincarnated presents an honesty that is its own reward. It shows us an old Dogg with no tricks.- Los Angeles Times
- Posted Mar 14, 2013
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Reviewed by
Sheri Linden
The blurring of fact and fiction has been a part of the Amityville saga since it became public, but for Lutz there's no gray area in his memories, whose power is undiminished.- Los Angeles Times
- Posted Mar 14, 2013
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Reviewed by
Glenn Whipp
The film, directed by first-timer Rocky Powell, has a different happy ending in mind, one that adheres to rom-com formulas in a manner that should give it a second life on basic cable. Just don't expect to fall hard for it.- Los Angeles Times
- Posted Mar 14, 2013
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Robert Abele
Less a documentary than an acutely positioned marketing tool, Mindless Behavior: All Around the World delivers a chaotically high-energy burst of performance and behind-the-scenes footage for fans of the slickly produced hip-hop boy band.- Los Angeles Times
- Posted Mar 14, 2013
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Gary Goldstein
It's a fun, nostalgic, informative journey. Aided by vivid archival footage and photos, the movie charts the evolution of the song through the Holocaust, the birth of Israel and the modern Jewish Diaspora.- Los Angeles Times
- Posted Mar 14, 2013
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Reviewed by
Gary Goldstein
K-11 has the makings of a cult movie campfest but little of the authentic wit, edge or outré vision it would take to get there. What's left is a dreary jailhouse drama that somehow managed to imprison a few notable actors within its lurid walls.- Los Angeles Times
- Posted Mar 14, 2013
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Reviewed by
Kenneth Turan
It's an adult look at the teenage years, an examination of how personal emotions inform political action, a noteworthy change of pace for writer-director Sally Potter and, most of all, the showcase for a performance by Elle Fanning as Ginger that is little short of phenomenal.- Los Angeles Times
- Posted Mar 14, 2013
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Reviewed by
Gary Goldstein
It's best not to overthink the sci-fi love story Upside Down and just enjoy its dazzling visuals, dream-like inventiveness and lush romanticism.- Los Angeles Times
- Posted Mar 14, 2013
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Reviewed by
Kenneth Turan
Part manic comedy, part would-be heart-warmer of the "follow your bliss" variety, its odd combination of tones and situations leads to as many awkward, uncertain moments as funny ones.- Los Angeles Times
- Posted Mar 14, 2013
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Reviewed by
Robert Abele
This is Nancy Meyers territory, but leaden with passé observations about lovelorn women...and hardly ebullient as either oddball-pair comedy or housewife-revenge fantasy.- Los Angeles Times
- Posted Mar 14, 2013
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Reviewed by
Glenn Whipp
It's a tad overstuffed, but never lacks for interest. And Saulter, who serves as his own director of photography, has a poet's eye for detail, capturing the beauty of his native country, even in its most extreme poverty.- Los Angeles Times
- Posted Mar 14, 2013
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Gary Goldstein
A Fierce Green Fire: The Battle for a Living Planet, adapted from the book by Philip Shabecoff, proves a worthy reminder of how much has been done to help heal our planet's ecological woes as well as how much remains to be achieved.- Los Angeles Times
- Posted Mar 14, 2013
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Reviewed by
Mark Olsen
The film has a sarcastic tone, like that of a friend who you never can tell is kidding or not, which eventually breaks through into a place of unexpected sincerity. Meeting this odd, idiosyncratic "Somebody" is a rare delight.- Los Angeles Times
- Posted Mar 14, 2013
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Reviewed by
Robert Abele
The movie is an arty lark of ambiguous entertainment value, pulsing with melancholy. It's rarely less than interesting visually or tonally, thanks in large part to Korine's prurient sense of humor and the rich location textures and Crayola sweep provided by gifted cinematographer Benoit Debie ("Enter the Void").- Los Angeles Times
- Posted Mar 14, 2013
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Sheri Linden
Moll's restraint gives way to a tastefully overwrought checklist of Gothic imagery. In the cloistered shadows and the harsh Castilian sun, the visuals are handsome, even as the movie threatens to tip into parody.- Los Angeles Times
- Posted Mar 7, 2013
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Betsy Sharkey
With so many twists, the movie feels like it's trying too hard. Some moments are cleverly constructed; and others seem as if the filmmakers have left themselves no plausible escape.- Los Angeles Times
- Posted Mar 7, 2013
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Reviewed by
Betsy Sharkey
The war crimes and romance stories theoretically run on parallel tracks, but the overall pacing is ragged and the dialogue frequently out of step with the characters we've met.- Los Angeles Times
- Posted Mar 7, 2013
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Reviewed by
Sheri Linden
With its long takes and deliberate pacing, Beyond the Hills is demanding but always engrossing, even during its repetitive middle section.- Los Angeles Times
- Posted Mar 7, 2013
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Reviewed by
Sheri Linden
A good idea for a ghost story is dead on arrival in The Condemned, a would-be thriller whose intended horror-tinged chills register as ho-hum hokum.- Los Angeles Times
- Posted Mar 7, 2013
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Reviewed by
Gary Goldstein
Though unevenly told and at times too fanciful for its own good, Electrick Children marks an intriguing feature debut for its risk-taking writer-director, Rebecca Thomas.- Los Angeles Times
- Posted Mar 7, 2013
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