Los Angeles Times' Scores

For 16,539 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16539 movie reviews
  1. Loyalties are tested, futures are reconsidered and the body count climbs in the effective action import New World.
  2. Save a weak police pursuit, events are earnestly depicted and involvingly played, even if the period re-creation at times feels overly burnished. Still, Love and Honor suffices as old-fashioned, pie-in-the-sky entertainment.
  3. Though the film at times works scene by scene, Webley can't quite tie it all together. A disjointed jumble, The Kill Hole can't dig itself out.
  4. Laurence Coriat's shapeless script...pads its overlong running time with standard teen trauma — band squabbles, girl betrayals, skinhead brothers — that saps the audience's energy before the grand finale.
  5. Good stuff comes when bad stuff happens; that's when some of the movie animation prowess kicks into high gear. But too many of the "solutions" the guys concoct are so impossibly complex or just downright ridiculous — puppetry comes to mind — that like the continents, it's a little too easy to drift away.
  6. The noir-ish contours of writer-director Ana Piterbarg's story yield a frustratingly dissipated movie, one with few storytelling pleasures and an overabundance of forced mood.
  7. Brad Leong's comedy has some nicely miserable character beats.
  8. A one-man band known as Makinov — he wrote, directed, produced, shot, edited and ran sound here — has done a pretty decent job in the chills department using a simple story, small cast and largely contained location.
  9. From Up on Poppy Hill is frankly stunning, as beautiful a hand-drawn animated feature as you are likely to see. It's a time-machine dream of a not-so-distant past, a sweet and honestly sentimental story that also represents a collaboration between the greatest of Japanese animators and his up-and-coming son.
  10. It buzzes along for a while, the promising plot innovations inviting suspension of disbelief, before by-the-numbers implausibility, over-the-top valor and unsavory contrivances take over and the line goes dead.
    • 42 Metascore
    • 50 Critic Score
    Capper's film feels like a making-of featurette spun out to documentary dimensions, just another component in the new album's marketing plan...In its simplest moments, though, Reincarnated presents an honesty that is its own reward. It shows us an old Dogg with no tricks.
  11. The blurring of fact and fiction has been a part of the Amityville saga since it became public, but for Lutz there's no gray area in his memories, whose power is undiminished.
  12. The film, directed by first-timer Rocky Powell, has a different happy ending in mind, one that adheres to rom-com formulas in a manner that should give it a second life on basic cable. Just don't expect to fall hard for it.
  13. Less a documentary than an acutely positioned marketing tool, Mindless Behavior: All Around the World delivers a chaotically high-energy burst of performance and behind-the-scenes footage for fans of the slickly produced hip-hop boy band.
  14. It's a fun, nostalgic, informative journey. Aided by vivid archival footage and photos, the movie charts the evolution of the song through the Holocaust, the birth of Israel and the modern Jewish Diaspora.
  15. K-11 has the makings of a cult movie campfest but little of the authentic wit, edge or outré vision it would take to get there. What's left is a dreary jailhouse drama that somehow managed to imprison a few notable actors within its lurid walls.
  16. It's an adult look at the teenage years, an examination of how personal emotions inform political action, a noteworthy change of pace for writer-director Sally Potter and, most of all, the showcase for a performance by Elle Fanning as Ginger that is little short of phenomenal.
  17. It's best not to overthink the sci-fi love story Upside Down and just enjoy its dazzling visuals, dream-like inventiveness and lush romanticism.
  18. Part manic comedy, part would-be heart-warmer of the "follow your bliss" variety, its odd combination of tones and situations leads to as many awkward, uncertain moments as funny ones.
  19. This is Nancy Meyers territory, but leaden with passé observations about lovelorn women...and hardly ebullient as either oddball-pair comedy or housewife-revenge fantasy.
  20. It's a tad overstuffed, but never lacks for interest. And Saulter, who serves as his own director of photography, has a poet's eye for detail, capturing the beauty of his native country, even in its most extreme poverty.
  21. A Fierce Green Fire: The Battle for a Living Planet, adapted from the book by Philip Shabecoff, proves a worthy reminder of how much has been done to help heal our planet's ecological woes as well as how much remains to be achieved.
  22. The film has a sarcastic tone, like that of a friend who you never can tell is kidding or not, which eventually breaks through into a place of unexpected sincerity. Meeting this odd, idiosyncratic "Somebody" is a rare delight.
  23. The movie is an arty lark of ambiguous entertainment value, pulsing with melancholy. It's rarely less than interesting visually or tonally, thanks in large part to Korine's prurient sense of humor and the rich location textures and Crayola sweep provided by gifted cinematographer Benoit Debie ("Enter the Void").
  24. Moll's restraint gives way to a tastefully overwrought checklist of Gothic imagery. In the cloistered shadows and the harsh Castilian sun, the visuals are handsome, even as the movie threatens to tip into parody.
  25. With so many twists, the movie feels like it's trying too hard. Some moments are cleverly constructed; and others seem as if the filmmakers have left themselves no plausible escape.
  26. The war crimes and romance stories theoretically run on parallel tracks, but the overall pacing is ragged and the dialogue frequently out of step with the characters we've met.
  27. With its long takes and deliberate pacing, Beyond the Hills is demanding but always engrossing, even during its repetitive middle section.
  28. A good idea for a ghost story is dead on arrival in The Condemned, a would-be thriller whose intended horror-tinged chills register as ho-hum hokum.
  29. Though unevenly told and at times too fanciful for its own good, Electrick Children marks an intriguing feature debut for its risk-taking writer-director, Rebecca Thomas.

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