Los Angeles Times' Scores

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For 16,550 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,714 out of 16550
  2. Mixed: 5,819 out of 16550
  3. Negative: 2,017 out of 16550
16550 movie reviews
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  1. Haunted Mansion
    While there are a few chuckles to be had here, mostly courtesy of Wilson’s gee-willikers delivery, the rest of the cast fares worse, including Haddish, whose bumbling clairvoyant is stuck cracking moldy jokes about PayPal and CVS.
  2. Saint Omer
    With remarkable stealth and concentration, Diop rewires the generic circuitry of the courtroom drama, avoiding its natural inclination toward sensationalism and grandstanding. She also preserves, through a seamless meld of fiction and nonfiction, the contours and complexities of a terrible true story.
  3. No Bears
    The realities of the situation are grim enough that a lesser work might have paled into insignificance, but No Bears — the best and bravest new feature I saw last year, a work of extraordinary emotional power, conceptual ingenuity and critical force — somehow manages the opposite.
  4. Cobweb
    That title, Cobweb, suggests only one cobweb, but why be stingy? This movie’s screenplay is strewn with them: dozens of dusty tendrils linking it back to older, better horror films, sometimes on a shot-by-shot basis.
  5. Mother, May I?
    As an exhibition of visual style and acting prowess, “Mother, May I?” is impressive.
  6. Hidden Blade
    The bluntness keeps the film from approaching greatness, although history buffs and genre fans might appreciate a World War II story told from a unique, non-Western perspective.
  7. Fear the Night
    For the most part, Fear the Night feels like it could have been made by almost anybody. It’s crafty enough, but it’s lacking LaBute’s usual acid wit and fearless provocations.
  8. The Deepest Breath
    Despite the morbid preoccupation with diving’s dangers, The Deepest Breath is an intense and often beautiful movie, likely to appeal to fans of extreme sports documentaries like “Free Solo” and “Riding Giants.”
  9. Stephen Curry: Underrated
    Even if the narrative feels a little forced, the movie still works.
  10. They Cloned Tyrone
    The story takes a while to get going, then rambles a lot once the premise has been established. And the dialogue zooms along so fast that it can be hard to follow. But young filmmakers are supposed to take chances like this.
  11. Lakota Nation vs. United States
    A lyrical, edifying and blistering plea for Indigenous justice.
  12. 20 Days in Mariupol
    Acrid and harrowing, it’ll slap you awake.
  13. Oppenheimer
    Not for the first time, the demonstrative cleverness of [Nolan's] storytelling can seem too precise, too hermetically sealed and engineered, for a sense of raw collective devastation to fully take hold. That might be a rare failing of this extraordinarily gripping and resonant movie, or it could be a minor mercy.
  14. Barbie
    Whatever you think of “Barbie,” the mere existence of this smart, funny, conceptually playful, sartorially dazzling comic fantasy speaks to the irreverent wit and meta-critical sensibility of its director.
  15. The Flood
    The effects look cheap, the Louisiana accents are broad and the characters are one-dimensional, but veteran B-picture stars Nicky Whelan (as a tough sheriff), Casper Van Dien (as a notorious criminal) and Louis Mandylor (as the raiders’ leader) all throw themselves into the film’s cheesy spirit.
  16. The Attachment Diaries
    A rushed, muddled ending — and a general lack of any cogent point — keeps “The Attachment Diaries” from being an Almodóvar-level success. But for fans of those seamy places where art and smut intersect, this movie is a nasty little treat.
  17. The Jewel Thief
    It’s fascinating to hear the details of how prolific Blanchard was, before the law caught up with him. If he saw a vulnerability in a store, a museum or a bank, he felt compelled to exploit it. He’s half crook, half Type-A task manager.
  18. Theater Camp
    This madcap mockumentary works beautifully because Gordon, Lieberman, Platt and Galvin take care to imbue this setting with a real sense of culture and place, populated with wonderfully eccentric characters.
  19. Bird Box Barcelona
    The “Barcelona” edition is essentially a repeat of the first film, flaws and all.
  20. Final Cut
    Hazanavicius has made a movie that tests our ideas of creative genius.
  21. The Miracle Club
    A film that boasts about as much edge as a digestive biscuit (translation: oatmeal cookie) too long dunked in milky tea.
  22. Black Ice
    The bitter truths in Black Ice paint a sobering picture of a sport with a lot to reckon with, especially in a country that prides itself on embracing its diversity of culture.
  23. Earth Mama
    If the filmmaking feels poetic and subdued, it’s the opposite of coy. Leaf is confident enough to let her images, as much as her written dialogue, do much of the narrative lifting.
  24. Quicksand
    Hawco and Gaitán are gifted enough actors to give a dialogue-heavy movie some layers and dynamism; and Beltrán and Pitts throw some intense challenges at their heroes, including bad weather, a poisonous snake and a terrifying corpse.
  25. The League
    Ultimately, Pollard’s film is equal parts tribute and lament, as complicated as this country.
  26. Afire
    Throughout this movie, an absorbing, barbed and frequently funny evisceration of artistic ego, Petzold practices a deft and disarming sleight of hand, using key details to keep the viewer off balance and deliver a stinging rebuke to Leon’s myopia.
  27. The Lesson
    In the thoroughly capable hands of Grant, Delpy and McCormack, whose interplay has been playfully choreographed to the 1-2-3 tempo of a waltz-infused score by composer Isobel Waller-Bridge (Phoebe’s sister), the film proves as pleasingly undemanding as a typical summer read: neither a legit page-turner, nor easy to put down.
  28. Insidious: The Red Door
    Having two main characters suffering from hauntings separately works against this movie’s narrative momentum, but it does allow Wilson and Teems to bounce from scare to scare, without much setup — or respite.
  29. Amanda
    As much as Amanda may seem like an irredeemable antihero, you come to appreciate her unspoken dream of finding fulfillment in the company of at least one other person on her crooked wavelength.
  30. The Crusades
    It’s as though we’re supposed to already know these people — as if The Crusades were a sequel to a movie we haven’t seen. There is some visual panache here, and scenes that show promise. But too much is missing.
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