Jolt Online Gaming UK's Scores

  • Games
For 1,125 reviews, this publication has graded:
  • 58% higher than the average critic
  • 6% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.2 points lower than other critics. (0-100 point scale)
Average Game review score: 74
Highest review score: 100 Grand Theft Auto: San Andreas
Lowest review score: 10 Ape Escape Academy
Score distribution:
1125 game reviews
    • 71 Metascore
    • 50 Critic Score
    To the less than fanatical, the drawn-out story, poor pacing, terrible script, crappy acting, plethora of typos, repetition and badly designed game engine will see to it that the most chilling prospect of The Lost Crown will be the thought of sitting through it.
    • 63 Metascore
    • 60 Critic Score
    What is important is the difficulty to distinguish between things you’re supposed to collect and things you’re supposed to avoid, especially when the screen fills with lasers and power ups. Even after several hours of play, dying because of this was fairly common.
    • 52 Metascore
    • 41 Critic Score
    As a rental, Lost: The Video Game might entertain a handful of die-hard fans for four or five hours, but it has no replay value.
    • 42 Metascore
    • 21 Critic Score
    Avoid Turning Point, even if it means running in front of a taxi.
    • 55 Metascore
    • 41 Critic Score
    As a rental, Lost: The Video Game might entertain a handful of die-hard fans for four or five hours, but it has no replay value.
    • 54 Metascore
    • 41 Critic Score
    As a rental, Lost: The Video Game might entertain a handful of die-hard fans for four or five hours, but it has no replay value.
    • 86 Metascore
    • 92 Critic Score
    Patapon is far more than just a unique new mix of genres – it’s just so damn charming it could tell you kill a puppy and you would.
    • 75 Metascore
    • 83 Critic Score
    Balance and a few physics issues aside, guns are really satisfying to shoot, and the vehicles – including tanks, helicopters and planes – are great to take a joyride in.
    • 83 Metascore
    • 80 Critic Score
    N+
    It shows great aptitude for minimalist design and strikes a good albeit controversial balance between steep difficulty and steady progress. Joyful and infuriating in turns, it comes well and truly to life as a shared experience and, if nothing else, is perfect for masochists.
    • 76 Metascore
    • 90 Critic Score
    What they have done is filled a gap in the current console market we didn’t even know was there. They have made a video game that is an essential purchase for anybody interested in arcade shooters. It’s outstandingly good fun for the first weekend or so that it will take to peek at what it has to offer, and it’ll be outstandingly good fun for the next couple of years when you dip into it from time to time in order to have a breather from "Gears of War 5" or some other interactive movie.
    • 65 Metascore
    • 56 Critic Score
    When a game is this easy, predictable and limited, hardcore gamers are too busy praying for DS versions of the original Dragon Quest games to be bothered with it.
    • 60 Metascore
    • 79 Critic Score
    Offering little in the way of innovation, it will keep fans of the series very happy and is definitely an essential purchase if you have ever enjoyed a DW game in the past.
    • 59 Metascore
    • 79 Critic Score
    Offering little in the way of innovation, it will keep fans of the series very happy and is definitely an essential purchase if you have ever enjoyed a DW game in the past.
    • 63 Metascore
    • 85 Critic Score
    FIFA Street 3 is about taking all the superficial and superfluous things about modern day football – from the overhead kicks to the pop-culture that surrounds the beautiful game in the 21 st century – and placing them centre stage.
    • 63 Metascore
    • 85 Critic Score
    FIFA Street 3 is about taking all the superficial and superfluous things about modern day football – from the overhead kicks to the pop-culture that surrounds the beautiful game in the 21 st century – and placing them centre stage.
    • tbd Metascore
    • 75 Critic Score
    All we can say is that this certainly ought to please hardcore RPG players and veteran nostalgists alike.
    • 85 Metascore
    • 88 Critic Score
    While the game at its heart may be simple, and the presentation equally so, AudioSurf’s near perfect melding of music and gameplay guarantees your fiver will be well spent. That’s right – a fiver.
    • 52 Metascore
    • 55 Critic Score
    This could, and indeed should, have been a market leading game, blowing people away with clever tactical shooting action. Instead, it’s flawed and with the exception of the co-op mode, has nothing to make it shine.
    • 51 Metascore
    • 55 Critic Score
    This could, and indeed should, have been a market leading game, blowing people away with clever tactical shooting action. Instead, it’s flawed and with the exception of the co-op mode, has nothing to make it shine.
    • 78 Metascore
    • 81 Critic Score
    Little touches like the ambient music and subtle film grain only add to the unsettling atmosphere, which is utilised via various plot devices almost as a weapon against your senses. Definitely worth a look if you like those kind of bleak horror movies that make you sleep with the light on.
    • 78 Metascore
    • 82 Critic Score
    Lost Odyssey is a great JRPG that, while not without flaws, does a fantastic job of overcoming them and providing a superb adventure and storytelling experience.
    • 79 Metascore
    • 81 Critic Score
    The most consistently hilarious scripting in any game or series to date, which we’re sure is becoming increasingly and splendidly darker in tone as the season progresses.
    • 85 Metascore
    • 90 Critic Score
    But perhaps the biggest conundrum of all is how to put the game down completely and do something else.
    • 58 Metascore
    • 55 Critic Score
    This could, and indeed should, have been a market leading game, blowing people away with clever tactical shooting action. Instead, it’s flawed and with the exception of the co-op mode, has nothing to make it shine.
    • 84 Metascore
    • 83 Critic Score
    Devil May Cry 4 is not the revolution that Capcom might have wanted from the series, but it’s their fault for lumbering Dante with lazy, repeated level design, and making Nero a far more interesting character to play as than to watch in cut-scenes.
    • 84 Metascore
    • 83 Critic Score
    Devil May Cry 4 is not the revolution that Capcom might have wanted from the series, but it’s their fault for lumbering Dante with lazy, repeated level design, and making Nero a far more interesting character to play as than to watch in cut-scenes.
    • 59 Metascore
    • 55 Critic Score
    The bulk of Spiderwick is fuelled by what might be called the game’s ‘action’ sections, where players take on goblins and ogres by mashing just one attack button. These levels are the least inspired and try any motivation the gamer might have, which is unlikely to be great if they haven’t already seen the movie.
    • 87 Metascore
    • 91 Critic Score
    The epic feel, ease of control and attention to detail all round makes this a joy to play. You really won’t feel that you are playing a strategy game, but you’ll get the kind of rewards from it that only hours spent on a game like this can bestow on you.
    • 89 Metascore
    • 93 Critic Score
    Its music and visuals might not be to everybody’s taste, but it’s hypnotic, synaesthethic and addictive – even more essential today than ever. Melting your eyes, ears, hands and friends has never been so beautiful, or cheap.
    • 57 Metascore
    • 35 Critic Score
    Overall, this whole package seems held together with a cheap sticky-tack feeling that just leaves us wanting to cry.

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