IGN's Scores

Select another publication »
For 1,735 reviews, this publication has graded:
  • 69% higher than the average critic
  • 4% same as the average critic
  • 27% lower than the average critic
On average, this publication grades 2.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 The Dark Knight
Lowest review score: 19 Leatherface
Score distribution:
  1. Positive: 1,077 out of 1735
  2. Mixed: 584 out of 1735
  3. Negative: 74 out of 1735
1735 movie reviews
view
per page
  1. Bambi: The Reckoning
    Bambi: The Reckoning is an audaciously bloody but distractingly humorless creature feature.
  2. Street Trash
    Too sweet to be sordid and too gross to be taken seriously, Ryan Kruger’s Street Trash makes a mess of its anti-capitalist message.
  3. Old Guy
    There’s no snap to the dialogue, no thrill to a majority of the action, and the other characters played by Cooper Hoffman and Lucy Liu (and their relationships to Dolinski) make no lasting impression.
  4. Cleaner
    Director Martin Campbell (Casino Royale, The Mask of Zorro) offers some reliably, well, clean hand-to-hand combat without showing us anything we haven’t seen before. Only a mid-film twist and the oddly sympathetic motives of the bad guys distinguish Cleaner from a thousand other movies with basically the same sturdy premise.
    • 29 Metascore
    • 50 Critic Score
    Hurry Up Tomorrow
    It’s no Purple Rain – though Jenna Ortega is a much better onscreen foil for Tesfaye than Apollonia was for Prince – but it at least manages to find a handful of visually stimulating moments amid the vapidity.
  6. Peter Pan's Neverland Nightmare
    Peter Pan’s Neverland Nightmare is a bleak, mean-spirited take on a childhood classic that trades Peter’s sparkle-bright magic for overbearing seriousness and disappointingly straightforward thrills.
  7. Fight or Flight
    Josh Hartnett does a fine job in Fight or Flight’s intensely physical, one-versus-100 lead role, but the movie doesn’t have much to offer beyond 15 minutes of inventive action and 80 minutes of aggressive mediocrity.
  8. Screamboat
    Screamboat isn't a good movie, but it can be an entertaining experience if you only care about indulgently bloody kill sequences.
  9. Until Dawn
    Until Dawn is more disappointing than deadly, leaving all the promise of the horror game behind for a jumble of horror-movie re-creations.
  10. The Surrender
    Despite a passionate performance from Colby Minifie and some compelling visuals, The Surrender sidelines its deft exploration of grief for drawn-out, pointless supernatural horror.
  11. Mountainhead
    It’s morally upstanding but dramatically dull, without any of the allure or excitement that made Armstrong’s Succession series such a smashing success.
  12. The Old Guard 2
    The Old Guard 2 is a disappointing sequel that isn’t as fun or engaging as the first film and doesn’t do enough with its face off between Charlize Theron and Uma Thurman.
  13. Echo Valley
    It’s not without its charms, but its slow, rote genre elements yield no rewards, robbing Echo Valley of its thrills in the process.
  14. Sovereign
    Despite a strong performance from Nick Offerman, Sovereign is a film that’s inescapably slight and with little to say with its painfully relevant story of modern extremism.
  15. Push
    Though the aesthetics are consistently on point – great camerawork, suspenseful use of shadows and light – its characters and plot lack coherence. Tension builds promisingly in the first half, but by the climax, muddled action and shallow character motivation sap the suspense, and any opportunity for commentary is wasted
    • 54 Metascore
    • 50 Critic Score
    Keeper
    Osgood Perkins’ latest dark trip has a powerful Tatiana Maslany performance and cool aesthetics to thank for keeping Keeper from getting completely lost in the woods.
  17. The Astronaut
    The Astronaut has a game lead in Kate Mara and the decent stagings of a monster mystery, but it winds up being a humdrum offering in a genre usually teeming with imagination and innovation.
  18. Return to Silent Hill
    Return to Silent Hill isn’t the worst entry in this video game movie series, but it fails to accomplish anything that the source material doesn’t do better.
  19. Shelter
    Shelter ticks all the action boxes for a Jason Statham film, boasting a charismatic supporting cast to ground the conspiratorial stakes with some thrillingly playful fight sequences to boot. But its lackluster script works against the acting calibre of its stars.
  20. Outcome
    There are some funny lines peppered throughout, but more often than not, it feels like the easiest and most simplistic version of this story rather than going for something either truly darkly subversive or hitting the emotional heights it’s going for.
  21. undertone
    Effectively moody, but disjointed and over-reliant on played-out horror audio gags, Undertone sounds better in concept than it plays on screen.
  22. Exit 8
    Exit 8 can feel inspired, but only in fits and starts.
  23. Dhurandhar The Revenge
    The sequel to Bollywood’s biggest hit is bigger, longer, and just as vicious in its on-screen butchery, but has far less artistry and visceral allure. The continued spy-revenge saga runs a mind-numbing four hours, during which it sheds all semblance of human drama in favor of naked political propaganda that reveals the emperor has no clothes.
  24. Suburbicon
    In its best moments, Suburbicon is the dark, truly funny examination of 1950s suburbia it wants to be. These moments, however, are all too rare and more often than not the story is just a flat Film Noir tale purporting to expose the evil that lurks all around us.
  25. Winchester
    You won't lose yourself in this haunted house, even though that was supposed to be the whole point. A film about a labyrinth filled with ghosts quickly becomes methodical and familiar, stranding a great cast in an inert supernatural thriller.
  26. The Outsider
    It takes extremely familiar plot points and plays them straight, adding nothing new except the premise - a white American joining the Yakuza - which ultimately has very little to do with how the story unfolds. The film might be a functional crime drama but it’s an incredibly unremarkable one.
  27. Baywatch
    Baywatch wastes its attractive cast on tired jokes and nothing.
  28. The Babysitter
    The Babysitter had potential but director McG treats this material like it’s one of the lamer American Pie sequels. The broadness of the humor detracts from the characters and the story and the horror, instead of complementing them.
  29. Overboard
    The cast does the best they can to save the weak material, and it’s interesting to see how the filmmakers are trying to make this off-putting concept work. But it's not funny enough, or even weird enough, to get away with it.
  30. The Aeronauts
    The Aeronauts is a film flawed from its first concept. By blending fact and fiction so freely, Thorne and Harper turned a story of scientific discovery into a muddling romantic adventure that crashes and burns.
Page:

Top Trailers

See all »
See all trailers »