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For 1,756 reviews, this publication has graded:
  • 68% higher than the average critic
  • 4% same as the average critic
  • 28% lower than the average critic
On average, this publication grades 2.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 The Dark Knight
Lowest review score: 19 Leatherface
Score distribution:
  1. Positive: 1,092 out of 1756
  2. Mixed: 590 out of 1756
  3. Negative: 74 out of 1756
1756 movie reviews
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  1. Echo Valley
    It’s not without its charms, but its slow, rote genre elements yield no rewards, robbing Echo Valley of its thrills in the process.
  2. Sovereign
    Despite a strong performance from Nick Offerman, Sovereign is a film that’s inescapably slight and with little to say with its painfully relevant story of modern extremism.
  3. Push
    Though the aesthetics are consistently on point – great camerawork, suspenseful use of shadows and light – its characters and plot lack coherence. Tension builds promisingly in the first half, but by the climax, muddled action and shallow character motivation sap the suspense, and any opportunity for commentary is wasted
    • 54 Metascore
    • 50 Critic Score
    Keeper
    Osgood Perkins’ latest dark trip has a powerful Tatiana Maslany performance and cool aesthetics to thank for keeping Keeper from getting completely lost in the woods.
  5. The Astronaut
    The Astronaut has a game lead in Kate Mara and the decent stagings of a monster mystery, but it winds up being a humdrum offering in a genre usually teeming with imagination and innovation.
  6. Return to Silent Hill
    Return to Silent Hill isn’t the worst entry in this video game movie series, but it fails to accomplish anything that the source material doesn’t do better.
  7. Shelter
    Shelter ticks all the action boxes for a Jason Statham film, boasting a charismatic supporting cast to ground the conspiratorial stakes with some thrillingly playful fight sequences to boot. But its lackluster script works against the acting calibre of its stars.
  8. Outcome
    There are some funny lines peppered throughout, but more often than not, it feels like the easiest and most simplistic version of this story rather than going for something either truly darkly subversive or hitting the emotional heights it’s going for.
  9. undertone
    Effectively moody, but disjointed and over-reliant on played-out horror audio gags, Undertone sounds better in concept than it plays on screen.
  10. Exit 8
    Exit 8 can feel inspired, but only in fits and starts.
  11. Dhurandhar The Revenge
    The sequel to Bollywood’s biggest hit is bigger, longer, and just as vicious in its on-screen butchery, but has far less artistry and visceral allure. The continued spy-revenge saga runs a mind-numbing four hours, during which it sheds all semblance of human drama in favor of naked political propaganda that reveals the emperor has no clothes.
  12. The Get Out
    The Get Out is forgettable fare, though Russell Crowe remains fun to watch.
  13. Suburbicon
    In its best moments, Suburbicon is the dark, truly funny examination of 1950s suburbia it wants to be. These moments, however, are all too rare and more often than not the story is just a flat Film Noir tale purporting to expose the evil that lurks all around us.
  14. Winchester
    You won't lose yourself in this haunted house, even though that was supposed to be the whole point. A film about a labyrinth filled with ghosts quickly becomes methodical and familiar, stranding a great cast in an inert supernatural thriller.
  15. The Outsider
    It takes extremely familiar plot points and plays them straight, adding nothing new except the premise - a white American joining the Yakuza - which ultimately has very little to do with how the story unfolds. The film might be a functional crime drama but it’s an incredibly unremarkable one.
  16. Baywatch
    Baywatch wastes its attractive cast on tired jokes and nothing.
  17. The Babysitter
    The Babysitter had potential but director McG treats this material like it’s one of the lamer American Pie sequels. The broadness of the humor detracts from the characters and the story and the horror, instead of complementing them.
  18. Overboard
    The cast does the best they can to save the weak material, and it’s interesting to see how the filmmakers are trying to make this off-putting concept work. But it's not funny enough, or even weird enough, to get away with it.
  19. The Aeronauts
    The Aeronauts is a film flawed from its first concept. By blending fact and fiction so freely, Thorne and Harper turned a story of scientific discovery into a muddling romantic adventure that crashes and burns.
  20. Father Figures
    Father Figures is a baffling film, one that never seems to ever get a handle on what it is or what it wants to be. It’s one thing to make a movie about characters stuck in arrested development, unsure of where they’re going, but it’s another for the writing and editing to also feel that way. In short, Father Figures is just a straight-up mess.
  21. King Arthur: Legend of the Sword
    The most frustrating thing about Ritchie's take on King Arthur is that it has all the necessary elements to be a great version of the story, but rather than giving them to the audience as such, they are put into a blender and thoroughly mixed.
  22. The Emoji Movie
    Despite the talents and charisma of its voice cast, The Emoji Movie fails to deliver on any of its intended messages or themes, with a final act that goes back on everything it had originally been trying to say.
  23. Robin Hood
    It’s a straightforward retelling with a confusing design philosophy, disappointing action sequences, weak storytelling and a cast which clearly deserved better material.
  24. Mile 22
    Mile 22 is a straight-to-video action movie that got the big budget treatment, and not in the good, cheesy, fun way. It’s an undercooked story with characters who don’t know how to express themselves without yelling, and it’s full of laughable plot points.
  25. Proud Mary
    Although Taraji P. Henson is always a delight, a rote plot, bland action, and a serious lack of interpersonal chemistry hamstrings any potential Proud Mary might have at being fun.
  26. Jigsaw
    Jigsaw barely feels like a part of the Saw franchise. It has deathtraps, but takes no pleasure in presenting them. It ignores most of the ongoing storyline. If it wasn’t part of the official franchise it would play like a knockoff.
    • tbd Metascore
    • 45 Critic Score
    Jeepers Creepers 3
    An unremarkable entry in a cult favorite franchise, Jeepers Creepers 3 offers fans little to get excited about. While the monster still rules its slice of country highway and the skies above it, the rest of the film crashes in the cornfields.
  28. Cats
    Cats’ special effects render director Tom Hooper’s star-studded adaptation of the Broadway classic a lifeless disaster, though a few of its more charismatic cast members, namely Judi Dench and Idris Elba, manage to get a few licks in to add an alluring, ironic camp value.
  29. Night Hunter
    A great cast including Henry Cavill and Ben Kingsley is wasted in the predictable serial killer thriller Night Hunter.
  30. Rambo: Last Blood
    Rambo: Last Blood captures everything that's gone wrong with this action franchise over the years.
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