Does The Man Who Killed Don Quixote live up to the anticipation built by a nearly 30 year-long wait? Probably not. Is it still a film worth seeing, with something to say about following your dreams and being a filmmaker, with meta commentary about its own production? It’s hard not to say yes, if only to witness a man’s decades-long obsession finally bear fruit.

It takes Death on the Nile far longer than it should to reach its most impactful moments, but actor-director Kenneth Branagh cares deeply enough about Detective Poirot to make it work.

Sonic’s first foray into live-action is a fast-paced joyride that’ll ring in entertainment for both fans and children.

No, it's not the final movie in the series, but it's the end of a particular era for Jason, and it's a good way to go out for the hockey masked killer.

It lacks guidance or any real momentum. When Bill Murray isn't on screen, the air is sucked out of the picture, leaving audiences anxiously waiting for his next scene.

Partially filmed on location in Chicago, the movie benefits from a snowy, urban setting that gives it a very different feel from most films in its genre. Hicks and Chris Sarandon (as the cop who killed serial killer Charles Chucky Lee Ray in the first place) are solid actors and brought a nice adult presence to the story.

The effects might not hold up, but the performances by the likes of Smith, Olivier and other classically trained British actors, as well as Ursula Andress, elevate this to something more than a throwaway fantasy adventure from the early '80s.

Taken for what it is, Logan's Run delivers a fun ride and a glimpse at another era, even if it's probably not the time frame the producers had in mind.

Though it’s too long, and not every action scene or comedy bit works, Dwayne Johnson, Jason Statham, and terrific rising star Vanessa Kirby ensure that there’s fun to be had in a Fast & the Furious movie not centered around cars or racing.

Bill & Ted Face the Music is a pleasant escape for the quarantine-stricken, a sweet and entertaining romp that defies expectations by largely recapturing what worked about the series so many years later.

Design and artistry here is the primary draw of The Dark Crystal, not necessarily the writing or the performances or the direction (Henson and Frank Oz shared the directing responsibilities for this one), although the are no glaring missteps in any of those areas.

Some of it is a bit too goofy – I could do without the overly slapstick antics of the goofy paintballer who finds out a paintball gun is not much use against Jason – but the comedy is still an appreciated aspect of the film, and it's nice to finally have a Friday the 13th film where someone says they've seen enough horror movies to drive away from the scary guy in the mask standing in the road.

Impressive visuals and a very watchable cast make this a fun popcorn fantasy flick that's at its best when it leans into its genre roots and aims to create a truly fantastical fairytale world.

What's so great about Brain Candy is what's great about every classic comedy: it's thoroughly quotable, infinitely watchable and so rich with detail that you'll be laughing at something new every time you watch it.

A genuine masterpiece of B-movie awesomeness. It's surprisingly imaginative, ambitious and off-the-wall. It's got goofy puppet creatures, it's filled to the brim with nudity and sex, and padded with plenty of gags, gore and graphic violence. It's the stuff of B/C-movie dreams.

Invasion of the Body Snatchers is an excellent movie about paranoia, conformity, and the need to "stay awake," or else become jaded, emotionally dead.

Hellbound is gorier, larger, and more accessible than the first. It rehashes the original at the outset so people can grasp it whether or not they'd seen the first and as a result is an easier film to enjoy.

Antlers is a satisfying, unsettling, and rather bleak horror movie when it focuses on its main creature. It’s also a thought-provoking character drama when it deals with parental neglect, but the two never properly mix, keeping it from being as great as it could’ve been.

It's pleasant, and while it's a bit sloppy, I rather enjoy the unclean look of the animation.

A harmless and fun dark comedy that you'll enjoy casually watching from time to time.

The movie is not Oscar caliber by any means. The acting is spare and without much passion.. Sure the movie is worth one or two stars at best. But it's a hell of a ride nonetheless.

It's a fun film that presents an interesting scenario and raises a unique possibility. What it lacks in depth and acting skills it more than makes up for as a thoroughly enjoyable popcorn film.

The words "overblown" and "pompous" often came to mind. At other times, though, everything comes together-- music, images, and theme-- to really make a stoner go "whooooah."

Enemy Mine is one of my favorite sci-fi films.

The Devil All the Time is made purposely provocative by Antonio Campos imbuing an unrelenting gruesomeness into every frame.

The end result here is comically entertaining, but entertaining nevertheless - although if you are conditioned to enjoy only those very complicated scenes from newer movies this might be laughable in a less enjoyable way.

Tolkien may disappoint fans looking for a LOTR origin but will please those who like stories of art, love & friendship.

Outside of viewing the film as a child or with a group of pals on drunken Saturday night, watching a bunch of loosely stringed sequences of Killer Klowns attacking townsfolk only gets you so far. It's a fun picture. But nothing more.