The Bad News Bears isn't the greatest film ever made, but it's definitely better than its two sequels and worth its cult classic status.

At its best, All the Money in the World is a rich and exciting story about a woman trapped in a universe of apathetic and powerful men, fighting her way out any which way she can. At its worst it’s a well-shot but ultimately middling thriller.

The direction is kinetic and frequently beautiful, especially through the fantastic opening act, and the supporting cast is largely great, but this is Craig’s film through and through

If you're a fan of revenge fantasies, The Wraith will likely whet your appetite even if it isn't the smartest or best film out there.

If Licence to Kill added more than just scenes with Q to lighten the load, if it provided a love interest as compelling as Vesper and more engaging than Lowell's whiny Pam Bouvier, this Bond could have been one of the instant greats, instead of one that is better appreciated with age. The movie is not perfect, but a lot of what works now in the series got its start in Dalton's last mission as James Bond.

Admittedly, I Spit on Your Grave is a gruesome, deplorable little exploitation picture that, on the surface, seems to enjoy it's rape sequences just as much, if not more, than the vengeance-filled finale. But on a more subtle level, the film is a surprisingly well-executed revenge story that plays like a brutally raw nerve – a terrifyingly stark view of the real horror of rape, painted by bizarre, skewed cinematography, gory violence, and a keen sense of creeping atmosphere and dread.

Michael Douglas and Kathleen Turner are wonderful together. They look great when they're in bed together and they look even better when they're fighting. Throw Danny DeVito into the mix and you've got a very enjoyable, watchable trio of heroes.

Meow, it may feel familiar, but that doesn’t mean you won’t have fun along the way with Super Troopers 2.

Directorially, last minute replacement director Jeannot Szwarc has done a nice job and there's some really nice photography here.

Wheelman has a few great action sequences and one interesting idea, but is let down by a mediocre screenplay.

The familiar story and underdeveloped characters aren't nearly as magical as the animation, but there's still a lot to enjoy in Mary and the Witch's Flower, even if it's not Hiromasa Yonebayashi's best.

There are still plenty of scares and things to enjoy in It Chapter Two even though it can't quite stick the landing.

Tommy Boy is one of those films that you can watch over and over again. It seems to be on every "Buddy Movie" list and it's always out at Blockbuster.

A wonderful slice of pulp alien-invasion sci-fi with a dash of conspiracy thriller tossed in for good measure. It plays as a clever X-Files knockoff and as a funny camp classic all at the same time. Low budget sci-fi pictures like these are rarely this entertaining, or good for that matter.

Certainly, the performances are cheesy and the scripting decidedly non-Shakespearean, but the film remains a terrifying and entertaining offering to the god's of 70's/80's horror. And those gods were good, indeed.

A movie that takes a while to get going, but once everything starts to come together you end up having a good time. If you're into detective films or are just looking for something atmospheric, then Hammett is a safe bet for a quiet night of mystery and intrigue.

Theo is an engaging character – for the most part well played – and his journey is both entertaining and heartbreaking. Meaning much like the painting at the centre of this tale, Theo’s story both survives, and endures. despite the fragmented film’s shortcomings.

Even though the use of one particular plot device ends up feeling unnecessary and Will Forte can often appear miscast in the lead role, A Futile and Stupid Gesture still conjures up enough real emotions and inventive moments to feel like a worthwhile addition to Hollywood’s often tired biopic subgenre.

While hardly high cinema, Kickboxer: Retaliation is an enjoyable fight epic with some awesome fighting, great cameos, and hugely impressive stunts.

The Transformers franchise gets a much needed tuneup in Bumblebee.

Does The Man Who Killed Don Quixote live up to the anticipation built by a nearly 30 year-long wait? Probably not. Is it still a film worth seeing, with something to say about following your dreams and being a filmmaker, with meta commentary about its own production? It’s hard not to say yes, if only to witness a man’s decades-long obsession finally bear fruit.

It takes Death on the Nile far longer than it should to reach its most impactful moments, but actor-director Kenneth Branagh cares deeply enough about Detective Poirot to make it work.

Sonic’s first foray into live-action is a fast-paced joyride that’ll ring in entertainment for both fans and children.

No, it's not the final movie in the series, but it's the end of a particular era for Jason, and it's a good way to go out for the hockey masked killer.

It lacks guidance or any real momentum. When Bill Murray isn't on screen, the air is sucked out of the picture, leaving audiences anxiously waiting for his next scene.

Partially filmed on location in Chicago, the movie benefits from a snowy, urban setting that gives it a very different feel from most films in its genre. Hicks and Chris Sarandon (as the cop who killed serial killer Charles Chucky Lee Ray in the first place) are solid actors and brought a nice adult presence to the story.

The effects might not hold up, but the performances by the likes of Smith, Olivier and other classically trained British actors, as well as Ursula Andress, elevate this to something more than a throwaway fantasy adventure from the early '80s.

Taken for what it is, Logan's Run delivers a fun ride and a glimpse at another era, even if it's probably not the time frame the producers had in mind.