Melissa McCarthy gives one of her best performances in a surprisingly relatable story about a criminal misanthrope with a heart beating deep inside her.

Vice is a funny and vicious political commentary, revealing in clear, thrilling detail a man whom filmmaker Adam McKay considers one of the most insidious and dangerous political figures of the last fifty years. But that viciousness also makes Vice one-sided, even reductive.

Netflix's I Am Mother is an engaging sci-fi thriller-meets-coming of age drama, with three strong lead performances.

A fun exercise in giant monster madness that indulges in all the kaiju fights fans and even casual viewers could hope for. It looks amazing while also giving its human characters a chance to stay interesting amid all the battling beasties by providing them with some really cool tech -- and some great one-liners among the supporting players. Unfortunately, the film’s plot is needlessly confusing, and not all that smart at times, and the lead characters could’ve used a little more fleshing out.

While it feels like it could use a more nuanced antagonist and is hit or miss in the comedy realm, there’s a nice sense of closure here, too, which would make this a perfect and redemptive beat to end the story on – both for the characters and the franchise as a whole.

Atomic Blonde is one of the best action films of the year.

Despite the character’s trademark flippancy, there’s a real unexpected warmth to Deadpool 2. Not only does the sequel explore this flawed character, it firmly establishes him as a loveable and effective hero.

I, Tonya is a fairly conventional biopic of the scandalized sports star, but one buoyed by Margot Robbie's performance.

Unsane is a creepy little thriller, with a concept that could terrify just about anybody, and a plot that wobbles but ultimately stays on the rails. Claire Foy gives a standout performance and Steven Soderbergh’s intimate visual style sells the idea that we are watching something horribly sinister get revealed.

The respective performances of DiCaprio and Pitt and the film’s meticulous attention to period detail are all great and keep you invested in where this cruise around Tinseltown will ultimately take you.

Fighting With My Family delivers on comedy, action, and a sweet message of acceptance and strength at its core. It might be a bit too wrestling-heavy for some, but the strong cast, interesting real life story, and a magnetic lead mean this black sheep sports story is a feel-good flick with chops that might finally put WWE Studios on the map.

It may not be a great movie, but Timotheé Chalamet delivers a performance so vibrant that it almost rubs off on everything else, and he’s matched in every scene by Steve Carell, Maura Tierney and Amy Ryan.

Cold Pursuit is partly a great action thriller, and Liam Neeson is still kicking plenty of butt, but the film is mostly an intriguing, relaxing, totally tuckered-out character study of old men running out of the energy required to run a criminal enterprise. As thrillers go, this one is more adult than your average.

The Man Who Killed Hitler and Then The Bigfoot lays all its cards on the table up front, but then still manages to never quite be what you expect it to be. It juggles a lot of ostensibly ridiculous ideas, but they all land just right because the film's deliciously dour tone, that sort of snuggles everything within the warm embrace of Sam Elliott's ruggedness and regret.

Netflix’s The Dirt won’t win any awards nor will it inspire any would-be musicians, but it is entertaining and offers up a compelling story about Mötley Crüe. And while it isn’t a completely accurate depiction of the band’s tumultuous career, the film itself is insightful.

In the end this is arguably Jarmusch's first popcorn movie and it's a pretty good one at that.

While the destination is too easy to determine, this ride-along is solidly thrilling.

A goofy, kitschy- but- fun romp and the most purely entertaining of the three Thor movies, marked by its distinctive designs, ‘80s synth score, and assemblage of spirited characters. It’s carried by the excellent chemistry between Thor, Hulk, and Valkyrie, who give humanity to a visual effects-heavy spectacle that finally makes good on Thor’s title of God of Thunder.

Mission: Impossible - Fallout is a fun but very familiar entry in the long-running franchise.

Molly’s Game doesn’t announce Aaron Sorkin as the next great filmmaker, but he’s a good one. It’s a competently filmed production with some fine performances, but it lacks the focus and showpersonship that would be necessary to make it feel like more.

My Hero Academia: Two Heroes is an entertaining but inconsequential feature film take on the popular anime.

Crawl is a fun albeit familiar human vs. beast movie, one that gets plenty of mileage out of its setting and people’s deep-set fear of being eaten.

The King is a relevant reshaping of Shakespeare's Henry V featuring a stunning turn by Timothée Chalamet.

Idris Elba’s directorial debut is an atmospheric and catchy DJ Noir about criminals who’d rather spin vinyl than sell cocaine, and it’s an impressive first film, only held back by the conventions in the plot. But it’s the details of Yardie’s world that make it worth visiting.

Set It Up is as formulaic as they come. That fact alone isn’t enough to avoid it on Netflix though. Most fans of this genre know what they are getting into, easily enjoying the charming displays of friendship, the few silly moments, and predictable ending.

This is an entertaining game of tension and gore with a strong funny bone, all in a well-wrapped package clearly designed with surprising thought and artistic effort with a star-making performance for Samara Weaving.

The LEGO Movie 2 isn’t quite as funny or as brilliantly executed as the original, but it’s an ambitious, likable sequel. Kids will enjoy it and adults will appreciate that the filmmakers took it seriously, and tried to say something meaningful. Just don’t think about it too much, because the LEGO universe is often weird and confusing.

The fact that V/H/S Viral frequently substitutes laughs for scares means that the film will disappoint hardcore fright fans. But if you like your horror mixed with laughs, this anthology threequel is a blast.