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For 1,756 reviews, this publication has graded:
  • 68% higher than the average critic
  • 4% same as the average critic
  • 28% lower than the average critic
On average, this publication grades 2.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 The Dark Knight
Lowest review score: 19 Leatherface
Score distribution:
  1. Positive: 1,092 out of 1756
  2. Mixed: 590 out of 1756
  3. Negative: 74 out of 1756
1756 movie reviews
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  1. Crush
    Hulu’s Crush is a queer coming-of-age movie in which very little happens, and whose characters barely exist outside of their joking lines of dialogue. Its young actors are a delight, but even as a story of teenage crushes, it rarely captures what it feels like to be young and in love.
  2. Hatching
    Hatching is a scattered body-horror romp with the best child performance this year.
  3. Bubble
    Bubble is an effervescent piece of heartfelt sci-fi that’s as refreshing as its cast and concepts.
  4. Memory
    Memory is a well-made if uninspired action flick that forges an interesting new take on the genre… then forgets all about it.
  5. The Bad Guys
    The Bad Guys is a fun, family-friendly caper that’s bursting with action and brimming with laughs.
    • 68 Metascore
    • 80 Critic Score
    The Unbearable Weight of Massive Talent
    The real heart and soul of the picture is Cage’s on-screen bromance with Pedro Pascal’s Javi. Their chemistry carries the movie into far more memorable territory, and more than makes up for a few of the film’s less-interesting elements.
  7. We're All Going to the World's Fair
    We’re All Going to the World’s Fair is a moody, slow-burn horror drama about loneliness online.
  8. All the Old Knives
    While not necessarily the very best of this genre, it’s a solid character drama benefiting from strong performances by a top-drawer cast.
  9. The Cellar
    The Cellar has a cool and creepy set up but then fizzles once the answers start arriving.
  10. Choose or Die
    Choose or Die boots up a retro-style survival horror that will muster up a few delightful scares for the generation of gamers who grew up with Zork and The Valley of the Minotaur. But beneath this terror-filled glimpse of the ‘80s lies not much more than a bog-standard horror flick.
  11. Aline
    A deeply misguided act of worship, it starts out as a hilariously bizarre showreel of strange visual effects, before devolving into a distant, disconnected retelling of the highlights of Dion’s life.
  12. Metal Lords
    Metal Lords is earnest with metal but sloppy with character and story. It delivers a rousing finale but the journey there is uninspired and half-formed.
  13. Fantastic Beasts: The Secrets of Dumbledore
    It looks drab and feels like it was made by people who want to leave its magical premise behind, even though the series refuses to have anything resembling grown-up politics or perspectives.
  14. Moonshot
    Cole Sprouse and Lana Condor are a fun duo, capable of feeling human and endearing in the midst of cosmic turmoil. The movie's not a full home run, but it's surprisingly silly and shrewd.
  15. Morbius
    Morbius is unspectacular in ways that waste the potential of what could be an intriguing hybrid of sinister horror and superhero thrills.
    • 52 Metascore
    • 70 Critic Score
    The Contractor
    The Contractor may have an underwhelming conclusion, but the journey to get there is an emotional one, with a strong performance by Chris Pine.
    • 74 Metascore
    • 70 Critic Score
    You Are Not My Mother
    You Are Not My Mother effectively mixes folk horror, family drama, and slow-burn scares to deliver an unsettling story elevated by some fantastically nuanced performances.
  18. Bodies Bodies Bodies
    Bodies Bodies Bodies’ great ensemble and delightfully chaotic script make for a tense and laugh-out-loud funny film.
  19. Cha Cha Real Smooth
    Cooper Raiff dances around complex emotions with the smoothest of steps in Cha Cha Real Smooth, sliding into the definition of feel-good filmmaking.
  20. The Lost City
    The Lost City is a decent action-comedy that coasts on the presence of its stars.
  21. Cheaper by the Dozen
    Zach Braff and Gabrielle Union are great pillars here, though the film itself isn't consistent enough with its tone, snapping back and forth between sweet sentiment and cheap gags.
  22. Black Crab
    Black Crab has all the ingredients to grab you and take you on a thrill ride -- and at times it achieves this -- but it suffers partial collapse by the end because of its need to land a little loftier than necessary.
  23. Windfall
    Windfall is a tight, smartly constructed thriller that succeeds on the strength of its performances.
  24. Umma
    Umma isn’t scary, but the themes behind it are terrifying as it deals with generational trauma and guilt. Though the cultural references run deep, it’s overstuffed with symbolic imagery that is never fully explained. Though Oh and Stewart give solid performances, the tone and tension of the story ends up being choppy and underwhelming.
  25. Deep Water
    Deep Water aspires to be a boundary-pushing erotic thriller but is stuck treading water in the kiddie pool.
  26. X
    While its gnarly payoffs eventually peter out, X is filled with fun and intense setups that harken back to classic slasher fare.
  27. Linoleum
    Linoleum is a heartfelt story about making every day seem like something fantastic.
  28. Emergency
    It walks a tightrope with its topics, but Williams is delicate and confident with every step — his performers following close behind, dominating the screen.
  29. Marcel the Shell with Shoes On
    Marcel the Shell With Shoes On suffers from an aimless plot that feels stretched too thin, but it provides one of the most endearing and adorable animated characters since Paddington Bear. It delivers enough heart, laughs, and innocence to forgive its shortcomings.
  30. Apollo 10½: A Space Age Childhood
    Richard Linklater’s animated Apollo fantasy is scattered, but sweet.
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