IGN's Scores

For 1,756 reviews, this publication has graded:
  • 68% higher than the average critic
  • 4% same as the average critic
  • 28% lower than the average critic
On average, this publication grades 2.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 The Dark Knight
Lowest review score: 19 Leatherface
Score distribution:
1756 movie reviews
  1. Everything Everywhere All at Once is a complex film that encompasses a variety of subjects, but it does justice to each of them with a carefully written script, marvelous performances, and a healthy dose of bizarre humor to counter its bleak story. Michelle Yeoh in particular gives a powerhouse performance in a story that puts a fresh, welcome spin on the idea of the multiverse.
  2. Jujutsu Kaisen 0 manages to work as both a standalone introduction to the anime and also a satisfying prequel to those familiar with this world. With stunning animation, complex and memorable characters, and a healthy dose of horror imagery, this is one of the best shonen anime films in a while.
  3. Fresh delivers a full-course meal with dazzling cinematography, disturbing imagery, and one of the best horror performances of the past few years. Sebastian Stan joins the pantheon of horror psychopaths as this delightfully gory movie explores the world of modern dating.
  4. The Adam Project is a thoughtful, witty mash-up of all the movies from my childhood. It’s Back to the Future meets The Last Starfighter with a slew of wonderful performances from a cast that clearly loves the concept as much as I do. Ryan Reynolds is on top form as Adam, while Walker Scobell matches him punch for punch with a great debut performance.
  5. A story of magical transformation as a metaphor for personal and cultural change, Turning Red (from Bao director Domee Shi) is Pixar’s funniest and most imaginative film in years. It captures the wild energy of adolescence, uses pop stars as a timeless window into puberty, and tells a tale of friendship and family in the most delightfully kid-friendly way.
  6. A work of shattering empathy, Drive My Car makes you stare long and hard at people’s withholding exteriors as it carefully chips away at them, revealing how they patiently bear their burdens, working without rest.
  7. Matt Reeves’ violent, thrilling, darkly beautiful take on The Batman more than justifies its place in the franchise’s canon.
  8. The Duke sets up a hilarious social satire under the guise of a comedy crime caper, with buckets of British humor.
  9. Studio 666 features fun performances by the Foo Fighters, but its “kitchen sink” approach leaves it open to unfavorable comparisons to the movies to which it pays homage.
  10. Texas Chainsaw Massacre is a sloppy and gratuitous killing spree with standout deaths but a poorly written story that ruins the experience.
    • 45 Metascore
    • 70 Critic Score
    This should be effective in introducing the world of Uncharted to people who are meeting Nate and friends for the first time, although the changes it makes can be inexplicable and jarring to those of us who’ve spent many games with these characters.
  11. Hook's Dante Basco and his brothers deliver an outrageous comedy about love & family in The Fabulous Filipino Brothers.
  12. With a simple but effective script and some fun visual experiments, it's an entertaining conspiracy thriller set in (and very much about) the post-pandemic world.
  13. It takes Death on the Nile far longer than it should to reach its most impactful moments, but actor-director Kenneth Branagh cares deeply enough about Detective Poirot to make it work.
  14. Moonfall makes its big ideas feel small and unimportant.
  15. The fourth (and hopefully final, for the sake of its cast) Jackass is a nostalgic laugh riot.
  16. A film with sights and sounds you’ve never seen or heard, it’s an intriguing watch with catchy, energetic numbers, even if it doesn’t always land emotionally.
  17. It may not always succeed, but it arrives with an energy worthy of the TV comedy legends.
  18. Led by moving performances from Julianne Moore and Finn Wolfhard, the film takes a roundabout approach to its drama, resulting in a realistic portrait of a relationship in stasis.
  19. Writer-director Riley Stearns transforms depression and disappointment into a hilarious confrontation of death and a peculiar tale of self-image in an uncanny film with a precisely bizarre lead performance.
  20. With a layered performance by Regina Hall as the university’s first Black dean of students, the film plays with familiar tropes and images from American horror, but re-fashions them into an unexpected, subdued story with a chilling emotional payoff.
  21. With melancholy performances and an eye for natural beauty, Kogonada’s second feature film draws from masters of the past to create a glowing and moving future.
  22. The Worst Person in the World is a concentrated emotional dose of living through the last half-decade of uncertainty.
  23. Only Kaya Scodelario rises above the mess, working hard to try and craft an earnest and accomplished heroine that is by far too interesting for the rest of the boring dolts in the story.
  24. Belle is a gorgeously animated, futuristic interpretation of Beauty and the Beast that combines dazzling song and eye-popping visuals for a well-meaning yet meandering modern fairy tale. Unfortunately, its heartfelt message is muddled by perplexing plot holes, occasionally grating characters, and a bloated runtime.
  25. The latest addition to the Scream franchise expertly blends reverence for the source material while creating something that feels almost completely new. All of the performances are pitch-perfect as the new generation of Woodsboro teens step into their futures, the kills are gnarly, and no version of toxic fandom is left unmocked.
    • 88 Metascore
    • 80 Critic Score
    Parallel Mothers is a really engaging watch with plenty of unforeseen story turns that seem incredibly random at first, but ultimately come together in a very intentional way. Penélope Cruz gives a powerful and beautifully relatable performance as a woman navigating some very messy life choices with wisdom and empathy.
  26. Mother/Android tries to bring an emotional heart to the robot uprising genre, but it’s so laden with tropes and short on personality that it’s hard to care about the characters. What little novelty exists comes far too late in the long, slow movie.
  27. Swan Song is a beautifully acted near-future exploration of self, technology, and the soul.
  28. As a musical, only a few songs really stand out, which is always problematic. There’s also a staginess to the whole endeavor that feels awkward and ham-handed when transposed onto the big screen. But director Joe Wright does get excellent performances from his whole cast, and creates a lush and beautiful period piece playground for the characters to exist within.

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