Far Cry: New Dawn is an unexpected but welcome continuation of Far Cry 5. Hope County was an enjoyable setting, filled with memorable characters in conflict against one of the more compelling Far Cry villains, so it’s nice to return to it and help clean up the mess from the disaster Joseph Seed orchestrated.

Metro Exodus is an appropriate evolution of the series, leaving some of the linear restrictions behind and branching out into a more open-ended direction without losing sight of the importance of the story.

God Eater 3 is a good if unremarkable title in the monster hunting subgenre. This is a game that doesn’t excel in any one area, but none of its shortcomings are damning to the point of ruining an enjoyable experience. There are attempts at giving more depth to combat with the characters engaging each other and having burst attacks, but using these actions strategically doesn’t greatly alter the battle outcome from just button mashing. The repetitive mission structure paired with a story and characters that feel as if they could have been lifted from any number of games prevent this title from being exceptional, but for fans of the genre, there’s a good game hiding beyond these shortcomings.

Fans of the first game will ultimately love the changes, but the casual rider will have difficulty adjusting to the way the physics work and the actual racing. Learning the track and knowing when to accelerate and brake will require time to master. The online experience needs more of an investment to not only correct but also progress. Also, the game is still based on the previous season, and is missing fan favorite Ken Roczen. Capturing the essence of the sport for the fan is something Milestone has gotten right, but the game still lacks in the most important area, and that’s the racing.

Episode 2: Rules is a fantastic experience and continues to build on Dontnod’s reputation as the king of episodic gaming. Life Is Strange 2 has the potential to mesmerize players with its three remaining episodes and become a worthy contender for 2019’s GOTY (despite the first episode being released in 2018, of course).

There’s something incredibly satisfying about creating a map and feeling as though the exploration is just as important as the combat when every little thing matters.

Unfortunately the considerable lack of polish, indecisively wonky aesthetic and utterly dismal implementation of random events both visually and structurally — of which can leave your six/seven/eight hour run feeling wasted for nothing — leaves Genesis Alpha One feeling like an early build with far too many a hole to plug. There are some pleasant joys and novel moments to be had amidst the mundane and the cumbersome, but in the end, Radiation Blue’s multi-genre spanning venture — ambitious its intentions may be — delivers both an underbaked and amateurishly constrained effort.

Ace Combat 7: Skies Unknown is the best entry in the series yet and provides a near-perfect blend of action and strategy. Those looking for something to fill the void of the long-gone After Burner series will like the quicker pace offered here. Longtime AC vets will love the quicker pace and increase on craft customization. Dogfights are a rewarding challenge and every part of the presentation is impressive. Its graphics are the best ever seen for a flight-based game and the soundtrack is outstanding too.

We’re only a month in and while we may already have some notable highlights, even to those heavily invested in this branch of explorative puzzle games, Vane feels like the first dull low of 2019.

It’s the type of ending so few stories get these days, and it’s told with strong performances from talented actors and gorgeous graphics that capture all the spectacle.

The first several songs are good fun to play but then the difficulty wall chunks itself into place and instead of playing the music you end up flailing away, hoping to clear away as many outer notes as possible while guarding the center ring against the advancing missed ones. You can survive that way, but it’s not particularly musical, and that’s a problem for a music-rhythm game.

Gameplay is far more superior to any other episodic title on the market, with Big Bad sending an important message to other developers that this aspect should never be overlooked in episodic gaming. From the opening moments of The Mad Ones, it’s clear as day that the RPG mechanics would bring forward an engaging experience over the story. The developer didn’t hold back from introducing a new mechanic in the later stage of the title and it seamlessly worked in harmony with the features that have been there since the opener. While it doesn’t boast mind-blowing visuals or sounds, The Council has a simple art direction that makes it feel right at home in the period that it takes place.

Capcom has not only recreated Resident Evil 2, but entirely redesigned it to be a bigger and more robust horror experience. The sense of dread and tension they created is unwavering throughout each of the six-hour campaigns. The choices they made only help expand upon the characters and the overall universe, along with making the gameplay a little easier for more people to survive this unforgiving world.

It would have been nice if Pikuniku was longer and had a bit more to its story, if only because it means spending more time with its interesting and charming world. Still, what we have is a fun blend of physics-based gameplay, traditional platforming, exploration, eye-catching art and a fun cast that makes for one cute, highly-enjoyable experience. It’s a quick little romp through a gleefully bizarre world that you won’t regret checking out.

As the final season of The Walking Dead is brought back to life by Skybound, the narrative plot continues to shamble aimlessly like the zombies that inhabit its world. A few emotional chats between Clementine and AJ and a finale-prepping conclusion makes the journey worth continuing, but Skybound will need to go above and beyond to provide Clementine the send off she deserves and make the fourth and final season one worth playing.

While many are coming to the game as a BL experience, it would better be classified as a pure horror visual novel. The fact that men have intimate relationships with one another is key to the plot, but it’s not a particularly positive or pleasant representation. The key thing that Sweet Pool has going for it is the unusual themes it presents players with. This is one of those games that you’ll end up thinking about even after you’ve finished it. Just be sure to go with the complete version if at all possible. The Steam edition is cut in such a way that it’s impossible to recommend playing without obtaining the patch.

Bowser Jr’s Journey is easy to overlook and it’s a shame it wasn’t a more thought-out experience that could have been enjoyable given a good shake up instead of just being a glorified mobile title. There’s a lot of things done right here, but also some missed opportunities that could have been better executed overall. Anyone who wants to dive back into the Mario & Luigi RPG series will likely enjoy their time with Bowser’s Inside Story, but it’s an extremely relaxed experience that won’t be too memorable outside lots of chortles along the way.

Despite a few wonky issues with combat at times, YIIK: A Post-Modern RPG more than succeeds in delivering a fascinating and unique tale that isn’t afraid to get bizarre and humorous while still making you sympathize with its cast and keeping you on the edge of your seat. Between the quirky visuals, stellar soundtrack and fun gameplay, Ackk Studios managed to polish the gameplay of late ’90s polygonal games while not losing sight of what made RPGs from that era fun.

A welcome return of Travis Touchdown. Amidst the enjoyable gameplay is great storytelling and dialogue set in imaginative game worlds. Fans of previous No More Heroes games and Suda51 games in general will find a lot to enjoy here. Going through the different game worlds watching the story unfold through an old-fashioned computer is highly entertaining and collecting the T-shirts from your favorite indie games gives treasure hunters something to occupy their time. More still, each different game level has enough variety to keep the repetitive combat from getting stale.

It may sound like I’m being tough on Onimusha: Warlords, but it’s still a solid experience with entertaining mechanics; just don’t go in expecting a whole lot.

Tales of Vesperia as a whole is a masterful game that deserves to be played by anyone who enjoys a good story. It’s not only one of the best Tales games, but it’s up there in the pantheon of impeccable RPGs. With so much new and enhanced content on an already impressive base, Tales of Vesperia Definitive Edition starts 2019 off with a bang.

The daemonic theme took over far too much of the story’s focus. When coupled with technical issues, it has reinforced that The Council has lost potential written all over it. Despite the many negatives, there are positives to take away from the experience. Gameplay is engaging from start to finish, with its RPG mechanics reinventing an episodic experience. Big Bad’s multiple endings offer plenty of reason to revisit not only Checkmate, but also the first four episodes and see the different outcome from making a major choice. Once the finale is all done and dusted, either the player or Big Bad will utter one simple word depending on the final outcome of the story. That word is none other than checkmate.

The legend of Polybius is about a mysterious game that breaks the mind of those who play it, but Llamasoft’s version is somehow exciting and relaxing at the same time, and the result is a shooter that leaves the player in a better mental space than when they began.

Sakura Sakura is the kind of game to play when you’re not in the mood for anything serious. It keeps the mood light and provides plenty of laughs throughout the story. It also features a great deal of content to keep folks interested in seeing everything the game has to offer. The design decision to offer additional storylines and character development as optional is odd, but not annoying. Each character grows over the course of the game, which is more than can be said for many other high school-centered romance visual novels. As long as you don’t try to take Sakura Sakura too seriously, it’ll provide hours of wacky enjoyment.

Battle Princess Madelyn is a must play for fans of classic action titles from the ’80s and ’90s, but may be a tough sell for those who started their gaming career later.

The Minotaur Arcade games may not look like the same high-end product as Polybius or Tempest 4000, but they’re still top-notch games that will embed their voxels deep into your brain.

It might not get the balance right when it comes to deciding when and when not to teach players the rules in place, but for those willing to look past these frustrations and bear the brunt of a grueling introduction, BELOW‘s simplified stylings and anxious trek downward offer up a decent-enough spin on survival and roguelike exploration alike.

Scintillatron 4096 is a unique arena shooter. It’s got all the shiny effects and abstract enemies you’d expect, but demands a very different style of play. The deliberate target selection doesn’t mean it’s sedate by any means, but rather the fast-paced action needs to be more carefully planned.