Ring Runner: Flight of the Sages is the sort of project Kickstarter was built for: two brothers, nary a lick of development experience between them, making a game inspired by the favorites of their youth. It’s got all the rough edges and more that you’d expect from such a team, but it’s also brimming with ambition and heart.

Dengeki Bunko: Fighting Climax is a wonderful fighting game that isn’t particularly meant to be played by fighting game diehards. That doesn’t make it bad, but rather a love-letter to anime and Sega fans, and an all-around excellent game to boot; one that’s filled to the brim with content, unlockables and a colorful cast of characters.

For all its early indulgence in balls (and the suggestion of which that line of “comedy” might head in), Ballhalla is still at its heart a clever little marble-rolling puzzler with plentiful moments of delightful frustration.

Giga Wrecker has the attractive presentation and unique blend of genres that make for a cult classic, with only a few slip-ups getting in the way of true greatness. But even as is, it’s a terrific game with some clever ideas that also puts up just enough of a fight in every area to end up both challenging and fun in perfect amounts.

Underwhelming visual style notwithstanding, Son of Scoregasm is a well-designed shooter tailored to players who have grown weary of the rut that the genre has worn into the road. The mechanics are unique and enticing while the stage design thoughtfully uses these tools to craft a compulsively-playable title. It’s just different enough to feel completely fresh while hewing to a simplicity that allows for easy understanding. This is a fantastic game for score chasers and those that simply want to challenge themselves.

It’s disappointing that some notable flaws, from dialogue and voice acting to performance issues, hold back The Mad Ones’ full potential. While the negatives can — and should — be addressed going forward, it’s not enough to take the shine off The Council. The Mad Ones captures the ethos of episodic gaming and brings a unique signature style that will have an immediate, lasting impression on players.

Onrush is the finest off-road racer ever made. The core gameplay is fast-paced and does everything that made the Motorstorm series great, but with far more refined controls.

Sadly, Labyrinth of Refrain is a game far too convoluted with illusionary depth to be considered wholly enjoyable. With a dispensable story, poor mid-game communication (that often feels like a deliberate attempt to waste player time) and a hefty number of interfaces requiring a fair amount of cleaning up, Nippon Ichi’s attempt to alternate from their usual Disgaea forte, though intriguing in a few areas, ends up being frustrating and cumbersome to the point of cancelling out the enjoyment it initially creates.

Irrespective of its technical flaws, the studio can hold its head high with its effort on the penultimate episode, creating the perfect springboard for Louis’ story to reach the studio’s apex of storytelling in its finale.

Hero Must Die Again is a well-crafted game with a unique concept. Starting off strong and becoming weaker over time forces you to think more than you usually do in a JRPG. It’s a challenging, but rewarding game with a fun and intuitive battle system. Your hand isn’t held and you will have to use your wits to make significant progress in an efficient manner — but it’s well-worth the sacrifice. It’s a bit hit or miss visually, but sounds great — with a multi-faceted OST that fits the anime-style visuals and faster-paced combat.

The more die-hard fans of the first game may be able to get past the more frustrating elements of GONNER2, but others may be turned off by how cheap it can get at times. Still, the core gameplay is simple yet enjoyable, and like before, GONNER2 looks and sounds stunning. But the end result is like when you watch an older cartoon at a higher FPS: it’s faster, still pretty, and the content at the core is still the same, yet there’s still this awkward quality to it that’s just hard to ignore.

Although Shiren the Wanderer isn’t a long title, it’s hard to stop going back in and taking on the next challenge that’s offered. The story is short but offers tons of alternative challenges afterwards for those who want to put their skills to the test. Shiren the Wanderer: The Tower of Fortune and the Dice of Fate is a prime example of a fantastic roguelike that makes it both frustrating and satisfying every step of the way. Improving upon strategies and learning more about enemies helps scratch the surface until things begin to ramp up with the night time terrors that leave players with tough decisions on whether to run or fight. Anyone looking for a great challenge in a re-released mystery dungeon title should take on the challenge that awaits Shiren and his friends.

While the visual aesthetic and tonal backdrop may not look or feel that important to proceedings as a result, it’s Evil Genius 2: World Domination‘s cunningly-emergent approach to base-building where a lot of the hidden little joys are to be savoured. Conjuring all manner of obsession on shape, size and positioning alike. Never stopping, never wavering and all the better because of it.

Hot Wheels Unleashed is a fantastic arcade racer at its core, but the overall product is hurt by the gacha mechanics. Thankfully, the quality of the core game is good enough to largely overcome that handicap, but it would be a far better experience with rebalancing in that regard down the line. The racing action is fast-paced and thrilling, with strong sound design that helps make up for a lackluster soundtrack. Hot Wheels Unleashed is a fantastic pickup for anyone who grew up wanting a fleet of Hot Wheels cars — and that aspect will get better as time goes on with content packs.

Dimension Tripper Neptune: TOP NEP is an easy recommendation for anyone who ever loved Space Harrier. It’s honestly more enjoyable than Space Harrier II was and delivers a fantastic modern interpretation of that kind of rail shooter with a level of color and polish that’s unmatched. It does feel too much like an homage at times, but stands out with things like allies helping on-screen and a completely insane premise that keeps things in-line with the main series while also working as a standalone product. It’s a visual treat and controls perfectly, but does suffer from a less-than-memorable soundtrack.

Overall, Aliens: Dark Descent is an original game worthy of any strategy fan’s time that also lovingly expands upon one of Sci-Fi’s most important franchises.

Maliki: Poison of the Past is one of the most enjoyable turn-based RPGs that's come along in a while. It evokes the joy of the best of the PS1-era of the genre while also featuring some of the most frustrating time-sinking puzzle design and objective fulfillment as well. It winds up being greater than the sum of its flawed parts due to the compelling time-bending narrative, but it would be even better with quality-of-life improvements down the road. As it stands now, it's still an easy recommendation for turn-based RPG fans and also a fine game to give a go if you love time-bending stories in fiction, killer soundtracks and interesting diorama-style art design.

MotoGP 26 is the technical racing king in the current market space. The amount of details that have gone into the physics model cannot be overlooked, but it has gone back to having a steep learning curve to get good. The AI is inconsistent, which actually makes it feel brutal because you will feel like you're making ground. You can turn off Dynamic AI as this may be the culprit as it pushes the difficulty to the extreme every other lap. The Arcade Mode is back for those looking for something not as challenging. The updates to Career Mode are more than just subtle changes. These are solid enough to modify the experience, including the new Rider Ratings. The introduction of Production Bikes is a nice addition to go along with the already established other Rideoff bikes to try. There remains a lot to be played in MotoGP 26, it is just going to take some dedication to get good.

Last Day of June is a beautiful presentation of a heart-wrenching tale that is hindered by less-than-stellar game mechanics. It should be noted Last Day of June was partially designed to appeal to people who don’t regularly play video games. It succeeds as a story and as an interactive work of art, but as a game there are some mechanics that could have benefited from some further tweaking. As unique as this title is, however, it allows it to be one of the rare exceptions to the rule that mediocre gameplay trumps excellence in areas like graphics and sound. The story and concept are compelling enough where playing Last Day of June is worthwhile despite its shortcomings. Depending on the player, it can take four to six hours to complete. It’s not something that will appeal to everyone, but it’s worth looking into for those willing to forgive lackluster gameplay for a compelling story with a unique presentation.

Refreshing if sadly not as fleshed out as one would wish, The Last Hero of Nostalgaia does still provide enough of a charm and a challenge alike for Souls veterans looking for a new take on the formula.

Even though the controls can sometimes feel frustrating in the 2.5D sections, it’s never enough to kill the momentum, and when you finally dial in to what’s expected the area is cleared and it’s back to the exploration. There’s a mystery at the heart of the Starfall Islands and it’s got Sonic’s friends trapped within, but a cocky and determined hedgehog is more than a match for whatever may be happening there. But first there are a couple hundred areas of the map to explore, tricky routes leading to memory tokens, enemies and mini-bosses to test new combat skills on, and maybe a few koco to rescue. Whatever happened on the Starfall Islands seems to have taken place centuries ago, so it can wait just a bit longer for Sonic to bounce, dash and rail-grind his way through every challenge Sonic Frontiers can throw at him.

As comical and outlandish it remains, WarioWare: Move It! and its admirable attempt to add legitimacy to the Switch’s motion controls result in an experience that’s both inconsistent and at times simply all too unclear to work out. When it works, the ideas posed and the involvement needed do manage to draw a smile at the absurdity one is voluntarily offering, let alone being presented on-screen. If nothing else, the egocentric, narcissistic idea of Wario plastering his face across many a Microgame visual is still as satisfyingly-dumb as it’s always been. But it’s a feature so obviously mutual to the series across the board and while this latest entry attempts to be both familiar to fans of the series’ prior Wii outing, while unique all the same, the failings of its motion control-reliant inputs at times land WarioWare: Move It! in an awkward spot of feeling neither wholly enjoyable nor a complete flop. There’s fun to be had in parts — Microgames at their best when they’re both mechanically and visually a source of smiles. But in any way a worthy successor to Smooth Moves or even the handheld Touched all those years ago, this is not.

One could argue that outside of its creative double-world approach, The Medium isn’t the sort of revolutionary horror game that one might hope for from the start of a new generation in gaming. But you know what? It doesn’t need to be revolutionary. It just needs to be spooky, have fun gameplay and tell an entertaining story, and Bloober Team succeeds on all of those fronts.

As an expansion, Mortal Kombat 11: Aftermath features a quality addition to the campaign and three new characters that are mostly high quality. While quality should always trump quantity, Mortal Kombat 11: Aftermath is a case where the quality can’t justify the high cost.

Fans of the old school adventure games should definitely enjoy the combination of exploration and puzzles the game offers and Anodyne is a nice throwback to a type of game that you simply can’t find any more.

If you can approach the game with a forgiving nature, however, there’s sights to see that will stay with you long after the small piece of willpower necessary to push on has been forgotten.

In all its tricks, turns and trials to overcome, A Little to the Left succeeds on the basis of its charming and relatable premise on the obsessive nature of order and sequence. Messes to tidy up, objects to arrange and patterns to recognize, or perhaps be led astray in assuming there’s one to even recognize. Max Inferno already establish a quaint and attractive presentation here, but it’s thanks to the execution of its main puzzles — with a few added mechanics and incentives to replay puzzles on top — where A Little to the Left finds that added lift to help bolster its appeal. The game’s key means of communication doesn’t always work in its favor and that cozy, laid-back approach can be an occasional annoyance just as it can be a helpful support. Even so, a game that in many ways strikes right at the heart of puzzle game mentality and that desire to find order amid the chaos. Proof that A Little to the Left with all its color and upbeat vibrancy, more importantly, has the wit and the know-how to make its challenge something you’ll take great pride in completing.

A far more confident and competent iteration of the Souls template than what came before, Lords of the Fallen‘s all-round impressive design is marred by occasional technical issues and all-too-frequent questions on its very philosophy around challenge. Get past these rough spots, however, and what you’ll find is a game that not only understands the pull and appeal pivotal to this sub-genre, but at times, offers room to add even more nuance to a saturated style of action RPG. It’s these surprisingly-intriguing additions alongside the usual flair of compelling boss fights and environments to carefully get through that does just enough to grant Hexworks a far more positive perception, all things considered. Flawed it may be and guilty of applying the wrong lessons in its design, it may stumble, but Lords of the Fallen does eventually find its stride. Serving up another feature-rich package that will appeal to a large number of Souls veterans.