Just what Telltale hopes to accomplish Minecraft: Story Mode remains in question as “The Last Place You Look” breaks story and characters for the sake of seeing every corner of the Minecraft universe.

Professor Lupo: Ocean attempts to be a small expansion on the first game with its central gimmick, but fails to really improve over the original and doubles down on its faults.

Super Meat Boy Forever is a game that suffers from inconsistent difficulty and some counter-intuitive mechanics. While the cutscenes and bosses are charming as always, this is one game that die-hards of the previous installment might want to skip. It’s still a fun time for those willing to overlook its flaws, however.

Baldur’s Gate: Dark Alliance has sadly not held up for a modern audience. If you already enjoyed the game, then this is a decent port to current hardware. For everyone else, the game is clunky, drab, and boring.

The Bunker on Nintendo Switch is a little hard to recommend, but will certainly find an audience in those who love horror films and want something dreary and dark on their console. While visually impressive and ambitious, it unfortunately falters with its execution and replayability.

Dungeon of Naheulbeuk: The Amulet of Chaos has a lot of obstacles in its way from becoming a solid gem worth your time. The first few hours are a bit of a drag to get through since the majority of this time you’ll spend either hating the dialogue or hating the difficulty from the (more predetermined than random) RNG that this game employs. Trudge through this and you’ll find that the learning curve gets easier, the writing simmers down a bit, but the difficulty still remains the same.

At best, Mobile Suit Gundam: Extreme VS Force is a competent but dull beat-em-up with a few neat mechanics, and at worst a cluster of battles mostly controlled by the game’s AI, with only a small amount of help from the player.

While Murder on Eridanos has fun moments focusing on investigating and dialogue choices, it is actively undermined by shoving combat in your face and a twist that makes events leading up to that point feel pointless.

Endless Ocean Luminous’ highs come early, with a relaxing atmosphere and excitement of seeing new sea creatures and learning about them. Those highs quickly drop off and what you’re left with is an often frustrating, bland game that completely abandoned what made the series special in the first place.

Firefall is a massively-mixed bag.

Nostalgic gamers and those who simply must have every Resident Evil game out there only need apply – the crippling game control, the frustrating game structure and the minimal overall improvements will likely bring buyers remorse.

Tanuki Justice is a throwback to the run and gun games of the 80s and 90s, for better or for worse. While it does sport some challenging difficulty and a distinct pixel art style, some of it goes into unfair territory and ends up being an exercise in frustration.

Pattern is a unique game about exploring the mysterious lands around you and learning about the creator's mindset. The visuals are a wonder to look at, especially coupled with the peaceful atmosphere. Unfortunately, there's not much else to do and the appeal wears off after about an hour or so.

Neverending Nightmares is suffused with dread, from its haunting soundtrack to its (mostly) stylistic artistry, but it fails to deliver a compelling experience. Despite its short run-time, the game often feels like it is dragging, tense buildups of tension becoming overladen with monotony. A true horror fan will thank themselves for looking this title up, but when comparing its price point to its quality, it’s difficult to think of who would be thankful they played through the game.

While trying to pay tribute to classic platformers, Akimbot fell short when it came to making its own identity. The main characters weren’t that interesting and the story was predictable, but it did have a couple of strengths. The look of the world and a great soundtrack makes this game an admirable effort, even if it wasn’t successful.

Lost Between Worlds feels like a creative misstep for the Far Cry franchise. Though it is refreshing to see the series attempt new things, none of the additions are well-realized enough to justify the existence of this add-on.

Coffee Crisis takes the interesting concept of the classic beat ‘em up with a metal and coffee theme and attempts to run with it, only to trip over itself with a questionable implementation of modifiers that can’t be selected normally, as well as bare-bones combat. All of the pieces of a quality beat ‘em up are present in this game, but it’s not quite put together yet.

Gigantosaurus The Game, while above average for a licensed game, is a thoroughly average platformer. While it is glitchy in some places, it will probably keep kids young enough to enjoy the show entertained for a good while and could serve as a gateway into the genre.

If you’re looking for a title which really does something new or exciting with the genre — or if you just plain want a new tower defense game that looks and feels flashy and exciting — hold off on this one until the inevitable Steam deals chop the price by a third or greater.

Rollercoaster Tycoon World has so much potential. All of the base pieces are here, and the game’s content is being expanded to match that promise, but stability problems and bugs hamstring what could be a solid park creator. There’s a fun game here…but you can’t experience it if the game won’t stop crashing.

Journey of the Broken Circle is undoubtedly an earnest effort but confusing writing decisions and mostly bland levels mar an aesthetically pleasing adventure.

PositronX starts off as an amazing FPS game that’s marketed as a rogue-lite, but players will quickly realize that it’s more attuned to being a roguelike. Progressing through the four levels and it’s quickly evident that a high level of artificial difficulty is added, with enemies getting more health and damage, while you’re stuck with abilities and bonuses that don’t scale accurately against the rest of the gameplay. The game ends up becoming a grindy mess with its only salvation being the music design and the occasional new weapon or ability for the player to experience.

An eccentric cast of villains and zany action make Teslapunk a decent bullet hell shooter, but a terrible soundtrack and performance issues mar an otherwise enjoyable title.

Dread Nautical offers minimalistic graphics and gameplay. The core gameplay loop is too repetitive to be interesting beyond a few hours. Survivors, combat, and looting all needed to be fleshed out more to create more engaging systems. Dread Nautical is a cruise I won’t regret skipping.

It’d be easy to confuse Let’s Sing 2023 for Let’s Sing 2022. The same bugs, the same thin soundtrack, and the same monetization. As such, it earns the same score as it’s the SAME GAME

If you are a fan of the game series, you may want to check it out first before making a purchase.

Skyrim: Anniversary Edition is full of lackluster additions to a fantastic game. Some new areas are blocked off, quests feel like busy work, and the new items aren’t all that useful. The best parts are already in a free update, so stick with that.

Dustborn has noble intentions, but intentions don’t matter as much as execution and it executes just about everything poorly. There are too many characters and gameplay styles to make any one of them shine, let alone enjoyable.