Big Hops isn’t trying to reinvent 3D platforming. It’s refining a specific sensation; that satisfaction of staying in motion, of choosing flow over correction, and of trusting your hands to figure things out before your head does.

Super Meat Boy 3D is a return to form for the cube of meat brought to life. The levels are exactly what you’d expect: challenging platforming sequences that demand your maximum effort as a gamer. The gameplay is smooth, and Meat Boy himself is a joy to control, with the addition of a dash being particularly notable, while the wall run feels somewhat underwhelming. The transition to 3D works well, supported by a vibrant visual style and strong level design, despite a lack of musical variety. If you enjoy demanding platformers, Super Meat Boy 3D might be the perfect torture device.

The Division Resurgence had every reason to be a compromise. A lighter version. A stripped-down experiment. Instead, it’s something far more ambitious; we got a mobile game that genuinely understands what makes The Division work, and manages to translate that into a portable format without losing its identity. No, it’s not perfect, and yes, the monetization lingers. But, we got touch controls, while solid, they can’t fully replace a controller. And performance will vary depending on your device. But the core experience? It’s shockingly intact. Ubisoft successfully brought The Division to mobile devices. There’s just one problem. My phone battery didn’t sign up for this (so keep that in mind when playing games like these). If you look past that small hiccup, you get a bold, content-rich mobile adaptation that captures the essence of The Division remarkably well, even if your battery life may never forgive you.

GRIDBeat! is a well-designed hybrid that understands both halves of its identity, rhythm, and dungeon crawling, and manages to fuse them into something genuinely engaging. It refines the genre in a way that feels fresh. The gameplay is tight, the music is integral, and the overall experience hits that sweet spot between challenge and satisfaction. Most importantly, it finds that elusive rhythm game magic, that moment where everything clicks, and you stop thinking and play. And when a game gets you there? That’s when you know it’s doing something right.

Little Nightmares VR: Altered Echoes doesn’t change the key ingredients of the Little Nightmares franchise, but puts you in the middle of the horrors. It’s very immersive, more direct, and sometimes a bit rough because of it. Not everything works perfectly, but it’s one of the most memorable VR games out there for sure.

With Gear.Club Unlimited 3, nothing gets reinvented, but plenty gets refined. The addition of Japan, a tighter Career flow, Highway Mode, and deeper customization give the game more variety and confidence, while Switch 2 finally lets it run the way it should. It’s an accessible racer with enough depth for car fans and competitive players alike, and an easy entry point for families. Not groundbreaking, just solid, polished, and comfortable in its own lane.

Animal Crossing: New Horizons remains a deeply comforting experience, and in 2026, it’s still easy to get lost on your island. The free 3.0 update adds meaningful content and long-requested quality-of-life improvements that certainly offer more than enough content for both new and returning players. The Nintendo Switch 2 Edition itself is more modest, focusing on stability, visual clarity, and convenience rather than new gameplay. Together, they form the most complete and comfortable version of New Horizons to date.

OPUS: Prism Peak is not a game that tries to win you over right from the start. It takes its time to develop, and you’ll need some patience. In return, it offers something that feels personal, sometimes uncomfortably so. It’s a game about looking back, about the things we carry with us, and the ways we choose to frame them. That doesn’t mean it’s without flaws. The lack of clear direction can occasionally break immersion rather than enhance it, leaving you momentarily disconnected from the experience. There are stretches where the pacing dips, where the balance between exploration and progression feels slightly off. But those moments don’t define the game. In a landscape where games often feel the need to constantly guide, inform, and validate (or throw you off the deep end over and over again), something is refreshing about a title that’s willing to step back and let you find your own way. Even if that means getting a little lost along the journey, because that’s what being on a journey is all about, no?

Code Vein II clearly wants to be more than a continuation of the first game. The shift in structure gives the world more room to breathe, and the combat still rewards players who like to adjust, experiment, and find their own rhythm. But that extra space comes at a cost. The open world softens the pressure that once kept everything moving forward, and the technical rough edges tend to show up exactly when clarity matters most. I enjoyed my time with Code Vein II, even when it tested my patience. I just kept thinking how much stronger it could have been with a tighter focus.

Crimson Desert is an ambitious and visually impressive sandbox that excels in delivering exciting combat, player freedom, and a richly interactive, immersive world. Its bold vision and emphasis on exploration and player choice stand out as its greatest strengths, offering a unique and experimental experience with countless ways to approach the world. However, clunky mechanics, sometimes overwhelming systems, and a weaker narrative hold it back from greatness. While it may not satisfy those seeking a deep RPG or story-driven experience, it remains a rewarding adventure for players who highly value freedom and immersion, even if it won’t appeal to everyone.

Whether you’re revisiting the game from 2004 or you’re a young trainer who would like to know how the pinnacle of classic Pokémon plays like, FireRed or LeafGreen is the way to go. You’ll find them on the eShop for $20 each. The price is up for discussion, and I leave that up to you on some forum, but I do understand that the decision raises some eyebrows. The reason they’re not included in the NSO is probably because that system allows “rewinds and save states”. Something GameFreak isn’t keen on. And with the addition of the Pokémon Home compatibility, which will be able to receive Pokémon from these re-releases, it’s only fair. Home will probably be able to send Pokémon to the upcoming Pokémon Champions game, which will be a competitive game in the series, so I understand the fairness in teambuilding that is implied with this decision. Now we need Pokémon Emerald to complete the set of Advance games to fully explore the classic Pokémon feel.

Planet of Lana II stays true to its original vision while carefully expanding upon it. Instead of starting over, Wishfully tweaks it all while addressing critiques of the first game and delivering a more varied, more in-depth experience without sacrificing its familiarity and fitting charm. The added mobility, more layered puzzles, and greater variety in environments help the sequel feel more dynamic overall. Anyone who enjoys thoughtful platforming puzzles wrapped in a cinematic, emotionally driven story will find much to appreciate in Planet of Lana II.

Scott Pilgrim EX follows the beat ’em up genre without pushing its boundaries, and honestly, it doesn’t need to. Instead, it focuses on delivering exactly what fans want: fast-paced brawling, memorable characters, stylish pixel art, and a soundtrack that keeps the energy high from start to finish. There are a few rough edges, though, since some stages feel slightly longer than they need to be (especially with the quest directions being a bit ambiguous sometimes), and multiplayer combat can occasionally become visually overwhelming. But those issues rarely get in the way of the game’s core strengths. At its best, Scott Pilgrim EX captures the feeling of sitting on a couch with friends, controllers in hand, laughing at the ridiculous chaos unfolding on screen. And sometimes, that’s exactly the kind of game you need.

In the end, Duck Side of the Moon is one of those experiences that thrives on its identity. It knows exactly what it wants to be, a slightly odd but thoughtful collectathon with a duck in space, and it delivers on that vision without overcomplicating things. The combination of exploration, puzzle-solving, and understated storytelling creates a cohesive experience that’s easy to get lost in. There are moments where the pacing could feel a bit uneven, and the point-of-no-return system won’t be for everyone. But these are relatively minor bumps in an otherwise smooth journey. The game balances humor and sincerity successfully. It’s a rather complicated mix, but one that Duck Side of the Moon handles with surprising ease.

Minishoot’ Adventure offers a unique mix of twin-stick shooting and classic adventure that works surprisingly well. It doesn’t try to impress with visuals or complexity, but instead focuses on delivering a charming and rewarding experience. Some repetition holds it back slightly, but at its price, this is an adventure that’s absolutely worth your time.

In the end, the game succeeds in expanding the Greedfall universe with meaningful ideas and player agency, but it falls slightly short of its full potential due to a lack of polish and consistency in key areas.

Project Songbird starts off feeling like it could be a new entry in Life is Strange, but quickly takes a much darker turn, evolving into a focused and unsettling psychological horror experience. Over the course of its roughly 5–7 hour runtime, it delivers a journey that leans heavily on atmosphere, introspection, and a constant sense of unease...Fans of psychological horror will appreciate both the subtle and more direct nods to genre staples, while the game’s more personal themes help it carve out an identity of its own. It’s not without its rough edges, but Project Songbird still stands as an impressive achievement from Fyre Games… and a strong reminder of what a solo developer can deliver.

Rayman: 30th Anniversary Edition does Ubisoft’s old mascot proud. It is one of the most complete packages for those who want to revisit Rayman’s history. It includes five versions of the original title, extra levels, and a prototype. There is plenty of gameplay and even more time to spend with the character, especially if you watch the history documentary. It is a little strange, however, that Ubisoft didn’t include the complete original soundtrack for this game. On the plus side, though, a whole new generation can now discover Rayman and hopefully inspire a new release… For now, though, let’s keep our fingers crossed and enjoy our trip down memory lane.

Xenoblade Chronicles X is still a fantastic RPG, and the jump to 60fps on Switch 2 genuinely makes a huge difference. Sadly, the strange upscaling in handheld holds this version back from feeling truly definitive. Docked looks great, portable less so. With a patch, this could easily be fixed, but right now it feels like an upgrade with rough edges, and that’s a shame for a game this iconic.

Apopia: Sugar Coated Tale is a promising debut for Quillo Entertainment. The game looks and sounds great, and its hand-drawn art style makes it stand out from other indie games. While the initial story isn’t particularly original compared to other titles in the genre, its twists and turns become more creative and entertaining the further you progress in the game. That said, the minigames could have done with a bit more work and polish. This could be due to the long development cycle. However, a bit more focus on which minigames to include and how to present them would have elevated this title from good to great for me. If you want to experience Apopia for yourself, you can buy it on Steam for Mac and PC. There is even a demo that includes the prologue, so if you’re hesitant, you can see if the game satisfies your sweet tooth before buying it.

What ultimately defines The Prisoning: Fletcher’s Quest is its willingness to lean into the messy, unpredictable chaos of its themes. This is a game that thrives on unevenness, unfair boss fights, delightful absurdity, random map generation, and moments that make you throw your controller only to pick it up again with stubborn determination. It isn’t polished to a sheen, nor does it always feel fair, but it understands its own tone and purpose, and the developer acknowledges this throughout the game. Fletcher’s Quest is a game that feels like its own critique: uncomfortably familiar to anyone who’s lived through crunch, burned out, or felt their own creativity turn into an adversary. Well, hello, therapy and burnout, good to see you again, but gamified this time.

The Spell Brigade offers an interesting twist on the survivor-like genre. The more intricate map design combined with the quest system adds more strategy to runs, but the slow unlocking of these systems and the lack of enemy variety make the game sometimes feel repetitive. The safe choice to not deviate too much from genre staples also adds to this feeling. Multiplayer is fun, but the lack of synergy between players makes it feel like you are just playing next to each other instead of working together. The game can be used as a social experience when you and your friends love to play survivor-like games, but don’t expect any big changes to an already existing formula.

Ys X: Proud Nordics is an enhanced version of a good JRPG that could have elevated it to greatness, but it left me wanting more on some of the promises made. The story remains the game’s highlight, with intriguing plot development, great new characters and locations, and a dungeon as icing on the cake. However, the combat feels repetitive and button-mashy at times, so some new mechanics would have been welcome alongside the further skill mastery and mana hold. The graphics are also a mixed bag: the character design and cutscenes are great, but the muddy textures sometimes made me wonder if this was a current-gen game. This may be limited to the Switch 2 version that I played, but I think Ys X: Proud Nordics would have benefited from more development time and a longer break after the first game, which is still fresh in the minds of most fans.

Halfway through the game, I stopped comparing it to the big God of War entries and just let it be what it is; that helped a lot. Some fights could’ve hit harder. A few bosses are cool in the moment but don’t really stick. The map made me circle back more than once, wondering if I missed something obvious. And yet… I kept going. It’s not spectacular. It’s not one of those “you have to play this” entries in the franchise. But it’s a solid, surprisingly thoughtful Metroidvania with Kratos at the center, and once I met it on its own terms, I genuinely enjoyed my time with it.

Legacy of Kain: Defiance Remastered is a faithful and visually improved return to a cult classic that shines because of its storytelling and atmosphere rather than its gameplay. It is a remaster made for fans first, not a reinvention for a new generation.

If you’re buying a Switch 2 primarily for family play and social sessions, this is a top-tier pick. It’s one of those rare Nintendo titles that comfortably spans age groups: kids giggle and learn quickly; adults find the depth keeps giving. If you’re a competitive player, the ranked mode and crisp core mechanics offer a rewarding ladder to climb, though the lack of lab-grade analytics might push power users to third-party tools for deeper study. In short: Mario Tennis: Fever is easy to learn, hard to master, and, most importantly, built to be played with other people. It preserves Mario’s charm while delivering actual mechanical depth. Whether you want short bursts of chaotic couch fun with your kids, a mini-tournament with friends, or a longer grind in ranked matches, the game gives you all of it with Nintendo’s usual polish. It’s charmingly domestic, deceptively deep, and a multiplayer delight, making it a solid must-play this year. Just ask yourself this: Do I want to fork over 60-70 bucks for a tennis game? Because it’s still a tennis game, even though it’s one of the best tennis games Nintendo has ever put out.

Yakuza Kiwami 3 definitely succeeds in what it set out to do: bringing a beloved entry in the series to a new generation on the current systems while giving longtime fans a polished reason to revisit Kiryu’s story. The visual improvements, detailed recap system, and fluid/simple combat make the experience welcoming and entertaining, while the series’ signature blend of intense drama and absurd humor remains as charming as ever. At the same time, some elements, like the Dark Ties chapter and main character development, feel like missed opportunities to dig deeper into the emotional core of the story. Still, thanks to its engaging combat, memorable characters, and improved presentation, the remake stands as a solid entry in the franchise. It may not reach the heights of the very best Yakuza titles, but it’s a worthwhile journey for both newcomers and returning fans.

Mega Man Star Force Legacy Collection gives these games the second chance they deserved. The core gameplay still stands, and the added quality-of-life features make it easier to get into. It’s not perfect though, and some rough edges are still hard to ignore. A great collection for fans, but definitely not for everyone.