Some will find its look and concept tired and defunct, but slow paced strategy titles are still big business. If anything, it's good to have the choice of another franchise in English. It's just a shame that the potential for something great has been squandered by a lack of sheen.

A slight update to models and textures doesn’t solve Mafia 2’s myriad problems from a decade ago, nor justify a purchase if you don’t own it yet.

As enjoyable as Blacklight: Tango Down can be, more often than not the game struggles under its own limitations; it's near unplayable when frame rate drops kick in.

If we view Gibbous - A Cthulhu Adventure in the most “objective” terms, it technically gets things right. It looks stylish, it runs smoothly, and it doesn’t come with the bugs you’d expect from modern gaming. However, the details that make a game a hearty recommendation aren’t there. It’s got heart, the amount of care put into its art proves that. But an average story, simple puzzles and shaky voice acting makes for a game pleasant to view but not amazing to play. It can be an alright introduction to the genre for people who haven’t experienced old school adventure games and don’t want to use walkthroughs. Anyone else will find a title that’s pretty, fluid, and underwhelming.

If you're a Pirates of the Caribbean fan, have a friend, sibling or girlfriend to play it with and aren't yet burnt out on the LEGO series this might be one for you. Everyone else should probably think twice.

If you're a Pirates of the Caribbean fan, have a friend, sibling or girlfriend to play it with and aren't yet burnt out on the LEGO series this might be one for you. Everyone else should probably think twice.

The Park has solid atmosphere and pretty good scares, but it also has an unremarkable heroine and an inconsequential plot. It might be a decent curiosity if you’re looking purely for the video game equivalent of a haunted house, but its high price and short length make it difficult to recommend.

If you're a Pirates of the Caribbean fan, have a friend, sibling or girlfriend to play it with and aren't yet burnt out on the LEGO series this might be one for you. Everyone else should probably think twice.

A surprisingly inaccurate recreation of London ties into simplistic gameplay and terrible performance to create a deeply flawed and shallow game.

Ancient Enemy isn’t bad, and is one of the better ways you can reinvent Solitaire-esque games. But it is still a Solitaire-esque game, and that makes it hard to recommend to anyone who isn’t a fan of the genre. Add that with the resistances and inventory mechanics slowing down the game proper, and it’s a tough sell. If everything I mentioned here sounds appealing, give it a shot. Everyone else, proceed with caution.

Lethe’s story starts off as one thing and transitions into something different. It can be difficult to follow when you’re trying to figure out who’s voice you’re reading. But the atmosphere completely makes up for it in many ways, so if you choose to ignore the story, you might find the scary elements enjoyable. It’s not a revolutionary horror game and it might not scare diehard horror fans but there’s some fun to take away from this game.

Front Mission Evolved can sit well with mech game fans especially with its multiplayer. However as a third-person action shooter not very much stands out unless you quite enjoy boss battles with lots and lots of strafing, reloading, repairing and firing volley after volley of missiles, rockets and bullets.

Front Mission Evolved can sit well with mech game fans especially with its multiplayer. However as a third-person action shooter not very much stands out unless you quite enjoy boss battles with lots and lots of strafing, reloading, repairing and firing volley after volley of missiles, rockets and bullets.

Front Mission Evolved can sit well with mech game fans especially with its multiplayer. However as a third-person action shooter not very much stands out unless you quite enjoy boss battles with lots and lots of strafing, reloading, repairing and firing volley after volley of missiles, rockets and bullets.

If you are in the mood for a political strategy game and you are willing to put the time in, Political Animals will reward you with an in-depth turn-based game filled with backstabbing and bribery. It is blindingly obvious Political Animals has a lot to offer, it’s up to you to decide whether you want to invest your time learning how to play it.

Neverwinter is a polished, if uninspiring MMO. There's a welcome fluidity to combat, but it doesn't do anything innovative, taking the successes of Star Trek Online and implementing them in a D&D world, as well as borrowing from other post-World of Warcraft action-orientated MMOs. Ultimately, it'll live or die on the lasting success of The Foundry, which promises potentially unlimited creative content that will let you experience stories far beyond the cookie-cutter nature of the ones in the main storyline.

Reign isn't a bad game at all, and it's surprisingly well-balanced given the tremendous scope and ambition on show; but that's a breadth that comes at a price, as none of the various elements in your kingdom ever feels completely well realised, leading to a lack of personality and ultimately forgoing that familiar Civdrive to play long into the night. If you want to test your management skills in one of the deepest strategy games of the year however, delve right in.

Cossacks 3 is extremely ambitious in its offerings and they mostly look good on paper, but when it comes time to deliver, it collapses under the weight of its own promises.

We're off the opinion that the worst that can happen to a game is it being uninspiring – Northern Crusades isn't a bad game, but neither is it a particularly good game. It simply is and it's hard to give a passionate answer either way as to whether it's worth your time.

I wanted to like Hegemony III but it was just too frustrating. The combat works exactly as I like it to with lots of options, and I love the diplomacy aspects, but there’s just too much here that sapped my enjoyment.

If you're likely to be playing without kids, you're not going to be hooked by this loosely connected mini-game compendium and should deduct a point.

Mad Max is a decent if, uninspiring time waster.

While I consider myself a veteran of strategic RPGs, frequently I found myself frustrated by Aarklash and annoyed by the lack of depth to many of the systems that support the combat - looting and equipping characters has ever felt so much like a chore, while the puzzles you'll face are an unwelcome obstacle, lacking entirely in originality or ingenuity.

All-in-all, the game can be a lot of fun, but basic gameplay controls and mechanics stifle its ability to really make a lasting impact on you other than one of untimely-rage quitting and frustration.

For all its Bioshock-inspired environments Dead Money falls short delivering on its premise. At 800 points for an eight-hour adventure it's certainly value for money but when the quantity far outweighs the quality then this is one adventure you can miss.

Kingdoms of Amalur was one of the most underrated games of the previous decade and its return will make that pretty clear to some players. However, the remastering of this borderline classic is hamstrung by a 2012 inventory and menu system, a 2012 user interface, and 2012 icons and health bar. That being said, the updated environments, characters, and other elements do look great and the actual gameplay is superb. However, it feels like a wasted opportunity that THQ Nordic didn’t spend the time to bring those lagging elements into 2020 along with the rest of the facelift.

It’s essentially an enhanced remake of the original with new 3D graphics applied. There’ll be a certain feeling of monotony when playing through the title, so players shouldn’t expect a fantastical time that revolutionizes the genre.

The Girl and the Robot’s interesting take on conveying a fairy-tale narrative is unique and it sits neatly alongside the platform and puzzle-based conundrums that make up the game’s duration. That said, the poorly implemented combat system and a distinct lack of polish both drag The Girl and the Robot far beneath the lofty standard for which it aims.