There is light that developer Deck Nine just never allows darkness to touch, and there is joy to be had in being able to play some small part in making sure they all do better. But the disconnect between that vibe and the turmoil that brought Alex here to begin with is tangible, and the game would achieve brilliance if those two concerns could connect. Dropping by Haven Springs is still time well-spent--but it's simply a pleasant visit, rather than a powerful, emotionally resonant one.

On its own merits, this expansion is a reasonably good deal, but it's best suited for the hard-core Disciples II fan who wishes to play every single official scenario for the game.

Little Nightmares II is a delightfully spooky foray into a horrifyingly gorgeous world. It's also a bit too long, occasionally frustrating and, in one key moment, inaccessible for players who are deaf or hard-of-hearing. But, overall, it represents a successful follow-up from Tarsier. With inventive puzzle design and some startlingly original levels, it isn't quite a dream come true, but it certainly won't have you waking up, bolt upright, screaming, in a cold sweat.

Criticizing Stalker 2's technical issues is tough, simply because it's astounding that GSC managed to launch the game in the first place. Admittedly, this made it easier for me to overlook some of its irritating quirks, particularly when they weren't egregiously crashing the game. Yet even this might not have been the case if it also weren't an engrossing game. Stalker 2 is notably flawed in a few areas, yet these shortcomings tend to dissipate when a compelling, non-linear quest goes awry thanks to an unforeseen element forcing you into a frantic shootout. This unpredictability and the way its various systems interact to create anomalous stories sets Stalker 2 apart. Throw in a beguiling world and the fascinating mysteries hidden within, and it's difficult not to fall under its enticing spell.

The beauty of Kalimba is in its high replay value, even more so than the gratification of solving its platforming puzzles.

Though I did eventually grow bored of its puzzles, I never tired of Samorost 3's world. Added mechanical depth and variety would have certainly made the game richer, but every subtle visual detail, every lingering musical note, every delightful interaction coalesces into a truly special world that makes Samorost 3 worthwhile nonetheless.

Brutal Legend's heavy metal take on real-time strategy makes a solid transition to the PC, though playing with a controller is still the way to go.

I was consistently wowed by the movement and everything that comes with it, so while it's a disappointing action game, it works wonderfully as a platformer, puzzler, and racing game. And for that reason, I can't wait to keep playing.

High On Life is, in its own weird way, a take on what a modern Metroid Prime game could be, through the lens of Justin Roiland's comedy antics. There's a similar sense of exploration mixed with fast-paced moments of combat, only here it's also swelling with expletive-laden jokes and sometimes incoherent rambling. The story, off-beat as it may be, is told incredibly well, with characters and moments I'll be referencing for a while. Even if you're not a fan of the kind of humor High On Life presents, the game that's here is worth the trip.

Those with few qualms about duration will find a game made with evident love and affection for both the source material and the moment in time it was released. Its music is excellent--with perhaps the best rendition of the Terminator 2 theme to date--aiding the game's visuals in its mission to transport you back to a time when blowing into cartridges and inserting coins were the norm. Whether it's the T-1000's haunting fluidity of movement, Sarah Connor's one-armed reloading of a pump action shotgun, or the way the T-800 clambers onto the hood of a semi-truck to unload an entire magazine into its windshield, Terminator 2D: No Fate recreates the movie's most memorable moments with pitch-perfect authenticity. It's a shame it ends far too soon, but this is still the definitive Terminator 2 video game.

Little Nightmares II is a delightfully spooky foray into a horrifyingly gorgeous world. It's also a bit too long, occasionally frustrating and, in one key moment, inaccessible for players who are deaf or hard-of-hearing. But, overall, it represents a successful follow-up from Tarsier. With inventive puzzle design and some startlingly original levels, it isn't quite a dream come true, but it certainly won't have you waking up, bolt upright, screaming, in a cold sweat.

Ziggurat can be completed in just over an hour, but it's unlikely you will stop there. The game is challenging, engaging, and a whole lot of fun, despite its problems.

Although those willing to grind for everything will eventually get rewarded, the system of VC still comes off as exploitative. But there's a lot of fun to be had in NBA 2K19 despite its flaws, especially if you have a strong love for the sport.

Mega Man 11 is a good action game that you can easily identify with, but it's far too uneven and bumpy to hold up against some of the best installments in the venerable franchise.

Little Nightmares II is a delightfully spooky foray into a horrifyingly gorgeous world. It's also a bit too long, occasionally frustrating and, in one key moment, inaccessible for players who are deaf or hard-of-hearing. But, overall, it represents a successful follow-up from Tarsier. With inventive puzzle design and some startlingly original levels, it isn't quite a dream come true, but it certainly won't have you waking up, bolt upright, screaming, in a cold sweat.

Metal Slug Tactics does an excellent job of capturing the look and feel of Metal Slug and reimagining it as a turn-based strategy roguelite. The way its strategic elements combine adrenaline-fueled abilities and sync attacks makes for exciting combat that feels smart. It's too bad that a successful run is so reliant on luck, whether it's a favorable mix of missions or the right rewards and upgrades dropping. That, and the uncomfortably outdated enemy designs, are unforced errors that limit the advance of this otherwise capable army.

It's not a perfect party by any means, but some good design considerations, better-than-average variety, and always-enjoyable Mario thematics put Mario Party: Island Tour a few notches above your average video game bash-in-a-box.

The Musou games have been on an upward trajectory ever since Omega Force stepped outside of its Dynasty comfort zone. This, along with the recent releases, has shown a stronger willingness to embrace the unique mechanics of the franchises it is borrowing from and Three Hopes is one of the strongest examples yet. The repetitive and sometimes frustrating combat, however, is what makes up the majority of the experience. Even with improvements, the base idea behind the combat still loses its luster quickly. If you squint, though, you arrive at something closer to a Fire Emblem: Three Houses extension as opposed to a licensed spin-off hoping to cash in on recognizable characters and locations, which is a good place to be.

Despite some flaws, Aragorn's Quest is an engaging adventure across a well-realized version of Middle-earth.

Guitar Hero III delivers the rock to PC owners, but it does it with the performance capability of a second-rate bar band.

Pro Evolution Soccer returns for a third PSP outing, and though it still plays a good game of football, it offers relatively few new tricks.

Despite the weak connective tissue that ties it all together, The Final Station leaves a positive impression. There are numerous dark and dreamy settings to discover--crumbling, dimly lit caverns, old train tunnels, vividly snowy villages, and flooded towns filled with corpses and garbage floating in water--and almost every encounter forces you to develop and execute a viable strategy, lest you shoot from the hip and end up as zombie food when your ammo runs out.

Even with these issues, it just feels good to see Mega Man back in action, and Mega Man 11 will hopefully be the start of many new robotic adventures to come.

Most of Super Mario Party's varied assortment of 80 minigames are fun, especially if you've got a full group of four players, as the NPCs aren't smart or skilled enough to pose much of a challenge until you unlock Master difficulty. The new Partner Party, River Survival, and Sound Stage modes add enjoyable alternatives to Mario Party mode--which at least returns to its competitive roots.

Birth By Sleep: A Fragmentary Passage might be short, but it's a beautiful, entertaining episode that fills in some gaps in the lore. Kingdom Hearts: Dream Drop Distance retains a lot of the fun that made it so popular on the 3DS, even if its Drop system grows tedious. And for all of its comparative drudgery, Kingdom Hearts x Back Cover is at least visually appealing. It might be an overall confusing entry for newcomers to the series, but on the whole, Kingdom Hearts HD 2.8: Final Chapter Prologue indicates that we have much to look forward to in the long-overdue Kingdom Hearts III.

Does a competent job of letting you sing a bunch of songs and occasionally earn points doing so.

Despite some drawbacks, this satisfying adventure is just what you'd want from a Ghostbusters game: it's funny and it's fun.

Even though the plot devolves into a trope-filled sludge pool by the end, I don’t feel like Scarlet Nexus was a waste of time. Yes, the excitement of combat begins to taper off towards the end of Scarlet Nexus’s twenty-odd-hour runtime--and the areas in the final stretch of the game feel overly long--but I had a good deal of fun mixing up my SAS abilities, crushing enemies in my Brain Field, and watching my team have a video game tournament at our base to settle an argument over living space boundaries. It might not be a new pinnacle of action-game storytelling, but Scarlet Nexus is still plenty of fun in the right places.