It’s a gorgeous game in a simple yet enchanting package, but it’s just a shame that as you unwrap it and delve deeper into its core, you’re left with little but frustration and disdain.

Mitsurugi Kamui Hikae has the potential to be an enjoyable title if you learn to master its combat system, making use of all the moves on offer.

I couldn’t feel particularly satisfied when the credits rolled. The Council had a great deal of potential, but ultimately, the final package ended up being rather disappointing.

The game is slow moving, bland at times, and a bit forgettable. It’s unfortunate that its best moments are towards the end of the game because most players won’t make it that far.

It’s a shame that Gone Home is a bit of a non-starter. It has a lot of potential; the game is genuinely captivating whilst you’re playing it – it’s just unfortunate that it leaves you so disappointed once you’ve reached its conclusion. The human story it tries to tell is relatable, but it’s a story that’s so ordinary it’s barely even worth telling. By all means, play Gone Home for the exploration; for the 90’s nostalgia and for its down-to-Earth quirks, but don’t go into it expecting anything mindblowing. Expect a grounded story about a typical family and you won’t be disappointed, but anything else will leave you feeling rather underwhelmed.

Double Dragon is back, and it looks better than ever. Good looks and more freedom when it comes to movement doesn't translate to a game that's more fun to play, however, with the combat of Double Dragon Revive feeling rather clunky. And so, while it isn't a bad game by any means, it's simply not as enjoyable as it should be.

Cygni: All Guns Blazing is the best-looking shoot 'em up out there, and along with its epic soundtrack, it's a treat for the eyes and ears. But a number of issues, such as its stages being too long and the screen often being simply too busy, mean that it doesn't fulfil its potential.

The core of it is basic but solid. Ultimately, though, it’s let down by League mode which becomes a repetitive slog way too quickly. It’s also disappointing that you can’t easily party up with friends in any mode other than Versus, where you’re stuck fighting against each other or the CPU. If you find solace in repetition, or have a group of friends that regularly get together and would enjoy some mech-based mayhem, definitely consider picking it up. Otherwise, you might want to give it a miss and see if it’s improved further down the line.

Perhaps even worse is that Lost Sphear doesn’t have much to say, other than how remembering our past is just as important as enjoying the present. I love Tokyo RPG Factory’s admiration of the past, but Lost Sphear offers little for both longtime fans of the genre and casual passersby.

If you’re hankering for a new kart racing game, DreamWorks All-Star Kart Racing will do the job. It’s a solid enough game, offering a good selection of unique tracks and some much-loved characters. There’s plenty of single-player content to keep you busy too, and split screen play is always entertaining if you have a couple of friends to hand. But like any karting game, the on-track action is often too frustrating to be fun, and I’m not getting over the criminally bad voice acting any time soon.

It’s a responsive, smooth experience, but Ancient Amuletor lacks the depth it needs to be a truly worthwhile PSVR title.

Trails of Cold Steel looks very nice indeed thanks to its colourful and well-designed character and enemy models as well as a consistently smooth framerate, although you can’t say that it makes the most of the handhelds power.

For those that eke fun out of balancing profits against supply and demand and don’t mind a bit of repetitive click-work, then Weedcraft Inc may well be engaging enough. But for everyone else, its divisive subject matter is mostly wasted on dull gameplay mechanics, so if you were hoping for an engaging and edgy management sim, you’re still better off looking elsewhere.

With a running time of five hours or less, Silver Chains provides an evening’s worth of entertainment for those seeking ample scares and little more. That is to say that it’s enjoyable, but not exactly rememberable. It stands out as one of the best indie-developed post-P.T. horrors, but as the credits roll you’ll still be lamenting the loss of Kojima’s potential horror masterpiece. At least Silver Chains is a complete game, however, available at a price that won’t send shivers down your spine.

Loading Human is definitely worth a look, as it does offer something unique and the story is certainly intriguing, but it remains a long way from being a must-buy – at least until its inexplicably unreasonable price drops.

Its beautiful visuals and flourishes of gameplay ingenuity are hampered by bugs, combat that doesn’t excite, and what often feels like an unfair level of difficulty.

Aerea‘s story is great, the concept is lovely, but the execution doesn’t hit the right note. It’s colourful, full of bombastic music and character, but lacks depth and fluid gameplay mechanics.

It’s a shame that the bulk of Azkend 2 is hampered by a lacklustre story that feels unnecessary and cumbersome. The actual match-three gameplay is enjoyable, and the mixture of gameplay types on offer add a unique spin on an otherwise tired and overdone genre.

While Fishing Sim World hasn’t got me hooked for the long term, I can see myself biting and going back for more from time to time.

It’s too bad that its production values and general lack of polish keep it from ever achieving a proper moment of emotional transcendence… [but] there’s enough earnest desire to show you the world through a glass darkly that We Are Chicago isn’t without value.

Control issues and poor pacing will turn off some players before the game truly hits its stride, but those who persist will find an experience that has cavernous depth.

I just wish it tried less hard to be funny and more hard to be fun.

Autopsy Simulator is a realistic exploration of the work of a pathologist, with horror elements thrown in. But, as gorgeously gruesome as its graphics are, it's seriously held back by the amount of hand-holding, robbing you of any real decision-making.

It’s a lovely looking game, but The Falconeer just doesn’t entertain like it should. From its repetitive missions to its story that you’ll quickly stop caring about, it fails to capture your attention in the long term, while occasional frustration in combat puts a bit of a downer on the gameplay. Just flying around in its world can be quite a calming experience though. Silver linings and all that.

Different Cloth’s Drive!Drive!Drive! is ambitious and could have been great. Instead, it is a decent entry that could, maybe, be a solid launching pad for future sequels.

If you’re the patient sort, chances are you’ll have a good time with Balan Wonderworld overall. Costume management is clunky, but you’ll deal with it in order to find the secrets hidden within each world, and you won’t be too perturbed by the eagerly respawning enemies and repetitive Balan Bout sequences. For most players though, everything combined will probably prove to be a little too much. Balan Wonderworld is a game that’s capable of bringing out both delight and dismay in its players, though it serves up a little too much of the latter at times to be easily recommended.

It’s just a shame that gameplay quickly gets repetitive; with a bit more variety, Saturday Morning RPG could have been a stand-out title.

While the core gameplay of Redout 2 is solid, the difficulty spikes will suck much of the fun out of the experience for some. And while steadily developing your ship helps players adjust to the increase in speed over the course of the career, it’s a strange and unfortunate choice to not offer a range of starting craft, tuned to multiple play styles. With a bit of work, then, Redout 2 could really stand out in the anti-gravity racer genre. But until then, it’s hard to recommend to all but the brave and the hardcore.