A fast-paced, relentlessly brutal, and visually vibrant shooter that excels in diversity while occasionally succumbing to its inherent repetitiveness. With its wide arsenal of combat skeletons and a plethora of perks to mix and match, this cyberpunk dream demands constant adaptation. Before the looming specter of monotony takes hold, it offers countless hours of exhilarating entertainment.

Moving Out 2 doesn't try to reinvent the wheel (or the couch, fridge, or wardrobe, for that matter), but it confidently enters the relatively niche realm of physics-based couch co-op games. Unlike its characters, it stands on solid ground, delivering hours of fun within masterfully designed levels. However, it's worth noting that not all of its content may suit your preferences, potentially causing frustration rather than enjoyment. In such cases, you can take advantage of its numerous accessibility options to tailor the challenge to your desired level of fun.

Despite a few awkward design choices, Immortals of Aveum remains a fundamentally enjoyable shooter. Its captivating environment, intriguing setting, engaging exploration, and appealing music all contribute to its charm. However, the journey to reach the top ranks is marred by its disappointing framerate, numerous bugs, and the game's tendency to play it overly safe.

Had it not been for the initial instability during its release and the somewhat less seamless dimension transitions compared to the PS5 version, I would unquestionably give it a perfect score. Nevertheless, I sincerely hope that every PC gamer gets the chance to enjoy this thrilling joy ride.

Gord had the potential to be an enjoyable survival builder, but alas, it fell short in several key areas. Its narrative was lacking, gameplay felt repetitive, and the choices offered often seemed devoid of meaning. As a player, you found yourself excessively concerned with tasks that were typically automated in other games. Perhaps the most captivating aspect of Gord was its folklore, yet regrettably, the campaign failed to fully explore and leverage this rich narrative backdrop.

Starfield is an unrivaled large and comprehensive space opera. Although it plays too much like Bethesda's previous games and the exploration of the planets is boring, it entertains with interesting stories and looks truly otherworldly.

Classic RPG done to perfection. Greatly written, full of living characters, incredibly free, supported by excellent mechanics taken from Dungeons & Dragons. Sometimes it throws too much at you, other times it doesn't quite keep up, but even so it's a groundbreaking, unforgettable success and a definite candidate for game of the year.

Gylt is a horror game for kids - sometimes too much horror, sometimes too much for kids. It borrows plenty of ideas from its predecessors and combines them into something that certainly isn’t in any way original, but it is at least fun. It’s also pleasingly short.

A brilliant story-driven adventure bordering on a visual novel. It’s excellent at setting up its world and characters, the mysteries are compelling, the voice acting very good and the story explodes into a stunning finale. But it’s also a very repetitive game which doesn’t respect the player’s time. And there are a few too many sexual innuendos.

A stark reminder of the fact that this genre has been standing still for the last 20 years. Are you tired of all the Animal Crossings and Stardew Valleys? You’re not going to find anything new here. Otherwise, welcome to the farm!

A sci-fi adventure in which you’re trying to find an alien substance on seemingly abandoned planets. The graphics are amazing, as is the soundtrack and the atmosphere. The puzzles feel akin to escape room games, varied and interactive. And there’s even some shooting!

Darkest Dungeon 2 is so different from its predecessor. A true roguelike with only one significant problem: The creators should learn how to explain things better. It’s also rather long for the content it provides. But the combat is great, the graphics beautiful, the narrator splendid.

A complex, rich game full of secrets and the joy of their discovery. It offers freedom, replayability, difficult yet engaging combat. The passive skills aren’t great and enemies appearing behind your back can get annoying, but there’s only one true drawback: poor optimization.

Pretty colours, smell of spice, they couldn’t dull my senses enough to not notice all of Venba’s imperfections. The characters aren’t very nice, the conversations tend to say nothing of substance, the story never reaches the required depths. But it’s short enough for it to be a cute visit of Indian culture and cuisine.

Dave the Diver is a surprisingly excellent game. Its beautiful pixel art is joined by plenty of activities, not very deep, but fun all the same. The weird underwater world is charming and invites discovery. The characters are interesting, with memorable quests. The tempo is a bit unequal sometimes, but the game offers plenty of content nonetheless.

A school building simulator made with love and care. Its state at launch isn’t the best, however, and several aspects could’ve been deeper. Also, people looking for a challenge will leave disappointed. But the combination of fun building, charming atmosphere and adequately complex management is nice enough.

This interactive musical might seem to be just another visual novel, but that’s simply not true. It will amaze you not only through its brilliantly written characters with whom you’ll share both laugher and tears, but also through great voice acting and singing thanks to its stellar cast. The main draw is its system of interactive songs with many different variations including various genres and moods.

Blasphemous 2 has everything a proper metroidvania should have and plenty more besides. It’s properly difficult, it boasts wondrous exploration, epic bossfights and an imaginative world. So it doesn’t really matter that it’s not very different from the previous instalment.

The perfect specimen of its genre and its current undisputed king. Confident, expertly designed, beautiful and without weak points - and it implements elements of other genres in order to advance its own.

Atlas Fallen is a game from another era, and it lacks a more expressive face and more ideas to succeed. Nevertheless, it at least offers fun fights and pleasant movement around the world. But it's a bit low from experienced developers.

Bum Simulator advertised itself as something akin to a homeless person GTA, but it’s just an unoriginal, stupid game with an identity crisis, incapable of utilizing its own systems, lacking in fun and quality. There are zero reasons to spend money on this.

Dordogne is a warm, colorful game, able to send you back to your childhood years. It tells of two contrasting worlds, looking for similarities between them. The ending of the story doesn’t connect quite in the way it should, but the experience as a whole is deeply emotional and truly worth your time.

There are certainly things to enjoy in this redone version of Layers of Fear, especially its visuals and carefully constructed psychological horror elements, perfect for players willing to look for hidden connections. Its attempts to scare you fall a bit flat, however. But while the overall story of the writer is deeply disappointing, the new depressing episode, The Final Notice, is capable of true emotional destruction.

Masterplan Tycoon takes the complex automation processes from other games and minimalizes them which makes the whole experience more streamlined, accessible and dependent on your own imagination. It’s an engaging puzzle, trying to connect everything to everything else without it getting in the way. And to see the seemingly incomprehensible chains pop up beneath your hands produces a feeling of true satisfaction.

Park Beyond will certainly provide you with a few fun evenings full of crazy construction shenanigans. It’s a relaxing game and lets you be creative, more so than some of its competitors, games which concern themselves with such silly concepts as physics and its laws. But apart from that, Park Beyond doesn’t really offer anything extra. There’s not much content and the game doesn’t really feel completely finished.

Make no mistake, these bikes look great and it’s quite fun to ride them, if you can get used to the strange physics. But then you’re going to start noticing things, unfinished and unpolished, such as the environment around the track. This shouldn’t happen to a yearly franchise.

It might not look that way at first glance but this is the best Alien game in many years. It’s a strange mixture of ideas which perhaps shouldn’t work together as well as they do. We’d certainly welcome a sequel.

Farming Simulator 23 doesn’t build at all on last year’s predecessor. On the contrary, it lost many features and fans of the series should steer well clear of this. Yes, you can farm while you’re travelling, but why would you do that when the downsides are so many? It could perhaps work as a good entry point, but in that case it probably shouldn’t be so ugly.