Kandagawa Jet Girls completely misses the marks that this niche expects from its games. Even if the toned down fanservice is a ploy to bring in more general gamers, the weak racing mechanics aren’t going to keep them around for long. Give this one a pass.

The Dark Crystal: Age of Resistance Tactics brings back a beloved favorite in a reimagined way while also introducing a classic to a new audience. It celebrates the creative creatures we were introduced to in the Netflix series without feeling like a product-placement. If you’re looking for an introduction into tactics-style games and already love the world of The Dark Crystal this game is definitely worth checking out.

The game that we ended up with is one that will sate the appetite of fans of the original, while also likely irritating the many that are interested in the multiplayer component. The online multiplayer feels very much tacked on and could have used more time to make the experience more friendly. Hopefully they’re able to make adjustments post-launch. Ultimately, Final Fantasy Crystal Chronicles Remastered Edition is a game that, mechanically, shows its age, and even its newest features don’t feel quite as modernized as they probably should. By that rationale though, maybe the game will end up being exactly what you remember it as.

South Park: Snow Day!’s most prominent issue is one of fundamentals. The game’s namesake is very much intact and handled exactly in the way you would hope as a fan of the show, but the meat and potatoes of the actual gameplay leave much to be desired. Its humorous, surprisingly robust roguelike elements and attention paid to its source material simply aren’t enough to offset the detriment its simplistic combat and repetitive structure.

Overall, Crown Wars: The Black Prince is a pretty solid experience with a few stumbles. It is definitely a worthy title especially considering it’s not from the likes of Nintendo or Square Enix, and I think anyone who considers themselves a fan of the genre can find themselves a pretty enjoyable tactical RPG. Further other people may also enjoy the game thanks to its historical inspiration, which reflects a team with strong attention to detail.

The game isn’t terrible, but it’s a bit forgettable. It comes out on the right side wherein you can have some fun with it, especially if you really like strategy games, but it doesn’t really feel like it works very hard to do more than just be good enough. If you’re in the mood for a strategy game but don’t want quite so much strategy, it’ll fill you up, but it’s not going to delight you in the process.

In conclusion, save your money, or simply buy the mobile version of this game if you’re looking to give it a try. There are some missing events and illustrations, but it’s cheaper and almost exactly the same otherwise.

There are good bones here, and ones that could easily lead to a strong title were they to get beefed up over the course of balancing and patching the game. With things as they are, however, Foamstars just doesn’t make as large of a splash as it needs to.

Equal parts missed opportunity and failed return, Gungrave G.O.R.E‘s high aspirations are often met with the harsh reality of how messy it ultimately became. Even the notable names attached to this comeback couldn’t save it from the mindless, frustrating, and tedious mess this game is. The best-case scenario for this game is someone curiously downloading this on Game Pass, playing for an hour or two, and deleting it shortly after. Some things should just stay buried.

At the end of the day I just can’t really recommend Tears of Avia to anyone else. Not being terrible is not the same as actually being good, and while I understand that this was made with love, it is ultimately a love that has little to nothing to add to the genre aside from being more of it.

Nearly everything about Neputnia Virtual Stars just feels like half-assed fanservice for the sake of fanservice. The gameplay – while somewhat competent – feels undercooked, the story is flat out boring, and the presentation doesn’t do much to salvage the first two. The inclusion of VTuber content is dim bright spot, but it’s not bright enough to bring this game up to any sort of recommendation. Prospective players should just skip this one, and Neptunia fans deserve better than this disappointment.

If this game cooked for another six months to a year, the devs could take it beyond just having the basics to being something truly special. But as it stands right now, this game does not really offer enough satisfaction and enjoyment to be worth its asking price.

After so many Dragon Ball games repeating the same story arcs and putting players in control of the same characters, it’s a fun and refreshing experience (at first) to see what events on the scale of Dragon Ball Z would feel like from the perspective of a regular joe shmoe on the street. It’s a novel enough concept that makes for some great fun in the first few days of play, but it doesn’t take much longer for the cracks to start showing. This take on the asymmetrical multiplayer genre makes sense and there’s some appreciable execution outside of it simply being a Dragon Ball game, but it’s hard to see The Breakers really grabbing players thanks to its dearth of content, multiple grinds, and matches that start to feel a bit too familiar once you get past the new player experience.

It’s difficult to recommend on a story basis thanks to its generic narrative, and even harder to recommend on a gameplay basis thanks to the slew of glitches, loose controls, and boring progression. With more time and refinement, Blackwind could very well have been an enjoyable experience, but alas, it didn’t seem to be written in the stars.

I wouldn’t go as far as to say that Foreclosed is a complete waste of effort to play. It’s clear the developers were trying to make something cool here, but whether you’re looking for a third person shooter, a cyberpunk game, or a story-heavy game, your time would almost assuredly be better spent elsewhere. Every system presented to the player works on a functional level, but their implementation simply isn’t up to par with what’s required to make an engaging video game—even one that’s only about four hours long—and this culminates in an experience that ends up being more half-baked than hard-boiled.

It’s a very level game—enjoyable at first, but not very exciting after you’ve spent several hours with it. When you combine this with its emphasis on replayability over length and a paucity of mechanical revision, you get a lacking game with a highly contradictory price tag. These drawbacks are hefty, and they cause 2023’s Colossal Cave to be a difficult recommendation for those who aren’t already enamored with its text adventure roots.

If you’re really desperate to get inside a virtual aircraft and experience passenger flight again, I’m not going to stop you. But even with Bacronym accurately depicting what happens on any given flight, the appeal is going to be limited. I’m really hoping that additional content is coming for this game. Mostly because this is a passing curiosity at best, and a nose-pickingly boring experience at worst. Wait for a sale if it piques your interest, but avoid it otherwise.

I think if you’re a fan of the Hyperdimension Neptunia series and just want to see more of the characters and play an easy action game without using much brain power, this may satisfy that itch. But for those looking for more out of the titles they choose to spend $40 on, this three-hour escapade may not be for you.

Alas, poor Strobophagia. You look really good. You have some promise. But you are, at the end of the day, just lacking the meat you really need to be worth an unqualified recommendation. I don’t really dislike this game, on a whole. While it’s a wispy sort of thing, it’s clear that the developers had ambitions, and you can see the places at the corners where the ambition starts to creep in and almost promise to elevate the proceedings. It’s just that each time that happens, all you get is that hint, that idea faintly expressed until you just sigh and go about your business. So the score I’m giving this game is on the high end of that same number… but ultimately, it’s a game I can’t really recommend to a lot of people. For all the neat ideas at play and the interesting visuals, it never quite has enough meat on its bones. There’s just not enough to rave about here.

The game is wonderful artistically, but it just has far too many problems right now to recommend. The developers, Gato Studio, seem to recognize this and are preparing updates, but once again I find myself reminding game studios how badly things can go if you release something before it is ready. It is really hard to gain back the trust of players after you lose it.

Tedious amounts of fetch quests, clunky controls, sloppy presentation/execution, outdated visuals, and a mediocre soundtrack are really hard things to ignore, especially when considering the $29.99 price point. All in all, I’ve heard a lot about SWERY’s games and was looking forward to this experience, so it’s a bummer it fell short.

Demon Skin definitely needed a lot more work. It’s a buggy mess and a number of features mentioned in the help section or announcement trailers are just straight up missing. At its core, it has a plot they seem to be trying to do something original with, and a combat system that makes blocking more engaging. They could have done so much more, but at the end of the day I cannot recommend getting this.

Ultimately it’s just a tedious, scowling experience substituting actual improvement for growling noises and the occasional neon sign. And that’s disappointing.

One would hope this monumental shortcoming can be fixed with a patch, but as it stands, this port of Panorama Cotton—a blast of a game in its original form—is a nonstarter.

It’s not only the kind of game that you can finish in an afternoon, it’s also the kind that doesn’t leave much of an impression on you after the fact. While it’s able to roll down the road, it’s doing so holding things together with zip ties and a dream. It’s the kind of hot mess where the best experience would be to just give the album a listen on Spotify, because everything else just doesn’t do it justice.

Every minute I played this game was just a reminder that I still need to play through the updated classic, Metroid Prime Remastered (I’ve just been too busy!). While I simply can’t recommend this game even to the most forgiving fans of the genre it so badly wants to be a part of, if you want to put “metroidvania” and “first-person” together, there really is nothing better than the Metroid Prime series. Go play those instead of this.

I’ll be honest, this doesn’t feel like something that should have been released yet. It feels more like an early build of a game still in development. The visuals need some polish, combat needs larger hit detection for melee and dodging…it really needs a lot more love. At the same time, it’s clear heart was put into this. A lot of the things I find frustrating, I can see how they’d be fun with some minor adjustments. With some more work I’d call it a decent indie title, but as it currently stands, I’d look elsewhere for your Touhou fix.

Infinite would be an easy [70]…if parts of its platforming engine, parts that are mandatory to complete the game, didn’t rely on a coin-flip to determine whether they would actually work or not. With important functions being so obviously broken, I can’t in good faith give out anything more than a middling score.