Quotation forthcoming.

Quotation forthcoming.

Quotation forthcoming.

Quotation forthcoming.

Quotation forthcoming.

Quotation forthcoming.

Quotation forthcoming.

Quotation forthcoming.

Quotation forthcoming.

Quotation forthcoming.

Seven mini-games is not much.

Quotation forthcoming.

Quotation forthcoming.

Quotation forthcoming.

Possessor(s) betrays Heart Machine's experience with amateurish flaws, ranging from unpleasant controls to a very unremarkable metroidvania level structure. Ultimately feels like a first draft with good intentions and absolutely stellar artworks interspersed throughout.

Quotation forthcoming.

Quotation forthcoming.

Quotation forthcoming.

Call of Duty : Black Ops 7 walked into Battlefield 6's release like Sideshow Bob walking into a comically big rake. From a disastrous coop campaign to an overly-complex zombie mode, this is probably the worst main episode ever released, feeling like a 2010's parody of Call of Duty.

Inspired by Professor Layton, Frogwares delivers here a substitute which lacks creativity and temper.

The sweet nostalgic feeling of Splatterhouse gives way to disappointment as the game had obviously been dash off.

Sonic Free Rider aims those who are the most dedicated and aren't afraid to see all their efforts leading to nothing. Indeed, this game got nothing else new than a high level of frustration.

Quotation forthcoming.

Dance Evolution is pretty much the anti-Dance Central : a game thought for advanced dancers, with on one hand a playlist aimed to those who are accustomed to the franchise, and on the other hand many issues that make it more frustrating than fun.

Quotation forthcoming.

Quotation forthcoming.

Code Vein 2 is a textbook example. It's a testament to a glaring lack of inspiration, revealing, if any further proof were needed, the utter emptiness of a work that merely copies without ever daring to be original. Uninspired assemblage is the hallmark of a creative who doesn't know how to create. And one is led to wonder how Code Vein 2 even exists: limited in its narrative (as abstruse as can be), in its gameplay (completely devoid of any real feeling), in its structure (why open up a world only to close it off in its possibilities?), and even in its art direction (all the clichés are there), it's nothing more than a collection of ideas that sound good but struggle to generate interest from the very first minutes. And this continues right up to its inevitable conclusion, which, in the context of this review, proved to offer a far greater sense of liberation than that of having defeated a challenging enemy.

Quotation forthcoming.