Tomodachi Life: Living the Dream's gameplay isn't meaty enough, and it's disappointing that there are some features missing that were present in the 3DS version, like the Concert Hall. But the game is undeniably bursting with charm and is a decent distraction for a little while. Playing it in short bursts is the ideal experience, and while I don't feel the same kind of pull to never stop playing like I do with more well-rounded cozy games, I still plan on checking in on my Miis from time to time. $60 is too steep of an asking price for what's on offer, though.

Pokemon Champions is easier to tolerate because its monetization model doesn't seem to be predatory or egregious, like what we see with many other free-to-play games. It delivers fun Pokemon battles that look great, but the game's biggest issue is the lack of content. Anyone that needs a little more than endless Pokemon battles isn't going to get a lot out of Pokemon Champions, but at least those that do decide to play it regularly won't have to break the bank to enjoy it.

Pragmata certainly starts strong, but it doesn't have quite enough to stay completely engaging all the way to the end credits. It's a highly-polished sci-fi game with fun combat and exploration, but its lackluster story and characters keep it from reaching its full potential. Still, it's exciting to have a completely original IP from Capcom, and while Pragmata doesn't live up to the high bar set by some of the studio's other efforts, it's a mostly worthwhile adventure.

The shortcomings of Raccoin are, ultimately, far from game-breaking, and I still find it fun, charming, and mechanically unique: it can net you a few dozen hours of solid gameplay, easily. However, we are living through an unprecedented era of deep and vast roguelikes, many of which offer hundreds of hours of constantly evolving gameplay. Against just a handful of these more avant-garde and ambitious titles, Raccoin, despite being well-made and enjoyable, feels unessential. It may only be marginally less compelling than something like Slay the Spire 2 or Balatro, but in this time-consuming genre space, that makes a massive difference.

If you played MLB The Show 25, you can probably skip MLB The Show 26, but if you are someone that didn't check out last year's version, the new game will likely provide more value. MLB The Show 26 is iterative, not essential, and while it delivers fantastic core gameplay and enough content to keep hardcore baseball fans busy for hours on end, the franchise could definitely benefit from a more significant and daring upgrade soon.

WWE 2K26 lives in the long shadow cast by the improvements seen in WWE 2K22 throughout WWE 2K25. It even makes its own improvements to the tried-and-true formula, but it ends up disappointing far more than its predecessors. The in-ring action still hits hard, and most modes deliver the experience fans have come to expect, offering just enough variety to keep the hours ticking by. There’s fun here, but it's undermined by a lack of creative ambition. Creativity within its offerings is what elevates a good wrestling game into a memorable one, but WWE 2K26 often feels trapped in a creative plateau.

God of War Sons of Sparta is an okay prequel—the problem is that it feels like it was released before the original 2005 game, not just taking place before it. Its safe approach feels like a game made generations ago, not one released in 2026, and makes it a chapter in Kratos' life that is forgettable.

Crisol isn't a perfect survival-horror game, but that's not to say that it's not a solid time overall. I really enjoyed Crisol's combat and though the levels are a little bloated, the game still delivers a fairly solid rendition of the classic survival-horror gameplay loop. Genre fans should definitely make sure to give it a look.

Despite the fumble here, I think that an open world Metroid Prime game can work, but it can't be a half-measure like Beyond is. Beyond could have been a revolutionary step forward like Breath of the Wild was for Zelda, but instead it's a weird in-between that is only fun when it is recycling its old ideas and everything new it tries falls flat on its face. Metroid Prime 4: Beyond has an identity crisis and the result is a baffling open world surrounded by solid dungeons that still fall short of what came before.

Octopath Traveler 0 is a game I'm glad I spent time with, even if it made me sigh as often as it made me lean forward. It delivers some of the series' most memorable moments, both in how it tells its story and in how it lets you build a small corner of its world through Wishvale. At the same time, its constant cutscenes, uneven rewards, and reliance on the illusion of choice keep it from reaching the heights it seems so close to touching. For every moment I was absorbed by its atmosphere or impressed by its combat, there was another where I felt the game tug me back into a pace that wasn't my own. Even so, there is a sincerity to this entry that stuck with me. It might not be the total reinvention some fans hoped for, but it still carries the heart of the series, and that was enough to make the journey worthwhile.

There's nothing wrong with Routine from a technical standpoint, and its story, visuals, and audio are all top-tier. The problem is that the gameplay is such a slog that it makes it hard to appreciate what it does so well. It can be flat-out boring a lot of the time, and the scares simply aren't there to make up for its lack of engaging gameplay.

It's not surprising that Where Winds Meet drew millions of players after its initial release in China. Almost anyone can find something they enjoy in it, and there's enough there to sink hours into. But as a jack of all trades and master of none, it won't likely be many people's favorite.

Dragon Quest 1 and 2 HD-2D Remake is a respectful return to two foundational RPGs that still have value today, even if they don't age so gracefully in every area. The visual overhaul is excellent, the story additions work far better than expected, and the world feels more alive than it ever has. However, the shallow, slow, and repetitive combat, frequent encounters, and grind-heavy pacing hold it back from being as inviting as it could be for new players. Longtime fans will appreciate how faithfully these classics have been recreated, but anyone looking for a modernized experience may find that Dragon Quest 2 carries most of the weight while Dragon Quest 1 struggles to justify itself beyond nostalgia.

While Keeper's last 45 minutes finally offered the energy and creativity you expect from a modern Double Fine project, the 3 hours preceding it are sorely lacking those distinctive, integral elements. Keeper is a truly beautiful game where almost any and every frame can be a painting, but it's one that's best enjoyed when the controller is in someone else's hands.

Vampire: The Masquerade - Bloodlines 2 won't be a game for everyone. If you're looking for the depth and variety of content offered by other leading AAA RPGs, The Chinese Room's relatively modest take on Seattle-at-night might leave you feeling a little underwhelmed. But if you want a story that you can sink your teeth into and gameplay that, while not always given the proper room to breathe, often gets the job done, then you'll likely settle into this relaxed-fit action-adventure quite nicely. In a way, Bloodlines 2 is a fitting continuation of its predecessor's legacy: it's deeply flawed, but masterfully written.

Players who get enjoyment from titles like Minecraft or even Super Mario Maker will find that King of Meat's suite of creation tools gives them plenty of options and is fairly easy to use. But much like the core gameplay loop, this creative mode lacks the depth and complexity of any of the aforementioned games to be something that could keep creative-minded players engaged for more than a handful of sessions. King of Meat is not an objectively flawed experience, but in a year when gamers are practically drowning in one incredible game after another, a title can't really afford to be this forgettable.

Digimon Story: Time Stranger does some things right, but its repetitive quests and dungeons drag the experience down significantly, to the point where it becomes almost a chore to play at times. Still, hardcore Digimon fans may be able to overlook even its most glaring flaws, as the game was clearly built with love for the franchise.

Behind the janky combat in Hotel Barcelona, the lackluster stage design, and the annoying difficulty, there's actually an interesting story and narrative that had me wanting more. I was expecting to get a lot more lore bits each time I came back to the Hotel after dying, but that just didn't really happen. There aren't many cutscenes in Hotel Barcelona either, and it's a shame since the few that are there are quite fun to watch, like the intro.

Just like the Arsenals the game revolves around, Daemon x Machina: Titanic Scion has a very strong core, but one that frequently comes under attack. The central loop of finding new gear and experimenting with new builds and playstyles remains satisfying long after the credits roll, and there's a plethora of engaging side content for players who want the most bang for their buck. However, Titanic Scion's performance on the Nintendo Switch 2 and some clunky narrative choices often hold it back from reaching its full potential.

Cronos: The New Dawn does some great things, but going into it expecting the same level of polish and quality as the Silent Hill 2 remake is a mistake. Despite a rather unique story concept and a few clever ideas, Cronos: The New Dawn is a fairly run-of-the-mill survival-horror game with a few key flaws that hold it back from being as good as its inspirations or Bloober Team's own Silent Hill 2 remake.

Even with its blemishes and missteps,The Knightling is not bad, or even totally mediocre. Its combat is weak, its story underwhelming at best, and its open-world design is nothing to write home about, but traversal and atmosphere save the day. Indeed,The Knightling is worth recommending on the grounds of its movement abilities and soundtrack alone - it's just the rest of the package that isn't up to snuff.

Gears of War: Reloaded is a remaster of a 2006 game so players going into the game with that in mind will likely be happy with what's on offer. But those expecting a truly modernized version of this flagship Xbox game might be disappointed, especially if they're PlayStation newcomers who have been told for two decades that they're missing out on one of gaming's best experiences.

The story and haunting world of Hell is Us overshadow most shortcomings, and Rogue Factor’s message is a powerful one. The team’s refusal to hold the player’s hand may frustrate, but it also creates a unique sense of immersion and discovery. Hell is Us is meant to unsettle and provoke thought, not just entertain, and where it stumbles in one area, it succeeds in another. For players willing to overlook missing variety and conveniences, and who value atmosphere over a perfect presentation, Hell is Us offers a journey well worth taking.

Metal Eden is worth recommending to those who love challenging, fast-paced, sci-fi action similar to games like Doom — that is, if the price tag matches its length. Otherwise, this might be one of those "wait-for-sale" games, but it's nonetheless one that is worth a play once it becomes worth the money.

If Shinobi: Art of Vengeance was more challenging and had more depth to it, it would potentially be the best game in the franchise to date. As it stands, Shinobi: Art of Vengeance is still a mostly triumphant return that will keep genre fans thoroughly entertained while it lasts, and it would be great to see a follow-up that builds on its foundation to create something even bigger and better.

Midnight Murder Club is the kind of game that is dependent entirely on who you play with for it to be fun. The core concept is great and lends itself well to funny moments with friends, but the matchmaking experience is dreadful, the PvE mode is a waste of time, and the bot restrictions are head-scratching. If you can scrounge up five friends to play with, Midnight Murder Club is good for some laughs, but everyone else will be better off playing a different multiplayer game.

The complete lack of charm and content in Drag x Drive makes the game difficult to recommend, even at its budget price of $20. It's the best showcase yet of what can be accomplished with Switch 2 mouse controls, but offers little else. There is some fun to be had with Drag x Drive and perhaps future updates will make it a better game, but there isn't enough at launch to keep Switch 2 owners busy for any serious amount of time.

Mafia: The Old Country isn't a bad game, just a tepid one. Its gameplay is flaccid and restrictive, its narrative is dull and predictable, and its world has no more charm or presence than an Unreal Engine tech demo. It nails the bare minimum, but a game like this, from a franchise as beloved as Mafia, should have gone beyond that.

Tales of the Shire is a perfectly enjoyable life-sim that embraces its Lord of the Rings source material well. But due to some prominent graphical shortcomings (at least on Switch), it's far from a perfect adventure. There's enough content and engaging progression in Tales of the Shire to ensure that Tolkien fans have a good time with it, but those who aren't fans of the IP don't need to look far for a better alternative.

On the whole, Tron: Catalyst feels like a successor of sorts to the classic AA games from the Xbox 360 generation. It's a simple and fun action-adventure game that doesn't have any bloat, but it has a handful of notable problems that hold it back from greatness. Tron: Catalyst is being sold for just $25, and honestly, it’s worth the asking price. It can keep players entertained for a day or two, even if they're a newcomer to the Tron franchise.

Rematch has the potential to be the next Rocket League with its engrossing mechanics, rewarding team play, and stylized aesthetic. But the game's performance issues and lackluster progression systems might stop it from living long enough to achieve that potential.

Firebreak may be a bit of a wait-and-see situation: it doesn't feel like it has enough meat on its bones to justify its $40 asking price, not to mention its paid battle passes. Firebreak has the bones of a truly exceptional co-op game, and hopefully, Remedy will get the chance to deliver it.

Fast Fusion is available at a budget price of $14.99. Compared to some other Switch 2 games, it's super cheap, and it definitely gives players their money's worth, even with the lack of proper online multiplayer and misguided progression. Racing game fans that need something a little different from Mario Kart World should consider giving Fast Fusion a look. As long as they are aware of its shortcomings, they should still walk away satisfied with the overall package. Plus, Fast Fusion has new content on the horizon that should make it even more worthwhile.

Artificial difficulty spikes and needlessly obtuse level design can lead to a lot of unnecessary frustration, and that frustration can quickly overshadow the game's greatest strengths. Blades of Fire had all the right materials in front of it, but it forged an uneven blade that keeps accidentally wounding its wielder.

Out of Sight's extremely short runtime keeps it from reaching its full potential. The second-person gimmick is used to great effect, but there isn't enough time to fully explore its possibilities. There are certainly great moments in Out of Sight, and it would be a perfect entry point for someone that has typically shied away from the horror genre, but it desperately needs more meat on its bones to be elevated to something that genre fans must go out of their way to play.

Creature Keeper is in desperate need of an X-factor: something especially unique and hard-hitting that makes it intriguing and memorable. The game's story isn't offensive, it's just bland and unoriginal; its art style isn't terrible, but it's indistinguishable from so many other retro-influenced indies; its music is good, but nothing special; and its action-RPG combat works just fine, but doesn't leave you itching for more. If something about Creature Keeper's premise strongly appeals to you, then perhaps it's worth a few hours of your time—but don't expect any surprises.

At many points, La Quimera feels like playing a PS2-era shooter in an Unreal Engine 5 skin. But the lack of content, combined with a story that feels like an unofficial knock-off or direct-to-video sequel of a better FPS, make the game hard to recommend in its current state. As it stands, La Quimera is the equivalent of video game junk food — it might taste good and provide a bit of momentary satisfaction, but you'll ultimately be left feeling empty and hungry for more.

Overall, Once Upon a Puppet is a fine game. Its presentation is a standout feature, with its graphics, character animations, environments, and audio design all going to great lengths to make the most of the game's unique premise. But those elements aren't enough to elevate the overarching experience. The fine platforming, fine puzzles, and fine story are the strings that hold Once Upon a Puppet back from greatness, and some unfortunate technical issues can inject a layer of unnecessary frustration into an otherwise very satisfactory performance from a promising new indie studio.

When Steel Seed is at its best, it's a blast. Unfortunately, its best moments mostly end up emphasizing what could've been, making the weaker points that much more disappointing. It's not a bad game by any stretch; it's easy to get sucked into and, for the most part, is enjoyable to play. However, it doesn't do enough to stand out from the similar titles that came before it. As much fun as it can be at times, it falls short of being something truly memorable.

Gorn 2's story only takes a few hours to get through. After that, players are free to check out the Custom and Endless game modes, but that's more of the same shallow violence that the base game offers. VR enthusiasts are likely looking for something with more substance, but that's not to say there is no value to Gorn 2. The game can be fun in short bursts, and it works great as an easy way to show off virtual reality to someone who has never played a VR game before. Ultimately, those wanting more Gorn will get their money's worth with Gorn 2, while those who are looking for a deeper virtual reality experience will have to look elsewhere.

There's nothing about INAYAH that is objectively bad, but the few very frustrating design decisions the game features are systemically baked into the title's gameplay to where even the good parts are undercut by them. At 15–20 hours to complete the game, INAYAH asks a lot of the player in terms of a time commitment, and while there are glimpses of brilliance in its execution, it's ultimately undone by the parts of the experience that work against it. Considering the sheer number of options players have for quality Metroidvanias, INAYAH's few annoyances hold it back from being worthy of players' time when there are so many similar titles to choose from that execute the formula better.

South of Midnight excels in key areas, but its gameplay is so underwhelming that it's hard to truly appreciate everything it does well.

Its environmental storytelling and commitment to a haunting, folk-horror-inspired world set it apart from other post-apocalyptic titles. It's clear that Rebellion had a vision — one that, with a bit more refinement, could have resulted in something special. However, in its current state, Atomfall is a game that often feels like it's fighting against itself, offering players a world they may admire but struggle to fully enjoy in the end.

While some players may love some of the things Kaiserpunk does with the genre, many may find it is a mostly fine take on the concept. If the publisher's past games are anything to go by, there is a chance that the game will expand with more content to help build out the experience further. But, as of now, players will have to wait and see.

Yu-Gi-Oh! Early Days Collection is a funtime if you have an existing nostalgia for the series. Some features and mechanics could be better explained from game to game, but the developers may not have wanted to tamper with the original experience. Thankfully, menus and manuals create enough quality of life improvements to look past the sour spots among the included games.

Afterlove EP lacks meaningful gameplay, and its bugs can range from inconvenient to apocalyptic, so it says a lot that it's still worth recommending it to anyone who likes smaller, story-driven games. Make no mistake, the aforementioned issues do drag down the overall experience, but at the end of the day, Afterlove EP is more than the sum of its parts. Its music, charming characters, nuanced portrayal of grief, and beautiful manga-inspired art design are all worth the price of admission. If developer Pikselnesia can hammer out its more troubling bugs, then Afterlove EP has a chance to become an all-timer in the visual novel genre.

Ultimately, Lost Records: Bloom & Rage proves to be an uneven experience where the characters are more interesting than the plot. With a final twist that doesn't feel earned and fails to illuminate the game's greater mystery, it's hard to imagine players eagerly awaiting the second half of the story when it arrives on April 15. However, it's still possible that the remainder of the title could continue building its wonderful characters and make the juice worth the squeeze.

While Avowed's successes should not be overlooked, its shortcomings highlight the need for refinement later on. If nothing else, Obsidian has something worthwhile here that might actually reach its full potential if it were given a sequel. As it stands currently, however, it is a game that will likely resonate most with dedicated RPG fans who appreciate the weight of moral decision-making but may leave others feeling like their journey through the Living Lands was cut short just as it was beginning to hit its stride.

The game does a great job of letting players logically put together clues. It hides them well at the center of the Roottree's web, but the farther out it goes, it may grate over time. The writing is worth absorbing as players go along and this feels like a real family that could have existed. While this story is certainly told in a way that makes it one of the more unique mystery games out there, it's the method in which players are asked to discover it that holds it back.

Eventually, Spider-Man 2's PC port will be fixed to the point that it will rival or arguably exceed the PS5 version, especially for those with more powerful rigs that can push the game to its graphical and performance limits. At launch, though, Spider-Man 2 on PC falls well short of expectations. The core gameplay is still a blast, and it's still one of the best superhero adventures in gaming, but the crashes are too problematic to ignore.

Orcs Must Die! Deathtrap is good, but in a very workmanlike sort of way. Although it's not the most surprising or inventive multiplayer game on the market, it upholds the strong balance of strategy and real-time gameplay that made the franchise so beloved in the first place. Fans of previous entries may be somewhat split on things like the roguelike progression and heavier emphasis on multiplayer at the cost of solo play, but the strengths of the series are still there, and in some ways, they're more finely tuned than ever.

Aspyr's Star Wars Episode 1: Jedi Power Battles has some nice graphics and quality-of-life improvements, but it doesn't really add anything substantial that wasn't there in the Dreamcast version. And unfortunately, Jedi Power Battles is far from the best Star Wars game out there.

Freedom Wars Remastered's extensive endgame will give players plenty of time to fight countless Abductors and really immerse themselves in the gameplay loop. One could argue that the "real" game begins once Freedom Wars Remastered's story is over, and as long as one enjoys these kinds of Monster Hunter-style games, they will get their money's worth and then some, especially if they dive into the online co-op and PvP offerings. It's rough around the edges in some areas, but Freedom Wars Remastered is a mostly engaging action-RPG with an addictive gameplay loop that makes it hard to stop playing.

Like the anime it's based on, Fairy Tail 2 is a case of too much style and not enough substance. Despite its popularity, Fairy Tail has seemingly never been able to escape a reputation for being too formulaic, adhering to the style and qualities of Shonen anime just a bit too close for comfort. Similarly, Fairy Tail 2 is a game that ticks all the right boxes for a brisk and low-stakes RPG, but it lacks the depth that other similar games might offer. It's a title that players' enjoyment of will vary depending on their appreciation of the Fairy Tail manga and anime, with its snappy combat and eye-catching visuals the definitive silver lining of what's otherwise a fairly shallow experience.

Mighty Morphin Power Rangers: Rita's Rewind is a small, but well-rounded package that Power Rangers fans should adore, and unfamiliar friends can enjoy alongside them. Rita’s Rewind would have been a hit in late 90s arcades, and its competence and love for the source material means it should find an audience today alongside the Once & Always special it sprang from. Even if its competitors do what it does better, Mighty Morphin Power Rangers: Rita's Rewind is still a rollicking good time that no one will regret experiencing.

VED is far from a perfect game, but it does have a few redeeming qualities. The hand-drawn art style is wonderful to look at, showcasing how strong this game could be. Additionally, the combat is often thrilling, because if players are not careful, then things can quickly fall apart. However, the story and the dialogue hold the experience back considerably. And ultimately, it leads to a pretty lackluster experience overall.

LEGO Horizon Adventures does some things better than the other LEGO games, and it does some things worse. It has better graphics, polish, and combat than any other LEGO game I've played, but it suffers a lot from uninspired level design and general dullness. It's so mind-numbingly easy in what I assume is an attempt to appeal to children, but I imagine most kids will be bored by the game long before the credits roll. LEGO Horizon Adventures is technically a well-made game, but it is not a fun one to play.

Teenage Mutant Ninja Turtles: Splintered Fate doesn't offer much room for the player to get frustrated or, quite frankly, challenged, as a lot of its difficulty is transparently manufactured and tied to linear progression systems that give the game its structure and longevity. At times, this makes it more enjoyable than even the most well-crafted roguelikes, but this is comparable to the difference between fast food and fine dining: one gives you quick and easy satisfaction, but the other offers an experience you'll remember for months or even years. It's up to the consumer to decide what they are more in the mood for.

The body-swapping mechanic of Slitterhead and being able to control these wildly different characters in an Asian city full of creepy monsters sounds appealing, but unfortunately, this horror/action does not bring the spooks at all and, frankly, isn't enjoyable to play. If you're someone who likes a somewhat janky brawler that feels like it came out of the PS2/360 era, there might be something of value here, but otherwise, it's hard to recommend this one.

Shadows of the Damned: Hella Remastered lacks the impact of Suda51 and Mikami’s Killer7, the mechanical depth of Mikami's RE4 and Vanquish, and the uncompromised vision of Kurayami Dance. However, getting lost in what SotD isn't also means losing sight of what it is. Shadows of the Damned: Hella Remastered is a delightful B-movie romp that can be knocked off in a weekend, and there's still value in that. Diving into hordes of enemies with Garcia's upgraded abilities and assorted takedowns can be very fun, even if extra details like headshots feel like they could be tightened up. If it sparks some good word-of-mouth, perhaps today’s leaner shooter landscape will do Shadows of the Damned: Hella Remastered some good.

Soundtrack changes, the cheaper price, and PS5's backward compatibility make it easy to recommend the original Until Dawn over the remake, but the remake is still a high-quality game. It looks incredible, the Until Dawn story is still a thrilling time, and there is some worthwhile new content to seek out. However, $59.99 is a steep asking price for what's on offer. PC-only gamers may want to consider taking the plunge, but those on PlayStation might be better served sticking with the original and looking up the new ending.

At times, I was blown away by Starfield: Shattered Space's beautifully rendered new areas, but other times, my immersion was ruined by the annoying progression-killing quest bugs and weird graphical oddities. The DLC is uneven to say the least, and that's something Starfield fans should take into consideration when deciding if they should spend $30 on the expansion...$30 for a four-hour main quest sounds a bit steep, but the new weapons and side quests may make it worth the investment for diehard Starfield fans that simply want more - once the bugs are ironed out, anyway. Future updates will likely make it a lot easier to recommend Shattered Space, but for now, fans may want to hold off until its more egregious bugs and glitches are addressed.

While it does offer some strategy thrills, all of this really holds it back from being another genre kingpin. With DLC and future updates, it may have a chance to iron out its weaker aspects. But, outside a few unique twists, it feels like it is missing something to make it truly worth the price of admission.

Wild Bastards is a very vibrant, very ambitious game that goes out of its way to add new gameplay mechanics and playable characters. But while that effort is certainly commendable, there's no denying that many of those elements just don't hit as hard as they should. There's still plenty of room for fans to have a good time with Wild Bastards, but that time won't be free of moments of confusion, frustration, and a little boredom.

There is a lot of beauty in Enotria: The Last Song and Jyamma Games deserves to be commended for its efforts to stand out in a saturated market. With immersive connections to Italian folklore and an adoring love of subgenre, Soulslike fans will certainly enjoy the world of challenge. But while the combat is innovative it could use some polish.

Jackbox Party Pack games have long relied on the quality of the people playing for the bulk of their entertainment value, and the same goes for the M-rated Jackbox Naughty Pack. It doesn't provide quite the same value as a full-blown numbered entry in the series, but it is still plenty entertaining. Dirty Drawful and Fakin' It All Night Long are the highlights of the collection, with Let Me Finish lagging very behind. It's a bummer that there are only three games available and one of them is a bust, but party game fans should have little trouble getting their money's worth and then some from Jackbox Naughty Pack.

There's some real promise peeking out of Harry Potter: Quidditch Champions' surface, and if the game's various kinks can be ironed out, it could become something truly special. But that pitch is long, and those goalposts are high.

Hollowbody excels in some key areas, like its sound design, though it also comes up way short in others, like with its level design. Regardless, it's a serviceable survival-horror game that does everything one would expect. Nothing it does is new, but it does everything well enough to make it an easy recommendation to fans of survival horror games from the 2000s.

The Casting of Frank Stone includes a few minute improvements over Supermassive Games' approach, like its handful of quicktime event-free gameplay segments and clearer look at the branching paths. But it's still just the same formula with the same pitfalls that have regularly plagued this studio’s near-annual releases in the genre. Middling writing, frequently uncanny animations, and a lack of scares make The Casting of Frank Stone another passable entry in the interactive horror/suspense genre.

Visions of Mana isn't perfect, nor will it revolutionize the JRPG genre with its approach to combat or storytelling. But for the right player, these issues won't matter, because Visions of Mana has an undeniable charm and allure to it. Its breathtaking visuals, satisfying combat, and likable characters combine for a comforting, stock-standard JRPG, and if you're in the market for that, then Visions of Mana is an easy buy.

Those wanting to roll the dice on Concord will find an excellent FPS full of exciting abilities, intense battles, and eye-popping visuals. The game's character designs, premium price point, and general lack of interest from the public may make it so Concord never really gets a chance, and so potential consumers need to weigh the risks of investing $40 on a game that may be dead before too long. Personally, I am glad to have played Concord and I will continue playing it as much as possible, and will be sad if the day comes when its player count dwindles to the point where it no longer makes sense to support it. Hopefully, Concord defies the odds and becomes one of Sony's long-lasting live service experiments.

Black Myth: Wukong is a game that shies away from the Soulslike label, yet it is clearly gunning for the Soulslike audience. It is far from the best in the genre, but it's also not the worst game that has followed in Dark Souls' footsteps. If you go into it expecting a mostly standard Soulslike experience with some blood-boiling boss encounters mixed in with basic level design, you will have a better time than if you were going into it expecting it to be like a traditional character action game. Black Myth: Wukong offers about 30 hours of gameplay for its first playthrough with a ton of side content to check out as well, but many will tire of the limited combat options long before they reach its dazzling yet equally aggravating final boss fight.

Thank Goodness You’re Here’s humor is its strongest asset, so the trade-off is worth it. Games don't usually prioritize comedy, much less nail it, and that makes developer Coal Supper's first full title that much more impressive. Like a lot of sketch comedy shows, a decent portion of the gags in Thank Goodness You're Here don’t hit their marks, but the ones that do are utterly delightful bursts of joy that are funny to both watch and partake in.

Deathbound won’t be the next Soulslike sensation, but at a time when they’re around every corner, its courage helps it stand out. When there's a story to hear and monsters to fight, Deathbound’s rag-tag gang of alter-egos can hold their own, even as unfulfilled potential continues piling up. Its demo and low asking price should help prospective buyers decide if Deathbound is for them, and promised post-launch DLC could reward those who do stick with it. This is a solid title for Souls enthusiasts between major releases, and the emphasis on weaving disparate play styles together will make Deathbound an experience to remember, despite how hard its flaws are to forget.

Earth Defense Force 6 is more Earth Defense Force. It delivers everything longtime Earth Defense Force fans could want, though people that haven't been impressed by the series so far are not going to care for this entry either. Anyone hoping for Earth Defense Force 6 to take the EDF franchise in bold new directions may be disappointed, but it's sure to please longtime fans, and it's a great option for those needing a new co-op game to play with friends.

Dungeons of Hinterberg does a lot of things right. It features a story that shows the protagonist growing within themselves, albeit slowly, and embraces its casual atmosphere with wide-open arms. Players that enjoy that slower side of gaming will find some interesting moments while exploring and playing through the story. The rest will have to find something buried in the game's combat to keep their interest, though that may prove too difficult. Still, those players looking for something easy that never moves too fast and ambles on at a comfortable pace will enjoy Dungeons of Hinterberg for the qualities it fully embraces.

While its general lack of depth may be off-putting to some, there's no denying the worldbuilding around its meager plot or the fun found in its Flintlock fantasy approach to combat.

Kunitsu-Gami: Path of the Goddess isn't perfect, but it's a fascinating game and one that begs for a more refined sequel that builds on its ideas. What's here is still mostly great and should greatly appeal to fans of tower defense games, the Pikmin series, and even the Demon Slayer anime. It's great to see Capcom willing to roll the dice on such a unique concept, and hopefully there's more of Kunitsu-Gami to come.

Hypercharge: Unboxed doesn't revolutionize the shooter market or offer anything new, but what it does provide is a highly polished, chaotic, and lovingly crafted experience for players who have an itch for retro games and addictive combat loops. There's certainly an argument to be made that this version is coming a little too late into its life cycle, but if Hypercharge: Unboxed can find a consistent and renewed audience with this long-awaited release on Xbox consoles, then perhaps the future is indeed bright for this zany, old school shooter.

Killer Klowns from Outer Space: The Game is not going to convert anyone that isn't already a fan of these types of games, and honestly, there are better, more polished versions of this already out there. Hardcore fans of the Killer Klowns movie will get the most out of the game adaptation, and it's hard to recommend it to anyone else, really. The game has its moments, but it's unlikely to keep most players entertained for all that long.

It's hard not to suspect that deciding to put SaGa Emerald Beyond onto mobile gaming platforms hurt the game in many ways. From its lackluster art style, to a bevy of mostly un-engaging characters, the few hints of that Square Enix touch can't be found anywhere except within the cinematic combat moments and the length of the story overall. While interesting combat can carry a game a long way, there isn't enough of it to satisfy the majority of users. There will be some players who don't mind the pages and pages of dialogue, and won't care about the seemingly made-for-mobile art styles, but it's hard not to see these dragging SaGa Emerald Beyond down towards mediocrity and below.

When playing through The Last Case of Benedict Fox, it's clear that the developer had high ambitions for the project, but none of it really comes together in the end. Combat feels unresponsive, puzzles quickly become tedious, sound design is lacking, the story is hard to follow and delivered with sub-par voice acting, and that's simply too much for some nice lighting and visual effects to paper over, especially when games like Prince of Persia: The Lost Crown and Ultros exist.

Lucid Dreams Studio's Biomorph is a solid Metroidvania that should definitely scratch the itch for any fan craving more from the genre, and with a neat Kirby gimmick to boot. Its strong platforming and level design elevate Biomorph's otherwise straightforward approach to the genre, while its main issues mostly come from a desire to see the game do more with its concepts. Despite some lacking elements that do take away from the overall experience, there is nothing here that stops Biomorph from being an easy recommendation in a genre already filled with great releases.

The hand-drawn artwork is nice to look at, the turn-based tactical combat can be incredibly challenging and rewarding, and players will feel like they have an impact on the world. Broken Roads is held back a bit by its shortcomings, but those looking for something to sink their teeth into may still want to take it for a spin.

Princess Peach: Showtime has a lot going for it, but it sometimes comes across as a concept demo for a larger game that will be much better. Peach shouldn't have to wait another 19 years for her next solo outing, but hopefully her next game takes the time to give the Mushroom Kingdom's princess a proper, full-scale adventure.

Pepper Grinder does a good job of making players feel like their skills are progressing as they play through the game. It does sometimes feel like a grind, but there are enjoyable aspects to Pepper's adventure that should be tried. The drilling as a travel tool is neat, and the boss monster's designs and fights are entertaining, but the fun seems to fizzle out a little too quickly. Still, despite this and the game's sometimes frustrating controls, Ahr Ech set out to create something a bit different. And while some aspects come up short, some players will find things worth drilling through to discover.

South Park: Snow Day is a budget game, but instead of something brief but replayable with a lot of South Park humor and bursts of fun, players get something muted, limited, and shallower than even that detail would suggest. It offers some fun across its short runtime, but it's ultimately forgettable for any roguelike or South Park fan.

Outcast: A New Beginning does offer a good amount of fun for those looking to mess around in an open-world sci-fi game that hearkens back to earlier entries in the genre. The world that Appeal created is fun to explore, the core gameplay loop feels like a blast from the past, and overall, it makes for a decent sci-fi experience. The story may not be the most interesting, and the content isn't that varied, but some players may still be able to find something to enjoy here. And fans of the original should at least enjoy this trip down memory lane, even if it could have been done better.

Overall, Inkulinati can be a fun experience for anyone willing to give it a shot. The art style is incredibly charming, the gameplay is surprisingly deep, and its roguelite Journey Mode can be pretty engaging. However, the game also spends too much time telling players how to play it rather than letting them learn at their own pace. Additionally, the humor, lack of an online mode, and the fact it does not do anything truly groundbreaking with the concept may push some players away. But even with all of that, fans of the genre may still find something to love here.

The Outlast Trials is a fun, but flawed addition to the Outlast series, trading in the original titles’ claustrophobic horror for in-your-face multiplayer mayhem. The title’s core gameplay loop offers a thrilling challenge and high replayability, delivering plenty of trials for fans to sink their teeth into across its Core, Advanced, and Ultra Programs, with immersive audio-visual elements that deliver on all fronts. Unfortunately, The Outlast Trials' balancing issues, unjustified gratuity, and complete lack of scares may leave some players disappointed. Fans of the Outlast series will likely find plenty of reasons to explore and overcome the Murkoff Corporation’s various testing facilities, as the title offers enough challenge to keep them engaged. However, for general horror audiences, and those new to Outlast, The Outlast Trials may struggle to live up to the legendary reputation of the series’ original entries.

Skull and Bones is an action-adventure title developed by Ubisoft with a heavy focus on piracy and naval combat. Set in an open-world environment inspired by locations in the Indian Ocean, players take control of a customizable pirate captain and ship and undertake missions to collect treasure and raise in rank. Players rely on ship combat with cannons, mortars, and rockets to defeat both NPCs and other player ships.

Banishers: Ghosts of New Eden is in the spirit of high-quality AA games that should not go unnoticed. Banishers does not necessarily break any new ground with its systems but it keenly focuses on a single vision with its narrative and ensures that everything else is working in rhythm with it and working well. In the end, love is the driving force of Banishers: Ghosts of New Eden, and anyone who thinks that they might be interested in Red and Antea’s story is undoubtedly in for a good time.

The combat in Lysfanga really seems to do all the heavy lifting, and it’s unfortunate that the rest of the game leaves so much to be desired and feels like it’s just there as ungratifying filler. However, it’s a hack-and-slash game, and the fighting is what’s ultimately most important. For non-completionists, the game can be finished in about 15-20 hours, and most of that time will thankfully be spent in combat taking out bad guys.

Despite the limited content and somewhat fiddly controls, the game feels great to play. It's endlessly satisfying to turn a neglected garbage heap back into a happy home. The sandbox mode in House Flipper 2 offers lots of creative opportunities and the ability to share with fellow flippers is a big bonus, and will hopefully help the game build an ongoing community. Fingers crossed that more content comes down the road to provide players with even more possibilities.

In the face of an IP filled with rich themes with something important to say, Frontiers of Pandora ignores the point entirely and goes on to have a gameplay loop where players spend most of their time killing otherwise docile animals to make arbitrary numbers go up so they can be as immortal as possible within the confines of the game. This would be business as usual for any other open-world gameplay loop, but it's embarrassingly ironic and tone-deaf for an Avatar game. Sure, anti-pollution sentiments are there because it's impossible to make an Avatar spin-off without them, but they're there superficially and treated as a checkbox for players to complete - ultimately ringing hollow. A betrayal of Cameron’s themes with the Avatar IP, seemingly stapled together as an attempt to get a slice of the highest-grossing film of all time’s pie, Avatar: Frontiers of Pandora isn’t just generic; it is downright cynical.

Arizona Sunshine 2 has its flaws, but it's still a competent VR shooter game that gives players a great deal of freedom when it comes to interacting with the game world. Killing zombies is perfectly functional, and the combat can be fun, though it's best experienced in short bursts. That being said, it's head and shoulders above the first Arizona Sunshine game, and an easy recommendation for anyone looking for a new VR shooter to play despite its shortcomings.

Everything on display here has been seen before, and though it does those things well, its reliance on a tried-and-true formula and its liberal borrowing from Bloodborne in particular work against it, denying it a unique identity. Yet despite the impulse to think that The Last Faith could just be 2D Bloodborne 2, the final product is a great Metroidvania on its own, and - aside from some of the writing - its adaptation of the work that inspired it is very well done. Ultimately, The Last Faith feels sharp, looks great, and it's a lot of fun to play. Playstack clearly loves and understands the genre, and anyone looking to scratch the itch will certainly enjoy this game.

The campaign is made up of Warzone content, the multiplayer is comprised of maps that are 14 years old, and the Zombies mode uses a map that will be recycled for the battle royale. $70 is a high asking price for what's here, but those that do decide to take the plunge will find the best Call of Duty multiplayer experience in years and an intriguing open world Zombies mode that, while not quite as fun as the classic round-based Zombies maps, can still dish out memorable moments with friends.