A satisfying reimagining of the classic ice-block puzzle with ninja and a revenge narrative, Red Ronin adds a slew of interesting takes on a formula thought exhausted. It’s tightly designed and demands your concentration. Revenge is a dish best served ice cold.

Blind Drive is unlike anything else out there at the moment. It’s unique, innovative and hopefully the start of something new. As a proof of concept, this game demonstrates that it’s possible to create an absorbing, exciting experience based purely on sound. As a game in its own right, it’s thrilling, funny and a triumph of audio game design.

Crash Bandicoot 4 It’s About Time is still the best Crash Bandicoot has ever been, and deserves to be played if you have any interest in platformers or loved the originals way back when. The PS5 upgrade gives it a thin but noticeable lick of paint to stand alongside the next-generation, and a reason to dive back in.

Ultimately, Teyon’s Monster Truck Championship succeeds as a result of its excellent handling model, which makes every race and every event a fun experience, free of the frustration that more sim-style racers can often elicit. Whilst it features a somewhat sparse range of modes, meaning you’re unlikely to stick with it long-term, it’s a really good arcade-style game that you can chuck on for 20-30 minutes every so often and pretty much be guaranteed an enjoyable time.

Battle Brothers has remarkable freedom that’s rare to see in the RPG genre. It truly feels like your decisions and actions have weight and that the responsibility for your band of warriors rests in your hands – quite literally on the Switch. That’s backed up by a deep turn based battle system that’s deceptively strategic. Unusually long load times and a frustratingly steep learning curve, compounded by a lack of an adequate tutorial, means that some players will bounce right off this game however, never getting to experience its best aspects.

Carving a destiny through The Life and Suffering of Sir Brante is a surprisingly heart-rending and engrossing experience. It won’t be for everyone – it’s a text heavy game and it navigates some heavy subject matters – but if you have a soft spot for interactive fiction, this is one of the best examples of the genre for quite some time.

Despite a few issues, Wind Peaks delivers 2 hours of zen-like, chilled gratification like only a hidden object game can. Games like this aren’t traditionally ‘fun’ or engaging but they scratch an almost primordial itch to find the missing things. If you need a Switch title to fill a boring train journey, this one would fit that bill.

Taking an old mechanic pioneered on Nokia phones, PAKO Caravan is the evolution of Snake. But for what sounds so simple is actually a fantastic and lovingly crafted game in there. The very essence of “one more go” gaming.

Monster Jam Steel Titans 2 is less of a monster truck racing game and more a celebration of the most famous of the colossal vehicles and the bonkers things they can do. Almost every game play mode feels underdeveloped, you can wrestle with the handling and lose, and the tutorial is very poor. On the other hand, you can race around a dog bone shaped race track in a truck shaped like a shark. It’ll please its intended audience but for everyone else, there are alternatives worth exploring.

It’s not very helpful at the start, and at times the comedy falls flat. But stick with Breathedge and there’s a surprisingly deep mechanic entwined with a Schafer-esque story adventure.

Despite this version of Game Dev Story taking some time to get used too, the addictive “just one more game” loop remains unchanged. The hook of this game is as compelling as it was when the game first released. If you’re after a passive yet engaging game to play on your PS4, this game is certainly worth your time.

While its lack of any narrative and tangible reward is a shame, Curse of the Dead Gods is a strong and well-crafted roguelite experience with a meaty soulslike combat system, and a remarkable number of mechanics and systems all working seamlessly together.

Tank warfare has never been as mundane as it is in Tanks vs Tanks. A lack of features, lacklustre AI that makes for easy prey and little depth to the combat means this game gets boring very quickly.

As a 2D beat ’em up, King of Fighters 2002: Unlimited Match excels in that field. If you’ve got someone for couch combat, then you’re in for a good time. There’s just little else in the way of extras to suggest this to anyone unfamiliar with the franchise.

The Dark Eye: Chains of Satinav has glimpses of ingenuity with its puzzle design, it looks great for its age and it has a satisfactory port of a point and click system on the PS4. Unfortunately, the story doesn’t pay off, often feeling disjointed along the way which isn’t helped by some uninspired vocal performances. Hopefully the sequel is better.

A few visual niggles and glitches aside, PUSS! is a challenging but equally rewarding game that’s utterly bonkers in all the right ways. An offbeat, eccentric art and music style, combined with an excellent risk/reward system, means this game gets a paw-sitive recommendation from me.

Overall, there is plenty of game here and enough to challenge even the most hardened shoot-’em-up fanatic, but also enough tricks up its sleeve to cater for newcomers. Natsuki Chronicles will be on my ‘pick up and play’ list for a while.

It has both its calm and frustrating moments, but when it looks as stylish as it does, you can’t hold it against it. A mobile-runner without the trappings, it compliments the Switch perfectly. Kick back, keep your eyes peeled, and just #Drive.

A great introductory game to the turn based strategy genre for younger gamers, Eldrador Creatures puts kids at the centre of its design. It probably could and should have been more than it is and this game won’t entertain TBS veterans but if you’re looking for something to entertain the kids in what remains of the lockdown, this game is worth a shot.

With its anime-trope-filled story, and starkly unbalanced combat and upgrades, Metal Unit is a passable roguelite in a genre where there are far better options.

A shallow, poorly constructed and thoroughly unenjoyably third person shooter, Lizard Lady vs. The Cats is a cheap game. Costing less than a bag of Doritos, this game is proof that you get what you pay for.

Monster Prom XXL is not your average dating game. The diabolic datable cast is bursting with character, the set pieces are outlandish and the endings go from the sublime to the ridiculous. That said, without a guide, the structure of the game will become annoyingly repetitive before you unlock the secret endings which are, by far and away, the best aspect of this game.

It can be a bit fiddly to start with, what with the limited view and squint-inducing text. Yet persevere with Disjunction and there’s a great cyberpunk detective story to get your teeth into.

If you’re an old codger like me with fond memories of old 8-bit computer games, picking up a title that evokes those memories so well is a no-brainer. If, as is more likely, you’re a young whippersnapper (I hate you), I still thoroughly recommend Kinetic Edge. It’s a terrific mix of genres that’s great in single player and even better in multiplayer. Get on it.

A symbolic exploration of the afterlife steeped in Peruvian culture, Arrog doesn’t do enough to put its story in the context it needed. It’s certainly pretty at times and there’s an interesting message about life and death buried deep in the figurative imagery for those that go looking for it, but compared to its peers, it struggles to tell its tale effectively.

One of the best AA games to release in quite some time, Werewolf: The Apocalypse – Earthblood combines brutal combat, smart stealth and a well-developed lore into a 20 hour long action adventure campaign. It can get a little repetitive before the midpoint but there’s some excellent moments waiting for those that can push through to the end.

Redout Space Assault feels like two games; an enjoyable arcade shooter on rails, and a free-movement space-sim with no exploration. Glitches, unbalanced difficulty, and a lack of any worthwhile story weigh down what could have been much better.

An accessible and innovative shoot-‘em-up, Habroxia 2 does more than enough to stand out in a crowded genre. While it hasn’t turned the genre on its head and lacks leader boards, the combination of auto scrolling shmup, twin-stick shooter controls and RPG-lite elements make for a refreshing and exciting game.