You Go to My Head is a warped and lush tale of obsession, deception, and romance that’ll certainly go to your head. It’ll just take some time.

The Bromley Boys is a light comedic drama, and you’ll have a good time if anything British is your cup of tea.

Untouchable is a competently made film, there’s nothing mind-blowing about the presentation of it, but the timely subject matter makes the aesthetic weaknesses more forgivable.

Enter Horse Girl with an open mind and enjoy the ride.

I loved Downhill for precisely what it meant to be—a character-driven comedy working its way through a painful and real conflict.

Birds of Prey: and the Emancipation of one Harley Quinn is a fast-paced action movie with fantastic stunts and set pieces. We’re just not given any good reason to care about Harley Quinn, or her female compatriots needed to be emotionally invested in their ultimate victory or demise.

Babenco’s cinematic farewell isn’t perfect by a long shot. But it’s brave and poetic when it comes to facing mortality and rediscovering life. It is also most eloquent in referring to cinema as one’s lifeline with a wistful view of humanity, of those friends who stick around and those who don’t.

And Then We Danced works because of a tender and heartfelt performance by Levan Gelbakhiani.

It achieves that magic combination of nuance, depth, and having a big heart that makes it both a crowd-pleaser and a favorite of critics.

While the first act is slow but promising, the second and third acts don’t move any faster.

This masterful documentary from David France weaves high-stakes storytelling and investigative reporting to expose the ongoing situation, resulting in an unforgettable film.

The Nowhere Inn deeply explores the dynamic between performer and audience and performer with self. It does so in a way I’ve never seen before. It has so many layers that at some point, you get lost in the thick of it, but in a good way.

Cronenberg has created a mind-bending trip of a movie with more to say than your average actioner and is supported by spectacular performances and make-up and practical effects that seal the deal. Brace yourself. Possessor is brilliant.

While informative, I never leaned forward and engaged with the events documented.

There were many aspects from a filmmaking and storytelling process that I found admirable, but I just can’t see myself recommending it. I know all too well that my criticisms have everything to do with the very core of J.M. Barrie’s original story and Pan mythology itself.

The Last Thing He Wanted is trying to be too many things at once. It goes off on several tangents that don’t ever conclude.

On the Record has so many beautiful instances of artful storytelling.

In Created Equal, Justice Clarence Thomas and his wife Virginia tell his life story using over 30 hours of interview time, personal photos, and archival news footage and does not shy away from the big moments of his life.

Throughout clever turns and twists of the plot, Levine presents a meditation and deconstruction on life imitating art and vice versa with a dash of Robert Altman and a nod to David Mamet as players fill in the story.

It is leaps and bounds above the average boring status quo comedies, and it is exceptionally well-crafted.

Benedict Cumberbatch proves yet again he’s a star and Merab Ninidze is equally brilliant at his Russian counterpart.

Ultimately the success of Summertime comes from director Estrada and his crew, who put the film together with a small semblance of a story. They masterfully piece each poem and poet together like a jigsaw puzzle.

Beast Beast captures the high school experience like lightning in a bottle.

It’s Odessa Young that does much of the heavy lifting acting-wise, though overshadowed by Moss, as she is the one who ultimately transforms throughout the story. It wouldn’t be fair to leave out director Decker’s visual vision for the film or Sarah Gubbins’ screenplay as they continually keep you off balance from the start and second-guessing almost everyone and everything to the end.

There are some intense, heartbreaking moments in this film, but I am glad to say that the ending is not as sad as it could have been.

In every scene, Blank’s work shines as a writer, a director and as an actor. Her relentless charisma and authenticity tinged with wit carry every scene of the film, making it a joy to witness. This is the arrival of a talented voice in indie film.