Directors Cristina Costantini and Kareem Tabsch have created a heartwarming testament to a man whose singular message was one of love and inclusion.

Newnham and LeBrecht weave a narrative from multiple archival sources that capture the innocence, the subtle awakening, and ultimate determination of a small group of disenfranchised who suddenly realized that there was something to fight for.

What She Said: The Art of Pauline Kael is a wonderful visitation of the famed critic’s life. It’s also a great place to start if you know nothing about her.

What stands out about When Lambs Become Lions is its remarkable intimacy.

Quezon’s Game adds something that is missed in war films as well as history books.

Director Billy McMillin does a great job showing the true stories of these teams, and from where I grew up, these stories are very relatable.

Kill Ben Lyk manages to be entertaining and inconsequential in equal measures. Give it a shot.

Speed of Life reminds us that the art of our idols, the fire, and the passion, survive the artist and that their immortality is you keeping that fire burning.

Check out VHYES if you want to see the most original film to come out in ages.

Caught between worlds, Disturbing the Peace isn’t as fun as it begs to be or as eloquent as it’s trying to be.

Bad Boys for Life is a fun and competent action comedy with most of all the things people loved about the previous two films. It succeeds in that regard, but it does not successfully succeed in pushing the franchise forward and passing the torch to newer and fresher talent.

As hard as it is to grasp where the story intends to go, it’s just as easy to realize that it had no other choice but to fall into standard crime thriller tropes.

The biggest problem with the movie is that it fails to explain the complicated theories and formulas in a way that makes sense.

Perrier is an undeniable talent and as a first outing, Jezebel is a powerful statement.

The perfect mix of thrilling action, compelling storytelling, memorable characters, comedic moments — and all of that works in tandem like an orchestra bellowing an epic score. Infinity War leaves audiences wanting more… and with a lot to think about.

It’s insulting to think that children will see a movie solely because you have animals that talk and act silly.

What I love most about Little Women is how Gerwig’s script refuses to turn each character into a stereotype of their time. There is a complexity to each character and a real arc for each.

In the end, while I did struggle to follow its central narrative, Bi Gan has my admiration as a filmmaker, though I was hoping it would be a little more profound as it was artful in the end. He connects with you from an emotional standpoint

You’re going to watch Ford v Ferrari for the action, underdog story, and more-than-competent cast. Mangold also has the tone and pace of the film down perfectly. I would watch Ford v Ferrari over and over again.

Shinkai’s animated feature may sometimes seem like it was dreamt up by a 15-year-old teenager. It may move at a leisurely, awkward pace that threatens to come to a dead halt at points. Yet when it takes flight, it soars.

Khalil and Sweitzer’s film is unique, but it remains unclear if it has the power and resonance behind it to take their points outside of the arthouse audience.

Stewart commands the screen in a fierce performance, effortlessly elevating the material with a few poignant glances and teeth-clenched determination.

As unoriginal and awkward as Like a Boss is, Byrne and Haddish do everything in their power to elevate the mundane script to something worth viewing.

The film is an important one, but above all, it is an exceptionally pleasing and easy one to watch despite its density. This is partly due to Bartosz’s fantastic performance showing great acting range by going through a whole spectrum of emotions very convincingly and subtly.

Thanks to a committed cast and an amusing screenplay that works more often than not. Reality Queen! proves to be a charming affair. Mix in the surprising amount of depth mined from the brilliant ending, and despite its issues, this mockumentary proves worth a watch.

Inherit The Viper had the potential to be an exciting thriller with dramatic family elements. Instead, its characters fall flat as if the actors were not allowed or unwilling to flesh out their characters more.

Aside from a decent cast trapped in a shoddy everything else, there is nothing to recommend here.

Atlantics can be seen as telling a haunting, tragic story. Despite its ethereal style, and a semblance of magical-realism, it is mostly grounded in the drama of reality.