After watching the documentary, I hope that as critiques of the male gaze become more and more mainstream, audiences will see through the many cliches and understand the ideology objectifying women in cinema. And as they gaze back, I hope we all realize that they have complex stories to tell.

A tough sit, but it attracts more than repels you. It commands your attention. Once it lands its hooks in you, there's no tearing away.

Filmmaker Ron Mann and actor/activist Woody Harrelson have followed up their hilarious 2000 documentary "Grass" with the equally amusing Go Further.

A little sentimentality can fuel a lot of action, yet Zwick buries his film in cloying guilt, in the end sinking Defiance with the holocaust film's bait.

The plot is romantic comedy boilerplate from start to finish and, with the story's outcome a foregone conclusion, the least the director could have done is throw in a bit of cultural enlightenment to keep the audience occupied while he connects the dots.

The Motive is a fun, light film with a sad sack lead we can love and good laughs sprinkled throughout.

One of the best Sunday Afternoon action flicks since the glory days of Schwarzenegger.

Quantum of Solace may be explosive with images of fiery infernos, but it's convoluted and confusing, the plot playing second fiddle to its set pieces.

Obviously, this is one subject which may not seem to require the attention of documentary filmmakers.

There are some intense, heartbreaking moments in this film, but I am glad to say that the ending is not as sad as it could have been.

Attempting to compare “Freaked” to any other movie would prove an exercise in futility. This is a singular film—a wholly originally movie that, despite its flaws, will win over the most jaded film fan simply because it is uniquely and wonderfully bizarre.

1. It has the potential to supplant "The Rocky Horror Picture Show" as the greatest audience participation movie of all time. 2. It is, simultaneously, one of the worst and best movies I’ve ever seen.

Thoroughly obnoxious and relentlessly unfunny comedy.

"We are who we are," is the mantra for this grim urban drama. That human escape velocity can be awfully hard to reach with all those bad influences hanging around.

A cold war thriller told from the Russian point of view which gives it the appearance of having more credibility and dark truth than if this were an American story.

In throwing hatchets at Murdoch and his silly Fox network while pretending the rest of the media world is fine and objective, the film comes across as a shrill, one-note slam against a very easy target.

The only reason to see this film is if you’re a fan of any of the actors. Everyone is good, but ultimately, the story will let you down.

Provides a highly provocative and humorous overview of a word that, love it or hate it, undoubtedly holds more power than its measly four letters might suggest. All in all, I'd have to say that this film was entertaining as f*ck.

Waititi masterfully balances the film’s comedy with the seriousness of the subject. He plays with your emotions to heighten the impact of the story’s message. Nothing in this film feels gratuitous and the tonal shift in the film will hit you like a ton of bricks.

Mother Mary is an art film at its core, and will not suit everyone’s palette, but for the audience it connects with, there’s a beautiful journey from sorrow to confession and possible absolution.

Even if you already knew the facts, you won’' be able to help but reflect in awe at how much progress in the fight against discrimination has been made on a societal level.

Sgt. Stubby: An American Hero is a highly enjoyable and very well made animated feature. It has something for the whole family, is visually impressive with excellent animation, and a fantastic voice cast.

Eastwood is a formidable filmmaker, a force of nature, whose films like Mystic River will forever remain in the pantheon of Great Cinema. Alas, Cry Macho may likewise be forever regarded as a perplexing glimpse at a different side of the man, one who's created this macho persona and who now attempts to absolve himself, to only – pardon my crude use of the idiom – dig his own grave.

Only promised a few good fights, a lot of chuckles, and an easy way to kill a couple of hours. In today's Hollywood that's hard enough to deliver.

Gozu is a riddle wrapped in an enigma wrapped in a cow's head. If you think that this last statement doesn't make any sense, just watch the movie.

An achievement of this magnitude is a stunning and extremely pleasant surprise.

In a sense, Raging Dove serves as an entirely unintentional, I'm sure, metaphor for peace prospects in his homeland.

Children of the Enemy will give nuance to your understanding of the Syrian conflict, radicalization, and issues revolving around resettlement and citizenship.