Strictly for hardcore horror fans, though I can see this also becoming a huge “dare you to watch it” event for the uninitiated. We haven’t had a movie this dangerous in the theaters in a long time, and its presence is both important and historical in the history of extreme cinema. This movie will bite your face off.

Might not have been a bad film if its characters never said anything and some obnoxious visual metaphors were removed.

Writer Jemima Khan and director Shekhar Kapur not only bring the Pakistani perspective on romance but incorporates it into modern English culture.

I love the chemistry between Lawrence and Feldman. The comedy is funny and unafraid, and importantly, it has a heart and emotion that works. We need more movies like No Hard Feelings.

At 75 minutes, Ottolenghi and the Cakes of Versailles goes down easily but lacks a distinctive flavor.

In addition to the excellent acting and well-written characters, Doctor Sleep is a delightful visual trip through a hellish winter wonderland.

Yumiko Shaku as Yuki is small, beautiful, and stunningly sexy while she plies her deadly skill like a dancer. Her self-assured poise and large expressive eyes say everything that the minimal dialogue doesn’t.

It's technologically more advanced, far more thrilling and there's infinitely more dinos per minute.

The best thing the filmmakers did was to pull a cast out of the stage productions. Importantly, the actors convey a sense of history and comfort with each other.

A heartwarming, cleansing film that's simply good for the soul.

In the end, the story of the show Ren & Stimpy is a fascinating one, especially for fans and anyone who wants to push boundaries in Hollywood. It also doesn’t make a hero out of John Kricfalusi, who still desires admiration and sympathy.

The animation in Pocahontas is a testament to the constantly evolving skills of the various animators involved, drawing characters that manage to make an impact, even if only a small one.

Thanks to the cast and crew, this flamboyant tale of lavishness works on almost every level. At the heart of Pretty Problems lies a story about appreciating what you have and not relying on the compliments of strangers to influence your self-worth.

Fascinating as it is to see the sheer drive and determination of a man who builds his persona with unwavering dedication, Loudmouth can appear somewhat hagiographical in its approach. Sharpton is too fearless for such a style and has never shied away from confronting those who are angered by his words, for, as Dr. King once said, “In order to love your enemies, you must begin by analyzing self.”

Traveling faster than a fat line of blow snorted from mirror to nose, Cocaine Cowboys is all rush and no crash.

Fight or Flight is the kind of blood-splattered airplane movie that knows exactly what it is and fully commits — like Die Hard 2 hijacked by the John Wick stunt team. It’s dumb in the best ways, fast in all the right places, and somehow still lets Josh Hartnett show us he can kick a*s and break hearts… even while microdosing by mistake.

The film’s structural frenzy lends itself to lots of comic riffing from the leads that often results in hilarious one-liners.

There are scenes of utter brilliance and honesty, then clunky scenes of melodrama the next.

Falls into the category of the contrived and forgettable cop drama.

If you're over the age of 11, there's obviously not much reason to see this.

Beautiful moments of performance such as Forster's subtly spellbinding monologues -- make for compelling cinema.

Shyamalan’s film blends together elements of humanity, faith, drama, tears, tension, terror, humour and the supernatural and succeeds in being one of the sharpest and most exciting films of the year.

Devilishly clever and boasting a killer finale, Intacto is this year's "Memento" -- only Spanish.

Noonan's life is one few of us can comprehend, and Mac Intyre's documentary, A Very British Gangster, is like a Guy Ritchie film come to life, only with a better dressed cast.

Quiz Lady works because as wacky as Annie and Jennie’s adventure gets, it’s a grounded story of sisters and siblings, thanks to writer Jen D’Angelo. Director Jessica Yu brilliantly manages the overall tone of the film, shifting effortlessly between comedy and drama. Lastly, it has a cast that’s more than up for the challenge.

While The Pact may sound overly sinister to some, August extracts ample nuance out of the cast, ensuring we’re never left without sympathy for Karen. The film’s success hinges upon Neumann’s calculated performance, and she gives the role the requisite amount of ambiguity, keeping the audience guessing as to her true motivations.

An emotionally honest film, but it would have been far more affecting if it felt more true to life.

Nothing about this film is as cathartic as it tries to make itself be because the characters just aren't that absorbing. Instead of tugging your heart, it just spits in your eye.